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| Foreword | |
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| Preface | |
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| Note to the Reader | |
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| The Eye's Caress: Looking, Appreciation, and Connoisseurship | |
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| The Lamp of Memory, I | |
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| Aesthetics and History in the Visual Arts | |
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| Art | |
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| Looking at Pictures | |
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| The History of Art as a Humanistic Discipline | |
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| The Modern Cult of Monuments: Its Essence and Its Development | |
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| Principles of Art History | |
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| Italian Painters of the Renaissance | |
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| Conversations with Berenson | |
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| Fundamental Laws of Sculpture | |
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| From Light into Paint | |
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| Of Turnerian Mystery: Secondly, Willful | |
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| Rudiments of Connoisseurship | |
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| On Art and Connoisseurship | |
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| Connoisseurship | |
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| The Nature of Gothic | |
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| The Original Intent of the Artist | |
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| Art in Transition | |
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| Crimes against the Cubists | |
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| The Autonomy of Restoration: Ethical Considerations in Relation to Artistic Concepts | |
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| The Emergence of Modern Conservation Theory | |
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| That Mighty Sculptor, Time | |
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| Restoration from the Perspective of the Humanities | |
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| Theory of Restoration, I | |
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| The Integration of the Image: Problems in the Restoration of Monuments | |
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| Knowing How to "Question" the Object before Restoring It | |
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| Introduction to Archaeological Conservation | |
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| Historical Perspective | |
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| Historic Preservation: Philosophy, Criteria, Guidelines, I | |
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| Degradation, Conservation, and Restoration of Works of Art: Historical Overview | |
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| Further Materials for a History of Conservation | |
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| The Surgery of Memory: Ancient Sculpture and Historical Restorations | |
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| Restoration and Anti-Restoration | |
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| Restoration | |
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| Manifesto of the Society for the Protection of Ancient Buildings | |
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| The Lamp of Memory, II | |
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| Reintegration of Losses | |
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| On Restorations | |
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| The Problem of the Integration of Lacunae in the Restoration of Paintings | |
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| Theory of Restoration, II | |
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| Problems of Presentation | |
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| Theory of Restoration and Methodological Unity | |
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| Historic Preservation: Philosophy Criteria, Guidelines, II | |
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| The Idea of Patina | |
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| The Idea of Patina and the Cleaning of Paintings | |
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| Theory of Restoration, III | |
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| The Cleaning of Pictures in Relation to Patina, Varnish, and Glazes | |
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| A Review of the History and Practice of Patination | |
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| The Surface of Objects and Museum Style | |
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| The Role of Science and Technology | |
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| Scientific Research and the Restoration of Paintings | |
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| The Scientist's Role in Historic Preservation with Particular Reference to Stone Conservation | |
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| The Science and Art of Conservation of Cultural Property | |
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| Annotated Bibliography | |
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| About the Authors | |
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| Illustration Credits | |
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| Index | |