American Tensions Literature of Identity and the Search for Social Justice

ISBN-10: 0981559387

ISBN-13: 9780981559384

Edition: 2011

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Book details

List price: $24.95
Copyright year: 2011
Publisher: New Village Press
Publication date: 4/26/2011
Binding: Paperback
Pages: 336
Size: 6.00" wide x 9.00" long x 0.75" tall
Weight: 1.188
Language: English

William Reichard is the author of four collections of poetry:Sin Eater(Mid-List Press, 2010);This Brightness(Mid-List Press, 2007);How To(Mid-List Press, 2004), a finalist for the James Laughlin Award from the Academy of American Poets; andAn Alchemy in the Bones(New Rivers Press, 1999), which won a MN Voices Prize. Poems fromThis BrightnessandHow Tohave been featured on NPR’s “Writers Almanac.” Reichard has published one chapbook,To Be Quietly Spoken(Frith Press, 2001) and is the editor ofThe Evening Crowd at Kirmser’s: A Gay Life in the 1940s(Univ. of MN Press, 2001). Reichard holds an MA in Creative Writing, and a Ph.D. in American Literature, both from the University of Minnesota. He has taught at the University of Minnesota, The University of Saint Thomas, and Saint Catherine University. Reichard is a Program Director for the Higher Education Consortium for Urban Affairs, where he teaches two college-level off-campus study programs: Writing for Social Change, which examines the role of literature and the writer in offering social critique and working for social justice; and City Arts, which examines the role of art, artists, and activists in working for social justice and social change.

Ted Kooser, former U.S. poet laureate and winner of the Pulitzer Prize in Poetry, is a professor of English at the University of Nebraska–Lincoln. In addition to his many volumes of poetry, he is the author ofThe Poetry Home Repair Manual: Practical Advice for Beginning Poetsand coauthor (with Steve Cox) ofWriting Brave and Free: Encouraging Words for People Who Want to Start Writing, both available in Bison Books editions. nbsp; Robert Hanna is a retired architect who spends his time painting, illustrating, and teaching art workshops throughout the Great Plains region.

