Sound Clash Jamaican Dancehall Culture at Large
Edition: 2004 (Revised)
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Description: Megawattage sound systems have blasted the electronically enhanced riddims and tongue-twisting lyrics of Jamaica's dancehall DJs across the globe. This high-energy raggamuffin music is often dissed by old-school roots reggae fans as a raucous degeneration of classic Jamaican popular music. In this provocative study of dancehall culture Carolyn Cooper, Professor of Literary and Cultural Studies at the University of the West Indies, Mona, Jamaica, offers a sympathetic account of the philosophy of a wide range of dancehall DJs: Shabba Ranks, Lady Saw, Ninjaman, Capleton, Buju Banton, Anthony B, Apache Indian. She demonstrates the ways in which the language of dancehall culture, often devalued as mere 'noise,' articulates a complex understanding of the border clashes that characterise Jamaican society. Cooper also analyses the sound clashes that erupt in the movement of Jamaican dancehall culture across national borders.
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All the information you need in one place! Each Study Brief is a summary of one specific subject; facts, figures, and explanations to help you learn faster.
List price: $43.00
Copyright year: 2004
Publisher: Palgrave Macmillan
Publication date: 9/15/2004
Size: 5.50" wide x 8.00" long x 1.00" tall
|Introduction: Word, Sound & Power|
|Border Clash: Sites of Contestation|
|Slackness Personified: Representations of Female Sexuality in the Lyrics of Bob Marley and Shabba Ranks|
|Lady Saw Cuts Loose: Female Fertility Rituals in the Dancehall|
|'Mama, is That You?': Erotic Disguise in the Films Dancehall Queen and Babymother|
|'Lyrical Gun': Metaphor and Role-Play in Dancehall Culture|
|'More Fire': Chanting Down Babylon from Bob Marley to Capleton|
|'Vile Vocals': Exporting Jamaican Dancehall Lyrics to Barbados|
|Hip-Hopping Across Cultures: Reggae to Rap and Back|
|Mix up the Indian with all the Patwa: Rajamuffin Sounds in Cool Britannia|
|The Dancehall Transnation: Language, Literature and Global Jamaica|