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| Editors' Notes | |
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| Acknowledgments | |
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| Introduction | |
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| Theory of Flight (1935) | |
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| Poem Out of Childhood | |
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| Poem Out of Childhood | |
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| Song for Dead Children | |
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| In a Dark House | |
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| Effort at Speech between Two People | |
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| Notes for a Poem | |
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| Place-Rituals | |
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| Tradition of This Acre | |
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| Ritual of Blessing | |
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| Wooden Spring | |
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| Sonnet | |
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| Letter, Unposted | |
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| Sand-Quarry with Moving Figures | |
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| Wedding Presents | |
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| Three Sides of a Coin | |
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| Breathing Landscape | |
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| Four in a Family | |
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| This House, This Country | |
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| Theory of Flight | |
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| Preamble | |
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| The Gyroscope | |
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| The Lynchings of Jesus | |
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| Passage to Godhead | |
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| The Committee-Room | |
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| The Trial | |
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| The Tunnel | |
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| The Structure of the Plane | |
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| The Structure of the Plane | |
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| The Strike | |
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| The Lover | |
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| Night Flight: New York | |
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| Theory of Flight | |
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| The Blood Is Justified | |
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| For Memory | |
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| Life and Works | |
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| Holy Dying | |
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| Ritual for Death | |
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| City of Monuments | |
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| Study in a Late Subway | |
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| Child and Mother | |
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| Eccentric Motion | |
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| Sundays, They Sleep Late | |
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| Thousands of Days | |
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| The Surrounded | |
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| Burlesque | |
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| Movie | |
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| Metaphor to Action | |
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| Citation for Horace Gregory | |
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| Cats and a Cock | |
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| The Blood Is Justified | |
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| U.S. 1 (1938) | |
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| The Book of the Dead | |
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| The Road | |
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| West Virginia | |
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| Statement: Phillippa Allen | |
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| Gauley Bridge | |
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| The Face of the Dam: Vivian Jones | |
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| Praise of the Committee | |
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| Mearl Blankenship | |
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| Absalom | |
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| The Disease | |
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| George Robinson: Blues | |
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| Juanita Tinsley | |
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| The Doctors | |
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| The Cornfield | |
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| Arthur Peyton | |
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| Alloy | |
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| Power | |
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| The Dam | |
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| The Disease: After-Effects | |
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| The Bill | |
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| The Book of the Dead | |
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| Night-Music | |
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| A Flashing Cliff | |
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| Girl at the Play | |
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| Burning Bush | |
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| Eel | |
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| Homage to Literature | |
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| The Handclap | |
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| Trophies | |
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| Panacea | |
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| In Hades, Orpheus | |
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| The Drowning Young Man | |
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| Boy with His Hair Cut Short | |
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| Course | |
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| More of a Corpse than a Woman | |
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| Three Black Women | |
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| Formosa | |
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| Night-Music | |
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| Time Exposures | |
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| The Child Asleep | |
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| Adventures, Midnight | |
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| Night-Music | |
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| Driveway | |
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| Lover as Fox | |
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| Gift-Poem | |
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| Woman and Emblems | |
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| Woman and Bird | |
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| The Birthday | |
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| Woman and Music | |
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| Outpost | |
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| Two Voyages | |
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| The Cruise | |
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| Mediterranean | |
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| A Turning Wind (1939) | |
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| Moment of Proof | |
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| Reading Time: 1 Minute 26 Seconds | |
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| Song, the Brain-Coral | |
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| Target Practice | |
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| Otherworld | |
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| Landing at Liverpool | |
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| The Island | |
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| Otherworld | |
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| Nuns in the Wind | |
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| For Fun | |
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| Correspondences | |
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| Democritus Laughed | |
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| Tree of Days | |
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| 1/26/39 | |
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| Correspondences | |
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| Noguchi | |
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| Seventh Avenue | |
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| The Shortest Way Home | |
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| Palos Verdes Cliffs | |
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| Paper Anniversary | |
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| From the Duck-Pond to the Carousel | |
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| Asylum Song | |
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| The Victims, a Play for the Home | |
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| M-Day's Child | |
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| Speech for the Assistant, from Houdini | |
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| Judith | |
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| Lives | |
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| "The risen image shines, its force escapes, we are all named" | |
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| Gibbs | |
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| Ryder | |
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| Chapman | |
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| Ann Burlak | |
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| Ives | |
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| Wake Island (1942) | |
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| Beast in View (1944) | |
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| One Soldier | |
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| Beast in View | |
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| Ajanta | |
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| The Journey | |
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| The Cave | |
