Nationalizing Blackness Afrourbanismo and Artistic Revolution in Havana, 1920-1940

ISBN-10: 0822956454

ISBN-13: 9780822956457

Edition: N/A

Authors: Robin D. Moore

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Nationalizing Blacknessuses the music of the 1920s and 1930s to examine Cuban society as it begins to embrace Afrocuban culture.nbsp; Moore examines the public debate over ldquo;degenerate Africanismsrdquo; associated withcomparasor carnival bands; similar controversies associated withnbsp;sonmusic; the history of blackface theater shows; the rise of afrocubanismo in the context of anti-imperialist nationalism and revolution against Gerardo Machado; the history of cabaret rumba; an overview of poetry, painting, and music inspired by Afrocuban street culture; and reactions of the black Cuban middle classes toafrocubanismo.nbsp; He has collected numerous illustrations of early twentieth-century performers in Havana, many included in this book. Nationalizing Blacknessrepresents one of the first politicized studies of twentieth-century culture in Cuba.nbsp; It demonstrates how music can function as the center of racial and cultural conflict during the formation of a national identity.
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Book details

List price: $27.95
Publisher: University of Pittsburgh Press
Publication date: 12/17/1997
Binding: Paperback
Pages: 336
Size: 6.75" wide x 9.75" long x 1.25" tall
Weight: 1.144
Language: English

Robert Lowell Moore Jr., was born on October 31, 1925 in Boston, Massachusetts. He attended Middlesex School, Belmont Hill School and Harvard College. He published several novels using information gathered from travelling and his experiences as main ideas. In 1963 he joined the US Army Special Forces as a civilian with special permission from President John F. Kennedy, . He trained for almost a year and then went with the Special Forces to Vietnam. His experiences in Vietnam served as the background material for "The Green Berets" which was published in 1965. Other titles include "The French connection" and the Happy Hooker.

Afrocubans and National Culture
Minstrelsy in Havana: Music and Dance of the Teatro Vernaculo
Comparsas and Carnival in the New Republic: Four Decades of Cultural Controversy
Echale Salsita: Sones and Musical Revolution
Nationalizing Blackness: The Vogue of Afrocubanismo
The Rumba Craze: Afrocuban Arts as International Popular Culture
The Minorista Vanguard: Modernism and Afrocubanismo
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