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Cutting Across Media Appropriation Art, Interventionist Collage, and Copyright Law

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ISBN-10: 0822348225

ISBN-13: 9780822348221

Edition: 2011

Authors: Kembrew McLeod, Rudolf Kuenzli

List price: $29.95
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Book details

List price: $29.95
Copyright year: 2011
Publisher: Duke University Press
Publication date: 8/5/2011
Binding: Paperback
Pages: 376
Size: 6.18" wide x 9.25" long x 0.95" tall
Weight: 1.298
Language: English

Kembrew McLeod is a writer, filmmaker, and Professor of Communication Studies at the University of Iowa, and occasional prankster. He is the author of Creative License , Cutting Across Media , Owning Culture , and the award-winning Freedom of Expression �. McLeod’s writing has appeared in the New York Times , Los Angeles Times , Village Voice , and Rolling Stone .

I Collage, Therefore I Am: An Introduction to Cutting Across Media
Digital Mana: On the Source of the Infinite Proliferation of Mutant Copies in Contemporary Culture
Copyrights and Copywrongs: An Interview with Siva Vaidhyanathan
Das Plagiierenwerk: Convolute Uii
PhotoStatic Magazine and the Rise of the Casual Publisher
Plagiarism� 101: An Appropriated Oral History of The Tape-beatles
Ambiguity and Theft
Where Does Sad News Come From?
Excerpts from �Two Relationships to a Cultural Public Domain�
Everybody's Got Something to Hide Except for Me and My Lawsuit: William S. Burroughs, DJ Danger Mouse, and the Politics of Grey Tuesday
How Copyright Law Changed Hip-Hop: An Interview with Public Enemy's Chuck D and Hank Shocklee
Hip-Hop Meets the Avant-Garde: A Cease and Desist Letter from Attorneys Representing Philip Glass
Getting Snippety
Crashing the Spectacle: A Forgotten History of Digital Sampling, Infringement, Copyright Liberation, and the End of Recorded Music
Billboard Liberation: A Photo Essay
On the Seamlessly Nomadic Future of Collage
Cultural Sampling and Social Critique: The Collage Aesthetic of Chris Ofili
Remixing Cultures: Bart�k and Kod�ly in the Age of Indigenous Cultural Rights
A Day to Sing: Creativity, Diversity, and Freedom of Expression in the Network Society
Visualizing Copyright, Seeing Hegemony: Toward a Meta-Critique of Intellectual Property
Collage as Practice and Metaphor in Popular Culture
Assassination Weapons: The Visual Culture of New Wave Science Fiction
Free Culture: A Conversation with Jonathan Lethem
The Ecstasy of Influence: A Plagiarism
Bibliography
Contributors
Index