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| Les Tendresses Bestiales | |
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| Black Blood | |
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| The Broken World | |
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| Mortal Girl | |
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| Child in the Great Wood | |
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| The Meeting | |
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| The Key | |
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| Darkness Music | |
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| Song | |
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| Shooting Gallery | |
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| Suicide Blues | |
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| Wreath of Women | |
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| Madboy's Song | |
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| Drunken Girl | |
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| Love and Its Doors and Windows | |
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| The Minotaur | |
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| Gift-Poem | |
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| Holy Family | |
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| Who in One Lifetime | |
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| from "To the Unborn Child" | |
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| Leg in a Plaster Cast | |
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| Bubble of Air | |
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| Sea Mercy | |
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| Long Past Moncada | |
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| Chapultepec Park-1 | |
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| Chapultepec Park-2 | |
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| A Game of Ball | |
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| Gold Leaf | |
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| All Souls | |
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| Evening Plaza, San Miguel | |
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| Beast in View | |
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| Letter to the Front | |
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| "Women and poets see the truth arrive" | |
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| "Even during war, moments of delicate peace" | |
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| "They called us to a change of heart" | |
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| Sestina | |
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| "Much later, I lie in a white seaport night" | |
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| "Home thoughts from home; we read you every day" | |
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| "To be a Jew in the twentieth century" | |
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| "Evening, bringing me out of the government building" | |
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| "Among all the waste there are the intense stories" | |
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| "Surely it is time for the true grace of women" | |
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| The Soul and Body of John Brown | |
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| The Green Wave (1948) | |
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| "Let poems and bodies love and be given to air" | |
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| Water Night | |
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| Eyes of Night-Time | |
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| This Place in the Ways | |
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| Song, from "Mr. Amazeen on the River" | |
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| Cloud, Airs, Carried Me Away | |
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| Salamander | |
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| His Head Is Full of Faces | |
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| Mrs. Walpurga | |
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| A Certain Music | |
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| The Motive of All of It | |
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| Green Limits | |
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| The Children's Orchard | |
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| Christmas Eve | |
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| Crayon House | |
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| A Charm for Cantinflas | |
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| Traditional Tune | |
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| Foghorn in Horror | |
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| Summer, the Sacramento | |
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| Speech of the Mother, from The Middle of the Air | |
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| Then I Saw What the Calling Was | |
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| Translations: Six Poems by Octavio Paz | |
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| The Bird | |
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| Poet's Epitaph | |
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| Spark | |
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| Two Bodies | |
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| The Street | |
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| Lovers | |
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| Rari from the Marquesas | |
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| Rari for Tahia and Piu | |
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| Rari for O'Otua | |
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| A True Confession | |
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| Careful of the Day | |
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| Rari for Hepuheku | |
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| Rari | |
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| Rari to Encourage Youth | |
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| Rari, to Be Bothered by Mosquitoes | |
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| Not Before I Fall Asleep | |
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| Easter Eve 1945 | |
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| Easter Eve 1945 | |
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| Private Life of the Sphinx | |
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| Nine Poems for the unborn child | |
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| Orpheus (1949) | |
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| Elegies (1949) | |
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| First Elegy. Rotten Lake | |
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| Second Elegy. Age of Magicians | |
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| Third Elegy. The Fear of Form | |
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| Fourth Elegy. The Refugees | |
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| Fifth Elegy. A Turning Wind | |
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| Sixth Elegy. River Elegy | |
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| Seventh Elegy. Dream-Singing Elegy | |
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| Eighth Elegy. Children's Elegy | |
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| Ninth Elegy. The Antagonists | |
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| Tenth Elegy. Elegy in Joy | |
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| Body of Waking (1958) | |
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| Haying Before Storm | |
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| Phaneron | |
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| The Young Girl of the Mississippi Valley | |
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| A Birth | |
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| King's Mountain | |
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| Mother Garden's Round | |
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| Rite | |
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| Ringling | |
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| After Their Quarrel | |
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| Tree | |
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| Night Feeding | |
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| The Return | |
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| Unborn Song | |
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| The Two Illuminations | |
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| F.O.M. | |
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| Exile of Music | |
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| On the Death of Her Mother | |
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| "Make and be eaten, the poet says" | |
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| Hero Speech | |
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| The Watchers | |
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| A Ballad Theme | |
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| Asleep and Awake | |
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| Of Money. And the Past | |
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| "Long enough. Long enough" | |
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| The Loan | |
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| Pouring Milk Away | |
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| Children, the Sandbar, that Summer | |
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| Born in December | |
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| The Sixth Night: Waking | |
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| Nevertheless the Moon | |
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| Speed, We Say | |
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| The Birth of Venus | |
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| The Place at Alert Bay | |
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| Voices of Waking | |
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| Divining Water | |
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| Translations: Octavio Paz | |
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| "The hand of day opens" | |
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| "At daybreak go looking for your newborn name" | |
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| Fable | |
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| Day | |
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| Proverbs | |
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| "In her splendor islanded" | |