Sherman J. Alexie, Jr., was born in October of 1966. His mother was Spokane Indian and his father was Coeur d'Alene Indian. Alexie grew up on the Spokane Indian Reservation in Wellpinit, Washington. He was born hydrocephalic, which means with water on the brain, and received an operation at the age of 6 months. He was not expected to survive, but did, even though doctors predicted he would live with severe mental retardation. Surprisingly, though he suffered from severe side effects, he exhibited no symptoms of retardation and went on to learn to read by age three, and read Steinbeck's The Grapes of Wrath by age five. Alexie decided to attend high school off the reservation, in Reardan, Washington, where he knew he would get a better education. He was the only Indian at the school, and excelled academically as well as in sports, becoming a star player on the basketball team. After high school, Alexie attended Gonzaga University in Spokane on scholarship in 1985. After two years at there, he transferred to Washington State University. Alexie had dreams of being a doctor but discovered he needed a different career path after fainting three times in anatomy class. Taking a poetry workshop at WSU, Alexie found he excelled at writing and, encouraged by poetry teacher Alex Kuo, realized he'd found his new career. After graduating in American Studies from WSU, Alexie received the Washington State Arts Commission Poetry Fellowship in 1991 and the National Endowment for the Arts Poetry Fellowship in 1992. A year after he left WSU, two of his poetry collections, The Business of Fancydancing and I Would Steal Horses, were published. His first collection of short stories, The Lone Ranger and Tonto Fistfight in Heaven, was published by Atlantic Monthly Press in 1993. For this collection he received a PEN/Hemingway Award for Best First Book of Fiction, and was awarded a Lila Wallace-Reader's Digest Writers' Award. Alexie was then named one of Granta's Best of Young American Novelists and won the Before Columbus Foundation's American Book Award and the Murray Morgan Prize for his first novel, Reservation Blues, published in 1995. His second novel, Indian Killer, published in 1996, was named one of People's Best of Pages and a New York Times Notable Book. Alexie had become friends with musician Jim Boyd, a Colville Indian, and the two decided to collaborate on the album Reservation Blues, which contains the songs from the book of the same name. In 1996 Boyd and Alexie opened for the Indigo Girls at a concert to benefit the Honor the Earth Campaign. In 1997, Alexie embarked on another collaboration with Chris Eyre, a Cheyenne/Arapaho Indian. They agreed to collaborate on a film project inspired by Alexie's work, This is What it Means to Say Phoenix, Arizona, from the short story collection The Lone Ranger and Tonto Fistfight in Heaven. Smoke Signals debuted at the Sundance Film Festival in January 1998, winning two awards: the Audience Award and the Filmmakers Trophy. In 1999 the film received a Christopher Award, presented to the creators of artistic works "which affirm the highest values of the human spirit." Alexie was also nominated for the Independent Feature Project/West 1999 Independent Spirit Award for Best First Screenplay. Alexie competed in his first World Heavyweight Poetry Bout competition in June 1998, organized by the World Poetry Bout Association (WPBA) in Taos, New Mexico. He won, and then went on to win the title again over the next three years, becoming the first and only poet to hold the title for four consecutive years. Alexie also made his stand-up comedy debut at the Foolproof Northwest Comedy Festival in Seattle, WA, in April 1999, Also in 1998, Alexie participated with seven others in the PBS Lehrer News Hour, Dialogue on Race with President Clinton. Alexie has also been featured on Politically Incorrect , 60 Minutes II, and NOW with Bill Moyers. In February 2003, Alexie participated in the Museum of Tolerance project, "Finding Our Families, Finding Ourselves," an exhibit showcasing the diversity within the personal histories of several noted Americans. He was the guest editor for the Winter 2000-01 issue of Ploughshares, a prestigious literary journal. He was a 1999 O. Henry Award Prize juror, was one of the judges for the 2000 inagural PEN/Amazon.com Short Story Award, and a juror for both the Poetry Society of America's 2001 Shelley Memorial Award and the Poets and Writers "Writers Exchange 2001" Contest. He currently serves as a mentor in the PEN Emerging Writers program. Alexie was also a member of the 2000 and 2001 Independent Spirit Awards Nominating Committees, and has seved as a creative advisor to the Sundance Institute Writers Fellowship Program and the Independent Feature Films West Screenwriters Lab. In October 2003 he received Washington State University's highest honor for alumni, the Regents' Distinguished Alumnus Award. Alexie's work was selected for inclusion in The Best American Short Stories 2004,and his short story "What You Pawn I Will Redeem" was selected by juror Ann Patchett as her favorite story for the The O. Henry Prize Stories 2005. Alexie has published 16 books including his collection of short stories, Ten Little Indians.

Yusef Komunyakka's eleven books of poems include Thieves of Paradise, a finalist for the National Book Critics Circle Award, and Neon Vernacular, for which he received the Pulitzer Prize. He teaches at Princeton University and lives in New York City.

