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Preface | |
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Introduction | |
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The Birth of Christian Music | |
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Music in the Old Testament | |
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The Psalms in Temple Worship | |
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Music in the Synagogue | |
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Music in the Early Church | |
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The Spread of Christianity | |
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The Beginning of the Western Middle Ages | |
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Worship in Fifth-Century Jerusalem | |
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The Monastic Tradition | |
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Antiphons | |
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Cantillation | |
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Music of the Spheres: the Medieval World-View | |
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The Eleventh-Century Mass | |
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Music for the Liturgy | |
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The Development of Notation | |
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From the Ear to the Page | |
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Rich Church: Poor People | |
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From Gregorian Chant to Polyphony | |
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Wycliffe's Challenge to the Church | |
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Renaissance and Reformation | |
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Luther and the Reformation | |
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The Renaissance | |
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Lutheran Song | |
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The Swiss Reformers-the Calvinist Tradition | |
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The Genevan Psalter | |
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The Reformation in England | |
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The Eton Choirbook | |
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The Catholic Reformation | |
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Organ Music | |
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The Golden Age of Spanish Music | |
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The Power of Music | |
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The Flowering of Christian Music | |
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The Development of Oratorio | |
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The Splendours of Monteverdi | |
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The Music of the Lutheran Church | |
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Christmas 1659 in the Nikolaikirche, Berlin | |
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Heinrich Schutz | |
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Patronage | |
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J.S. Bach | |
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Bach's Cantatas | |
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The Moravian Brethren | |
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Turmoil in England: Commonwealth and Restoration | |
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The Glory of the Chapel Royal | |
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The Music of the Chapel Royal | |
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Henry Purcell | |
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English Congregational Music: the Birth of the English Hymn | |
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Handel and Messiah | |
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Wales--Land of Song | |
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The Path Divides | |
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Music in the Courts of Europe | |
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The Romantic Movement | |
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The Cecilian Movement | |
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The Corruption and Resurrection of the Chant | |
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The Decline of the Lutheran Hymn | |
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'A Dismal Melody' | |
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The Church of England and the Tractarians | |
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The Demise of the West Gallery Players | |
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Revival in the Nineteenth Century | |
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The Path Divides | |
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Eastern Traditions | |
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The Orthodox Churches | |
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Worship in the Orthodox Church | |
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The Greek Orthodox Church | |
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The Divine Liturgy of the Orthodox Church | |
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Notation in the Greek Orthodox Church | |
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The Russian Orthodox Church | |
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The Coptic and Ethiopian Churches | |
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Notation in Ethiopian Music | |
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Christianity, East and West-Worlds Apart? | |
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The African Genius | |
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Africa and the Influence of Western Music | |
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Cameroun: African Christian Music | |
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A Marriage of African and Western Music | |
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The Independent Churches | |
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The True Christian Music of Africa | |
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Music in North America | |
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Christianity comes to the New World | |
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William Billings | |
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Africans in America | |
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Camp meetings | |
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A 'Shout' | |
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North and South | |
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The Fisk Jubilee Singers | |
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Gospel Music: White and Black | |
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Tommy Dorsey | |
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Take Six | |
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The United States and the European Classical Tradition | |
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Charles Ives | |
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The Charismatic Movement | |
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Music in Twentieth-Century Europe | |
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Roman Catholic Music in Europe this Century | |
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The Bible in the Concert Hall | |
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Vatican II and the Liturgy | |
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L'Abbe de Silvanes | |
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Taize | |
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Lutheran Musical Revival | |
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Hugo Distler | |
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The Kirchensteuer: Church Tax | |
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Music in Britain | |
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The Royal School of Church Music | |
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Leaping into the Dark--Musical Innovation | |
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The Popular Stream | |
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Good Music--Good Worship? | |
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What is excellence? | |
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Conclusion | |
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Footnotes | |
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Glossary | |
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Index | |