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| "Like ivy the creeper with a thousand hands" | |
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| Life of the Poet | |
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| The Prisoner | |
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| from Sun Stone | |
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| Suite for Lord Timothy Dexter | |
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| "They face us in sea-noon sun, just as he saw them waiting" | |
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| How to Impress Massachusetts | |
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| Three Nights I Dreamed | |
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| Kings and Contemporaries | |
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| The Pickle, the Temple | |
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| The Kind of Woman | |
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| Guessing Time | |
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| Are You Born?-I | |
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| "Murmurs from the earth of this land, from the caves and craters" | |
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| "The tree of rivers seen and forgotten" | |
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| "The power of war leads to a plan of lives" | |
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| "A tree of rivers flowing through our lives" | |
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| "The sea has opened, the limit of his dream" | |
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| Powerplant | |
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| "In the last hour of night, a zebra racing dawn" | |
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| Fields Where We Slept | |
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| Portrait of a Man, with a Background of Holdings | |
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| "A red bridge fastening this city to the forest" | |
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| "Power never dominion" | |
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| "The sky is as black as it was when you lay down" | |
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| "On your journey you will come to a time of waking" | |
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| "This is the net of begetting and belief" | |
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| Body of Waking | |
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| "Sounds of night in the country of the opposites" | |
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| Willkie in The Gulliver | |
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| "Then full awake you will recognize the voice" | |
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| "In your time, there have been those who spoke clearly" | |
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| He Had a Quality of Growth | |
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| Are You Born?-2 | |
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| Waterlily Fire (1962) | |
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| The Speaking Tree | |
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| To Enter That Rhythm Where the Self Is Lost | |
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| For a Mexican Painter | |
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| A Song of Another Tribe | |
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| Song | |
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| Waterlily Fire | |
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| The Burning | |
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| The Island | |
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| Journey Changes | |
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| Fragile | |
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| The Long Body | |
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| The Speed of Darkness (1968) | |
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| Clues | |
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| The Poem as Mask | |
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| Orpheus | |
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| What Do I Give You? | |
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| The Transgress | |
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| The Conjugation of the Paramecium | |
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| Junk-Heap at Murano | |
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| Clues | |
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| In Our Time | |
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| Double Dialogue | |
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| Homage to Robert Frost | |
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| The Six Canons | |
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| Forerunners | |
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| Orgy | |
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| The Overthrow of One O'Clock at Night | |
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| Among Roses | |
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| What I See | |
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| Believing in Those Inexorable Laws | |
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| Song: Love in Whose Rich Honor | |
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| Niobe Now | |
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| Song: The Star in the Nets of Heaven | |
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| Air | |
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| Gift | |
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| Cries from Chiapas | |
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| The War Comes into My Room | |
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| Delta Poems | |
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| Spirals and Fugues | |
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| Anemone | |
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| Fighting for Roses | |
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| For My Son | |
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| Poem | |
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| The Power of Suicide | |
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| The Seeming | |
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| Song from Puck Fair | |
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| NotYet | |
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| Landscape with Wave Approaching | |
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| Segre Song | |
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| Bunk Johnson Blowing | |
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| Cannibal Bratuscha | |
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| What Have You Brought Home from the Wars? | |
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| One Month | |
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| Silence of Volcanoes | |
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| What They Said | |
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| A Little Stone in the Middle of the Road, in Florida | |
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| The Blue Flower | |
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| Woman as Market | |
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| Forgetting and Remembering | |
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| Word of Mouth | |
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| The Return | |
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| Word of Mouth | |
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| Endless | |
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| Games | |
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| The Backside of the Academy | |
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| Mountain: One from Bryant | |
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| The Flying Red Horse | |
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| The Outer Banks | |
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| Lives | |
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| Akiba | |
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| The Way Out | |
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| for the Song of Songs | |
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| The Bonds | |
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| Akiba Martyr | |
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| The Witness | |
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| Kathe Kollwitz | |
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| "Held between wars" | |
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| "Woman as gates, saying" | |
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| "Held among wars, watching" | |
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| Song: The Calling-Up | |
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| Self-Portrait | |
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| The Speed of Darkness | |
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| Breaking Open (1973) | |
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| Searching / Not Searching | |
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| Waking This Morning | |
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| Despisals | |
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| What Do We See? | |
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| Looking at Each Other | |
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| Desdichada | |
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| Voices | |
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| Fire | |
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| Waiting for Icarus | |
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| from City of Paradise | |
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| The Question | |
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| In Her Burning | |
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| Rondel | |
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| More Clues | |
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| Myth | |
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| Searching/Not Searching | |
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| "What kind of woman goes searching and searching?" | |
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| Miriam: The Red Sea | |
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| For Dolci | |
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| Concrete | |
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| Brecht's Galileo | |
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| Reading the Kieu | |
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| The Floor of Ocean | |
