Preface | |
My Answer | p. 3 |
By His Appearance in San Diego, Gerald Ford Recalls the Bringing Together of Father and Son | p. 5 |
Gift of the Guest | p. 5 |
Us, Here, Ruled | p. 7 |
Roller Rink | p. 8 |
Walking Out | p. 9 |
Twentieth Anniversary | p. 10 |
Southbound | p. 11 |
Stable | p. 13 |
Plagues | p. 14 |
Cleaning the Graves | p. 15 |
My Grandfather's Funeral | p. 16 |
White Lake | p. 18 |
Marriage Portrait | p. 18 |
Barbecue Service | p. 20 |
Economics | p. 21 |
How It's Done | p. 22 |
Silence | p. 22 |
Gift | p. 23 |
"I had a terror - since September" | p. 24 |
Two Figures on Canvas | p. 24 |
Portraits | p. 25 |
What More? | p. 25 |
Body Food | p. 27 |
The Wild Horses of Assateague Island | p. 28 |
Watching TV, the Elk Bones Up on Metaphysics | p. 29 |
The Elk on Mutability | p. 30 |
The Elk Uncovers the Heavens | p. 31 |
The Peace of Wild Things | p. 32 |
To Know the Dark | p. 33 |
The Grandmother | p. 33 |
Grief | p. 34 |
Under the Boathouse | p. 35 |
The Boy Shepherds' Simile | p. 36 |
Sign for My Father, Who Stressed the Bunt | p. 37 |
The Desk | p. 38 |
Under the Vulture-Tree | p. 40 |
Allatoona Evening | p. 41 |
Aphasia | p. 42 |
Namesake | p. 44 |
Mother Land | p. 45 |
Groceries | p. 45 |
Orchids | p. 46 |
Learning How to Pray | p. 48 |
Novas | p. 49 |
Departure | p. 51 |
Lying on a Bridge | p. 51 |
The Man in the Rain | p. 52 |
Preserves | p. 53 |
No News at All | p. 54 |
Subplot | p. 55 |
A Prayer to Sleep | p. 56 |
One Reason for Stars | p. 57 |
U-24 Anchors off New Orleans (1938) | p. 58 |
Professionals | p. 59 |
Flying Friendly Skies | p. 60 |
Berlin-to-Bagdad (Constantinople, 1876) | p. 61 |
My Grandmother Washes Her Feet | p. 62 |
Cleaning the Well | p. 66 |
My Grandmother Washes Her Vessels | p. 69 |
Second Wind | p. 71 |
My Mother Shoots the Breeze | p. 75 |
My Father Washes His Hands | p. 77 |
Narcissus and Echo | p. 79 |
Ars Poetica | p. 80 |
For the Spreading Laurel Tree | p. 81 |
The Tempest | p. 82 |
Disjunction | p. 83 |
Farewell to the Maiden | p. 84 |
The Heaven of Animals | p. 85 |
The Hospital Window | p. 87 |
In the Mountain Tent | p. 89 |
Cherrylog Road | p. 90 |
The Shark's Parlor | p. 93 |
The Sheep Child | p. 95 |
Falling | p. 97 |
False Youth: Autumn: Clothes of the Age | p. 102 |
The Mullins Farm | p. 103 |
Meditation for a Pickle Suite | p. 105 |
Mr. Turnbill to the Loggerheads | p. 106 |
Talismans | p. 108 |
The Magi | p. 109 |
Revival | p. 110 |
Bubbles | p. 111 |
York Harbor Morning | p. 112 |
Buzzard | p. 113 |
The Onion | p. 114 |
Invisible Work | p. 115 |
Country Woman Elegy | p. 116 |
Body Bags | p. 117 |
Approaching a Significant Birthday, He Peruses The Norton Anthology of Poetry | p. 119 |
Among Philistines | p. 120 |
1-800 | p. 122 |
The Denouement | p. 123 |
Maybe Dats Your Pwoblem Too | p. 124 |
White Trash | p. 125 |
Preposterous | p. 126 |
At the Piano | p. 127 |
Where the River Jordan Ends | p. 128 |
The Southern Crescent Was On Time | p. 129 |
Around the Campfire | p. 131 |
Burial Detail | p. 133 |
Heat Lightning in a Time of Drought | p. 135 |
Inner Ear | p. 138 |
The Beating | p. 140 |
What Shines in Winter Burns | p. 141 |
Where You Go When She Sleeps | p. 143 |
Zeitgeist Lightning | p. 144 |
Mechanics | p. 145 |
