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General Introduction | |
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Fernando Pessoa the Man and Poet | |
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Fernando Pessoa, Prose Writer | |
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Fernando Pessoa, English Writer | |
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About This Edition | |
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Thanks | |
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Aspects | |
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The Artist as a Young Man and Heteronym | |
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Introduction | |
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"I was a poet animated by philosophy ..." | |
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"The artist must be born beautiful ..." | |
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"I have always had in consideration ..." | |
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Three Prose Fragments | |
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"Ten thousand times my heart broke ..." | |
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"I saw the little children ..." | |
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"I, Charles Robert Anon ..." | |
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"I am tired of confiding in myself ..." | |
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[An Unsent Letter to Clifford Geerdts] | |
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Two Prose Fragments | |
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"Bond entered into by Alexander Search ..." | |
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"No soul more loving or tender ..." | |
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Rule of Life | |
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The Mariner | |
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Introduction | |
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The Mariner--A Static Drama in One Act | |
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To Fernando Pessoa | |
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The Master and His Disciples | |
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Introduction | |
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Notes for the Memory of My Master Caeiro | |
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from Translator's Preface to the Poems of Alberto Caeiro | |
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[On Alvaro de Campos] | |
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[On the Work of Ricardo Reis] | |
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Sensationism and Other Isms | |
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Introduction | |
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Preface to an Anthology of the Portuguese Sensationists | |
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"All sensations are good ..." | |
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[Intersectionist] Manifesto | |
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Sensationism | |
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Ultimatum | |
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Translator's Preface to Ultimatum | |
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Ultimatum | |
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from "What Is Metaphysics?" | |
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Letter to Mario de Sa-Carneiro | |
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Riddle of the Stars | |
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Introduction | |
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[Letter to His Aunt Anica] | |
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[30 Astral Communications] | |
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from Essay on Initiation E | |
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Treatise on Negation | |
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Letter to Two French Magnetists F | |
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Selected Letters to Ophelia Queiroz | |
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[Phase 1: Pessoa in Love?] (March-November 1920) | |
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[Phase 2: Pessoa Insane?] (September-October 1929) | |
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Neopaganism | |
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from The Return of the Gods | |
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"Without yet going into the metaphysical foundations ..." | |
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"Humanitarianism is the last bulwark ..." | |
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"Only now can we fully understand ..." | |
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"We are not really neopagans ..." | |
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from Preface to the Complete Poems of Alberto Caeiro | |
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"The work of Caeiro represents the total reconstruction ..." | |
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"When I once had occasion ..." | |
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"Alberto Caeiro is more pagan than paganism ..." | |
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"For modern pagans, as exiles ..." | |
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Portugal and the Fifth Empire | |
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Introduction | |
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"Any Empire not founded on the Spiritual Empire ..." | |
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"The Fifth Empire. The future of Portugal ..." | |
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"The promise of the Fifth Empire ..." | |
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"Only one kind of propaganda can raise the morale ..." | |
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"What, basically, is Sebastianism?" | |
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"To justify its present-day ambition ..." | |
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"An imperialism of grammarians?" | |
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"A foggy morning." | |
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The Anarchist Banker | |
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Pessoa on Millionaires | |
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from An Essay on Millionaires and Their Ways | |
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from American Millionaires | |
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Environment | |
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[Self-Definition] | |
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Erostratus: The Search for Immortality | |
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Introduction | |
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from Erostratus | |
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On the Literary art and its Artists | |
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[The Task of Modern Poetry] | |
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Shakespeare | |
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[On Blank Verse and Paradise Lost] | |
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From Charles Dickens--Pickwick Papers | |
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From Concerning Oscar Wilde | |
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[The Art of James Joyce] | |
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[The Art of Translation] | |
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From Essay on Poetry | |
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From France in 1950 | |
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Random Notes and Epigrams | |
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Two Letters to Joao Gaspar Simoes | |
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[Letter of 11 December 1931] | |
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[Letter of 28 July 1932] | |
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Three Letters to Adolfo Casais Monteiro | |
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[Letter of 11 January 1930] | |
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[Letter of 13 January 1935] | |
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[Another Version of the Genesis of the Heteronyms] | |
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[Letter of 20 January 1935] | |
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The Book of Disquiet | |
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Introduction | |
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From The Book of Disquiet | |
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From the Education of the Stoic (Baron of Teive) | |
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From the Preface to Fictions of the Interlude | |
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Letter from a Hunchback Girl to a Metalworker | |
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Notes | |
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Bibliography | |