Poet Adrienne Rich was born in Baltimore, Maryland on May 16, 1929. In 1951 she graduated from Radcliffe College and was selected for the Yale Series of Younger Poets prize by W.H. Auden. Rich married Harvard University economist Alfred H. Conrad in 1953. In 1966 she moved to New York City with her husband and three sons, where she became involved in sociopolitical activism. Rich began teaching for City College of New York in 1968, and was also a lecturer and adjunct professor at Swarthmore College and Columbia University School of the Arts. She taught in CUNY's basic writing program during the early 1970s. In 1970, Rich became estranged from her husband, who committed suicide later that year. She started to be active in the women's liberation movement at this time. Her work has been characterized as confrontational, treating women's role in society, racism, and the Vietnam War. In addition to many collections of poetry, Rich has also written several books of nonfiction prose, such as "Arts of the Possible: Essays and Conversations," "What is Found There: Notebooks on Poetry and Politics," and Of Woman Born: Motherhood as Experience and Institution. Rich has won numerous literary awards, including the 1986 Ruth Lilly Poetry Prize, the 1992 Poets' Prize, the 1997 Wallace Stevens Award of the Academy of American Poets, the 2004 National Book Critics Circle Award in Poetry, and the 2006 National Book Foundation "Medal of Distinguished Contribution to American Letters." She has also received the Bollingen Prize, the Lannan Lifetime Achievement Award, the Academy of American Poets Fellowship, the Lenore Marshall Poetry Prize, and a MacArthur Fellowship, and she is a former Chancellor of the Academy of American Poets. In 1974, Rich refused to receive as an individual the National Book Award for Poetry, instead accepting it on behalf of all silenced women. She also refused the National Medal of Arts in 1997, stating that "I could not accept such an award from President Clinton or this White House because the very meaning of art, as I understand it, is incompatible with the cynical politics of this administration." Rich lives in Santa Cruz, California with her partner, Michelle Cliff.

Acknowledgments
Foreword
Introduction
The Lives We're Given, The Lives We Make
Future Home of the Living God
Speaking of Names
The Machinist, Teaching His Daughter to Play the Piano
Work
Keats
Shiloh
Bastard Out of Carolina (an excerpt)
The Root Woman
The Smell of Snake
Trestle
In Winter
Straddling Fences
At the Galleria
Dialectical Materialism
The Florist's Daughter (an excerpt)
Other Meaning
Seven Fragments (found inside my father)
Father Outside
Good to Go
Man On The TV Say
Only Everything I Own
Inconvenient
What To Tweak
Golden Rule Days
$00/Line/Steel/Train (excerpts)
Lessons
Lincoln Avenue
Resolution
Undoing
Manikin
Avoidance
Said to Sarah, Ten
Trans
Aaron at Work/Rain
Hymns to Nanan
That Which Holds Us Together, That Which Pulls Us Apart
An Atlas of the Difficult World (excerpts)
Speaking English Is Like
Uses for Spanish in Pittsburgh
Grocery Shopping with My Girlfriend Who Is Not Asian
Speaking Spanish Is Like
Indian Education
The History of My Shoes and the Evolution of Darwin's Theory (excerpts)
Fugue
Overture: Watermelon City
Observation Post #71
Here, Bullet
AB Negative
Nightin Blue
Praise the Tortilla, Praise Menudo, Praise Chorizo
The Magnets
These Days
I Didn't Sleep
Bagram, Afghanistan, 2002
Messy
Poem Post-9/11/01
First Generation Angels
The Young Asian Women
Father Blues for Jon Jang
Minneapolis Public
Under the Influence
Guidelines for the Treatment of Sacred Objects
The Theft Outright
Butter Maiden and Maize Girl Survive Death Leap
The Lone Reader and Tonchee Fistfight in Pages
Charlie Howard's Descent
Tiara
Homo Will Not Inherit
Beginners
Art Lessons
Toward a Portrait of the Undocumented
Blasphemous Elegy for May 14, 2003
The Rain, the Rez, and Other Things
Autobiography of My Alter Ego (excerpts)
1959, Loomis Avenue
Akhenaten
The Glue That Held Everything Together
Spirit Car: Journey to a Dakota Past (excerpt)
Conjuring War
Falling Man
But at the Church
Polygutteral
Burnt Offering: Mid-November
Frozen in the Sky
The Secret to Life in America
The Edge of the World-The Contemporary Environment
Culture, Biology, and Emergence
Designer Genes
So Much Like A Beach After All
It Is Fair To Be Crossing
Not Getting Tired of the Earth
Between Now and Then
Lone Tree, 1986
continental divide
cancer inside the little sea
Cloudy Is the Stuff of Stones
Humble
Rapture
The Radiant
The Night Constant
Waterfront Property
Alice & Emily, Diana & Dunes
Rights and Permissions
Contributors
About the Editor
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