After Disappointment | p. 147 |
Unholy Sonnet #2 | p. 148 |
Questions for Ecclesiastes | p. 148 |
Stars | p. 151 |
Sweep | p. 152 |
The Mosquito | p. 154 |
The First Birth | p. 155 |
A Blasphemy | p. 156 |
One of the Citizens | p. 157 |
Sonnet: The Poet at Seven | p. 159 |
In Bertram's Garden | p. 160 |
Heart | p. 160 |
Men at Forty | p. 161 |
First Death | p. 162 |
Tremayne | p. 164 |
There Is a Gold Light in Certain Old Paintings | p. 166 |
Thinking About the Past | p. 167 |
He Sees Through Stone | p. 168 |
The Warden Said to Me the Other Day | p. 169 |
As You Leave Me | p. 170 |
We Never Know | p. 171 |
Ia Drang Valley | p. 172 |
Saigon Bar Girls, 1975 | p. 173 |
Facing It | p. 174 |
The Apple Pickers' Children | p. 175 |
Invisible Men | p. 177 |
Some Notes on Courage | p. 178 |
The Widow | p. 179 |
Man Arrested in Hacking Death Tells Police He Mistook Mother-in-Law for Raccoon | p. 181 |
The Punishment | p. 182 |
Jeanne d'Arc | p. 183 |
After Thirty Octobers | p. 184 |
The Great Man's Death: An Anecdote | p. 185 |
Breakfast | p. 186 |
Style | p. 186 |
The Miracle | p. 187 |
Disaster Poem | p. 188 |
1941 | p. 189 |
Elegy for the Other | p. 190 |
Never in My Life | p. 196 |
Hauling Over Wolf Creek Pass in Winter | p. 198 |
Starting a Pasture | p. 199 |
Crossing the Road | p. 201 |
Story | p. 202 |
How We Live | p. 203 |
On Catalpa Street | p. 203 |
Tap Water | p. 204 |
Twila Jo and the Wrestler | p. 205 |
Closing the House | p. 207 |
Hanging Burley | p. 208 |
Squirrel Stand | p. 208 |
The Hungry Dead | p. 209 |
Reciprocity | p. 210 |
Beside a Deathbed | p. 211 |
Bout with Burning | p. 211 |
from Love's Bitten Tongue: 1. "Lord, hush this ego as one stops a bell" | p. 212 |
from Love's Bitten Tongue: 2. "Of praying may (in mercy become prayer)" | p. 212 |
Pity | p. 213 |
Motel | p. 214 |
Rituals Along the Arkansas | p. 214 |
The Necessity of Falling | p. 216 |
Nightride, 1965 | p. 217 |
The Touch | p. 218 |
In the Kingdom of the Air | p. 219 |
Last Words | p. 220 |
The Hollow | p. 221 |
Mountain Bride | p. 222 |
Death Crown | p. 223 |
Walnutry | p. 224 |
Passenger Pigeons | p. 225 |
The Gift of Tongues | p. 226 |
A History of Silk | p. 227 |
Eulogy for a Snake Handler Killed By a Canebrake | p. 229 |
New Year | p. 232 |
Sure | p. 233 |
The Traveling Onion | p. 235 |
Hello | p. 235 |
Going for Peaches, Fredericksburg, Texas | p. 237 |
The Wastrel-Woman Poem | p. 239 |
Thelma | p. 241 |
"In These Houses of Swift Easy Women" | p. 242 |
Portrait | p. 242 |
Hot Bath in an Old Hotel | p. 247 |
Middle Age | p. 248 |
In Order to Perceive | p. 249 |
Concepts and Their Bodies (The Body in the Field Alone) | p. 251 |
A Giant Has Swallowed the Earth | p. 252 |
The Possible Salvation of Continuous Motion | p. 253 |
Achieving Perspective | p. 254 |
Discovering Your Subject | p. 255 |
Finding the Tattooed Lady in the Garden | p. 256 |
Rolling Naked in the Morning Dew | p. 257 |
Polio | p. 259 |
The Visitor | p. 260 |
Lost Letter to James Wright, With Thanks for a Map of Fano | p. 260 |
Basil | p. 262 |
For a Suicide, a Little Early Morning Music | p. 262 |
Postscript to an Elegy | p. 264 |
A Vacant Lot | p. 264 |
The Manuel | p. 266 |
The Brother-in-Law | p. 267 |
