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| About Feminism | |
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| Acknowledgments | |
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| Women and Madness: The Critical Phallacy | |
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| Infection in the Sentence: The Woman Writer and the Anxiety of Authorship | |
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| A Mindless Man-driven Theory Machine: Intellectuality, Sexuality, and the Institution of Criticism | |
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| The Highs and Lows of Black Feminist Criticism | |
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| Confinements: The Domestic in the Discourses of Upper-Middle-Class Pregnancy | |
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| What Has Never Been: An Overview of Lesbian Feminist Literary Criticism | |
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| "Anomalousness" and "Aesthetics" from How to Supress Women's Writing | |
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| Treason Our Text: Feminist Challenges to the Literary Canon | |
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| Caste, Class, and Canon | |
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| Reflections on Black Women Writers: Revising the Literary Canon | |
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| Dancing Through the Minefield: Some Observations on the Theory, Practice, and Politics of a Feminist Literary Criticism | |
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| Archimedes and the Paradox of a Feminist Criticism | |
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| A Criticism of Our Own: Autonomy and Assimilation in Afro-American and Feminist Literary Theory | |
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| Recycling: Race, Gender, and the Practice of Theory | |
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| The 'Wild Zone' Thesis as Gloss in Chicana Literary Study | |
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| Storming the Toolshed | |
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| The Madwoman and Her Languages: Why I Don't Do Feminist Literary Theory | |
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| Feminist Politics: What's Home Got to Do with It? | |
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| Black Feminist Theory and the Representation of the 'Other' | |
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| Upping the Anti (sic) in Feminist Theory | |
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| The Laugh of the Medusa | |
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| "This Sex Which Is Not One" from This Sex Which Is Not One | |
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| Writing the Body: Toward an Understanding of l'Ecriture feminine | |
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| Mama's Baby, Papa's Maybe: An American Grammar Book | |
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| "Women of Color' Writers and Feminist Theory" | |
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| "Another 'Cause' - Castration" from Speculum of the Other Woman | |
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| Visual Pleasure and Narrative Cinema | |
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| 'The Situation of the Looker-On': Gender, Narration, and Gaze in Wuthering Heights | |
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| When Virginia Looked at Vita, What Did She See; or, Lesbian: Feminist: Woman - What's the Differ(e/a)nce? | |
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| "The Father's Seduction" from The Daughter's Seduction | |
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| "Introduction" and "Gender Asymmetry and Erotic Triangles" from Between Men: English Literature and Male Homosexual Desire | |
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| Sylvia Townsend Warner and the Counterplot of Lesbian Fiction | |
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| Male Heroes and Female Sex Objects: Sexism in Spike Lee's Malcolm X | |
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| Introduction: On the Politics of Literature | |
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| "The Readers and Their Romances" from Reading the Romance | |
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| Reading Ourselves: Toward a Feminist Theory of Reading | |
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| Feminism, New Historicism, and the Reader | |
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| Constructing the Subject: Deconstructing the Text | |
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| Toward a Feminist Narratology | |
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| Apostrophe, Animation, and Abortion | |
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| "Gender in Bakhtin's Carnival" from Feminist Dialogics | |
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| When a 'Long' Poem Is a 'Big' Poem: Self-Authorizing Strategies in Women's Twentieth-Century 'Long Poems' | |
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| "Kochinnenako in Academe: Three Approaches to Interpreting a Keres Indian Tale" from The Sacred Hoop | |
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| La conciencia de la mestiza: Towards a New Consciousness | |
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| I'm Here: An Asian American Woman's Response | |
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| The Truth That Never Hurts: Black Lesbians in Fiction in the 1980s | |
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| Feminist and Ethnic Theories in Asian American Literature | |
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| Black Writing, White Reading: Race and the Politics of Feminist Interpretation | |
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| Women's Time | |
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| "Power and the Ideology of Woman's Sphere" from Women, Power, and Subversion: Social Strategies in British Fiction, 1778-1860 | |
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| Three Women's Texts and a Critique of Imperialism | |
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| Some Call It Fiction: On the Politics of Domesticity | |
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| The Queen of America Goes to Washington City: Harriet Jacobs, Frances Harper, Anita Hill | |
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| Pandora's Box: Subjectivity, Class and Sexuality in Socialist Feminist Criticism | |
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| Romance in the Age of Electronics: Harlequin Enterprises | |
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| I Shop Therefore I Am: Is There a Place for Afro-American Culture in Commodity Culture? | |
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| Discourses of Gender, Ethnicity and Class in Chicano Literature | |
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| "Reading Woman (Reading)" from Reading Woman | |
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| Masculinity as Excess in Vietnam Films: The Father/Son Dynamic of American Culture | |
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| Creation by the Father's Fiat: Paternal Narrative, Sexual Anxiety, and the Deauthorizing Designs of Absalom, Absalom! | |
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| Pedagogy and Sexuality | |
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| Me and My Shadow | |
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| "Maxine Hong Kingston's Woman Warrior: Filiality and Woman's Autobiographical Storytelling" from A Poetics of Women's Autobiography | |
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| Authorizing the Autobiographical | |
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| The Long Goodbye: Against Personal Testimony, or an Infant Grifter Grows Up | |
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| About the Authors | |
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| Alternative Arrangements for Feminisms | |
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| Author/Title Index | |
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| Text Permissions | |