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| H.F.D. | |
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| The Artist as Social Critic | |
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| The President and the Laser Bomb | |
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| Not Searching | |
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| The Question | |
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| "Searching/not searching. To make closeness" | |
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| "What did I see? What did I not see?" | |
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| A Simple Experiment | |
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| Along History | |
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| Boys of These Men Full Speed | |
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| All the Little Animals | |
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| Next | |
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| Two Years | |
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| Iris | |
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| Orange and Grape | |
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| Ballad of Orange and Grape | |
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| Rock Flow, River Mix | |
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| Martin Luther King, Malcolm X | |
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| Looking | |
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| Don Baty, the Draft Resister | |
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| Te Hanh: Long-Ago Garden | |
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| Welcome from War | |
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| Facing Sentencing | |
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| Secrets of American Civilization | |
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| Wherever | |
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| Bringing | |
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| A Louis Sonnet | |
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| After Melville | |
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| The Writer | |
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| Gradus Ad Parnassum | |
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| From a Play: Publisher's Song | |
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| In the Night the Sound Woke Us | |
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| In the Underworld | |
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| Afterwards | |
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| Flying to Hanoi | |
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| It Is There | |
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| The Running of the Grunion | |
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| Sacred Lake | |
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| Northern Poems | |
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| Songs of the Barren Grounds | |
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| The Old Days | |
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| Inland, Away | |
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| I'm Here Again | |
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| Not Much Good | |
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| My Breath | |
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| I Recognize This Song | |
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| The Black Ones, the Great Ones | |
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| Trout Fishing | |
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| How Lovely It is | |
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| The Word-Fisher | |
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| Stroking Songs | |
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| A Girl for a Boy-Stroking Song | |
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| The Baby on the Mountain-Stroking Song | |
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| The Wiping Moss from the Ruins | |
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| Stroking Songs, Childhood Songs | |
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| Being Born | |
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| Shooting Star | |
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| Breaking Open | |
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| Columbus | |
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| Burning the Dreams | |
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| Death and the Dancer | |
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| Rational Man | |
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| The Hostages | |
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| The Gates (1976) | |
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| St. Roach | |
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| Dream-Drumming | |
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| Double Ode | |
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| Painters | |
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| Rune | |
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| How We Did It | |
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| Islands | |
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| Blue Spruce | |
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| Artifact | |
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| Ms. Lot | |
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| Boys in the Branches | |
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| Song : Lying in Daylight | |
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| Hypnogogic Figure | |
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| The Lost Romans | |
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| Canal | |
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| For Kay Boyle | |
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| Resurrection of the Right Side | |
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| The Wards | |
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| The Sun-Artist | |
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| Poem White Page White Page Poem | |
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| Fable | |
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| Neruda, the Wine | |
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| Before Danger | |
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| Song : Remembering Movies | |
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| Work, for the Day Is Coming | |
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| Recovering | |
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| Parallel Invention | |
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| Poem | |
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| Not to Be Printed, Not to Be Said, Not to Be Thought | |
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| Back Tooth | |
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| Destruction of Grief | |
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| Trinity Churchyard | |
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| Burnishing, Oakland | |
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| The Iris-Eaters | |
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| Slow Death of the Dragon | |
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| Mendings | |
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| Then | |
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| The Gates | |
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| "Waiting to leave all day I hear the words" | |
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| "Walking the world to find the poet of these cries" | |
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| New Friends | |
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| "The Cabinet minister speaks of liberation | |
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| "Among the days" | |
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| The Church of Galilee | |
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| The Dream of Galilee | |
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| Mother as Pitchfork | |
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| "You grief woman you gave me a scarlet coverlet" | |
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| "Air fills with fear and the kinds of fear" | |
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| "Long ago, soon after my son's birth" | |
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| "For that I cannot name the names" | |
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| "Crucified child-is he crucified? he is tortured" | |
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| "So I became very dark very large" | |
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| "All day the rain" | |
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| Juvenilia | |
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| Antigone | |
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| Cities of the Morning | |
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| Autumn in the Garden | |
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| The Ballad of the Missing Lines | |
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| November Sketches | |
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| To a Lady Turning Middle-Aged | |
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| Place-Poems: New York | |
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| O City | |
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| Fourteenth Street | |
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| The New School for Social Research | |
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| Sheridan Square Conversation | |
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| The New Bridge | |
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| Park Avenue | |
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| College Special | |
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| Empire State Tower | |
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| "Dear place, sweet home" | |
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| For an Aesthete | |
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| Pastorale No. 2 | |
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| A New Poem | |
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| An Unborn Poet | |
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| Abbreviations | |
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| Annotations | |
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| Textual Notes | |
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| Bibliography | |
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| Index of Titles | |
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| Index of First Lines | |