Dinner at the Mongoloid's | p. 267 |
It All Comes Together Outside the Restroom in Hogansville | p. 268 |
When Our Voices Broke Off | p. 269 |
Clouds over Islands | p. 271 |
Heads of Fire | p. 272 |
After the Game | p. 274 |
My Parents' Wedding | p. 275 |
The Palms | p. 276 |
The Roundhouse Voices | p. 277 |
Sailing the Back River | p. 280 |
Rain Forest | p. 281 |
An Antipastoral Memory of One Summer | p. 282 |
Descending | p. 283 |
Making a Statement | p. 284 |
Watching the News After the Tornados | p. 285 |
A Lament for the Dead Pets of Out Childhood | p. 286 |
A Postcard from Greece | p. 287 |
Inventory | p. 288 |
Death and Memory | p. 290 |
Between Love and Death | p. 291 |
Island Funeral | p. 292 |
Allegory of Death and Night | p. 292 |
The Light the Dead See | p. 293 |
Evening's End | p. 295 |
To Laura Phelan: 1880-1906 | p. 299 |
Day Begins at Governor's Square Mall | p. 300 |
Senor Wences and the Man in the Box | p. 302 |
The Girl in the Hall | p. 304 |
Death | p. 305 |
After Love | p. 306 |
Early Sunday Morning | p. 306 |
Taking to the Woods | p. 308 |
The Way It Sometimes Is | p. 311 |
At the Grave of E. A. Robinson | p. 312 |
As on a Darkling Plain | p. 312 |
At the Swings | p. 313 |
In Memory of Brother Dave Gardner | p. 315 |
Rain | p. 316 |
We Kept Missing Each Other | p. 317 |
Convergence | p. 319 |
Envoi | p. 320 |
Farm Wife | p. 321 |
Jug Brook | p. 322 |
Daughter | p. 323 |
Sweet Everlasting | p. 323 |
Landscape, Dense with Trees | p. 324 |
The Lotus Flowers | p. 325 |
The Farmer | p. 327 |
The Last Class | p. 328 |
My Husband Says | p. 330 |
Your Soul Shines | p. 331 |
Even As I Hold You | p. 332 |
Tell Me a Story | p. 333 |
The Spider | p. 334 |
Sister Water | p. 335 |
Last Laugh | p. 336 |
Evening Hour | p. 337 |
Heat Lightning | p. 338 |
What Voice at Moth-Hour | p. 340 |
Heart of Autumn | p. 341 |
The Clay Eaters | p. 342 |
Dr. Ezekiel MacAllister, Missionary to the Heathen, Delivers A Film Lecture at the Sunday Night Service of the First Methodist Church, Selma, Alabama | p. 343 |
A Local Man Goes to the Killing Ground | p. 345 |
A Local Man Remembers Betty Fuller | p. 346 |
A Local Contractor Flees His Winter Trouble and Saves Some Lives in a Knoxville Motel Room | p. 346 |
Long Tour: the Country Music Star Explains Why He Put off the Bus and Fired a Good Lead Guitar in West Texas | p. 347 |
A Natural Theology | p. 348 |
A Poem for My Humerus | p. 348 |
For My Father at Eighty | p. 350 |
The Caterpillar | p. 351 |
Why God Permits Evil: For Answers to This Question of Interest to Many Write Bible Answers Dept. E-7 | p. 353 |
Ruby Tells All | p. 355 |
On a Photograph of My Mother at Seventeen | p. 356 |
A Poem for Emily | p. 357 |
The Aging Actress Sees Herself a Starlet on the Late Show | p. 358 |
The Curator | p. 359 |
Jonathan Confronts the Question | p. 361 |
Obedience of the Corpse | p. 362 |
Tours | p. 363 |
Birth of the Cool | p. 363 |
Slag | p. 364 |
More Blues and the Abstract Truth | p. 364 |
April | p. 366 |
Cloud River | p. 367 |
Clear Night | p. 367 |
October | p. 368 |
Arkansas Traveller | p. 368 |
The Other Side of the River | p. 371 |
Umbrian Dreams | p. 374 |
Index of Titles | p. 375 |
Table of Contents provided by Blackwell. All Rights Reserved. |