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| List of Illustrations | |
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| Series Editor's Preface | |
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| Preface and Acknowledgments | |
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| Acknowledgments to Sources | |
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| Introduction: Remapping the Art of the Mediterranean | |
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| Late Antiquity: Converging Cultures, Competing Traditions. Pagan, Jewish, Christian, and Sasanian Art | |
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| The Changing Nature of Roman Art and the Art-Historical Problem of Style | |
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| Good and Bad Images from the Synagogue of Dura Europos: Contexts, Subtexts, Intertexts | |
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| Exotic Taste: The Lure of Sasanian Persia | |
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| Dionysiac Motifs | |
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| Continuities: Tradition and Formation of Cultural Identities | |
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| The Good Life | |
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| Hellenism and Islam | |
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| The Draped Universe of Islam | |
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| Image and Word: Early Medieval, Byzantine, and Islamic Art | |
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| The Beginnings of Biblical Illustration | |
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| Sacred Image, Sacred Power | |
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| The Umayyad Dome of the Rock in Jerusalem | |
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| The Image of the Word: Notes on the Religious Iconography of Islam | |
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| Islam, Iconoclasm, and the Declaration of Doctrine | |
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| Local Syncretistic Traditions: Jews, Muslims, and Christians | |
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| Hebrew Book Illumination in the Fatimid Era | |
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| An Icon at Mt. Sinai and Christian Painting in Muslim Egypt during the Thirteenth and Fourteenth Centuries | |
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| Luxury Arts and the Representation of the Court | |
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| The Cup of San Marco and the "Classical" in Byzantium | |
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| Images of the Court | |
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| But Is It Art? | |
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| Expanding Boundaries: Spain, Sicily, Venice, and Beyond | |
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| Pathways of Portability: Islamic and Christian Interchange from the Tenth to the Twelfth Century | |
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| Islam, Christianity, and the Problem of Religious Art | |
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| The Medieval Object-Enigma, and the Problem of the Cappella Palatina in Palermo | |
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| Venice and Islam in the Middle Ages: Some Observations on the Question of Architectural Influence | |
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| Index | |