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| List of Figures | |
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| About the Authors | |
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| Acknowledgments | |
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| Preface | |
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| Silent Cinema and its Pioneers (1906-1930) | |
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| El ciego de aldea, ++ngel Garc+�a Cardona | |
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| Amor que mata, Fructu+�s Gelabert | |
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| Don Pedro el Cruel, Ricardo Ba_os, Albert Marro | |
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| La aldea maldita, Florifn Rey | |
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| Surrealism (1924-1930) and the Advent of Sound (the Second Republic: 1931-1936) | |
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| Un chien andalou, Luis Bu_uel | |
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| Tierra sin pan, Luis Bu_uel | |
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| Spanish Civil War (1936-1939) | |
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| Suspiros de Espa_a, Benito Perojo | |
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| Canciones para despu_s de una guerra, Basilio Mart+�n Patino | |
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| The Autarky: Papier-M+�ch_ Cinema (1939-1950) | |
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| Raza, Jos_ Luis Sfenz de Heredia | |
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| Locura de amor, Juan de Ordu_a | |
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| Neorealism: Status Quo and Dissent (1951-1961) | |
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| El cochecito, Marco Ferreri | |
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| Viridiana, Luis Bu_uel | |
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| The "Liberal" Dictatorship and its Agony (1962-1975) | |
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| El verdugo, Luis Garc+�a Berlanga | |
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| El jard+�n de las delicias, Carlos Saura | |
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| Cinema of the Transition: The Period of Disenchantment (1975-1979) | |
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| El desencanto, Jaime Chfvarri | |
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| El crimen de Cuenca, Pilar Mir+� | |
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| Post-Franco Spain: The Pedro Almod+�var Phenomenon (1980-1991) | |
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| Pepi, Luci, Bom, y otras chicas del mont+�n, Pedro Almod+�var | |
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| )Qu_ he hecho yo para merecer esto!, Pedro Almod+�var | |
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| Contemporary Trends (1992 to the Present) | |
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| Vacas, Julio Medem | |
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| Car+�cies, Ventura Pons | |
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| Flores de otro mundo, Ic+�ar Bolla+�n | |
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| The Secret Life of Words (La vida secreta de las palabras),Isabel Coixet | |
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| Glossary of Film Terms | |
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| Historical Chronology | |
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| Notes | |
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| Bibliography | |
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| Index | |