Photography's Other Histories
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Description: Moving the critical debate about photography away from its current Euro-American center of gravity, this text breaks with the notion that photographic history is best seen as the explosion of Western technology advanced by the work of singular individuals.
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All the information you need in one place! Each Study Brief is a summary of one specific subject; facts, figures, and explanations to help you learn faster.
List price: $25.95
Copyright year: 2003
Publisher: Duke University Press
Publication date: 4/24/2003
Size: 6.00" wide x 9.00" long x 0.75" tall
Peterson-Australian National University
|Introduction: "How the Other Half..."|
|Relating to Photographs|
|Growing Up with Aborigines|
|When Is a Photograph Worth a Thousand Words?|
|The Making of Professional "Savages": From P.T. Barnam (1883) to the Sunday Times (1998)|
|Navajo and Photography|
|The Japanese Colonial Eye: Science, Exploration, and Empire|
|The Changing Photographic Contract: Aborigines and Image Ethics|
|Supple Bodies: The Papua New Guinea Photographs of Captain Francis R. Barton, 1899-1907|
|Self-Fashioning and Vernacular Modernism|
|Figueroa Anznar and the Cusco Indigenistas: Photography and Modernism in Early-Twentieth Century Peru|
|Notes from the Surface of the Image: Photography, Postcolonialism, and Vernacular Modernism|
|Imagined Journeys: The Likoni Ferry Photographers of Mombasa, Kenya|
|Yoruba Photography: How the Yoruba See Themselves|