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Preface | |
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Abbreviations | |
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Introductory | |
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The theoretical absurd: an introduction | |
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The philosophical absurd | |
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Jokes, humour, nonsense and the absurd | |
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The socio-linguistic absurd | |
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Antecedents to the absurd | |
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From the ancients... | |
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Madness: mysteries to Shakespeare | |
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Nonsense, Swift and Sterne | |
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Romantic grotesque to 'higher' realism and pre-Surrealist nonsense | |
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Growth of the absurd | |
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The twentieth century: towards the absurd | |
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Introductory pointers | |
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'Post-Impressionists' in England | |
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Avant-garde theory and practice | |
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Disparate European prose: Western and Eastern proto-absurdism | |
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Around the absurd I: twentieth-century absurdist practice | |
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Fernando Pessoa and the 'pessimistic absurd' | |
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Antonin Artaud and the 'cruelty' of the absurd | |
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Camus and the Dostoevsky connection | |
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Around the absurd II: the Theatre of the Absurd | |
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Ionesco and others: the French-language scene | |
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Pinter and others: the English-language scene | |
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The East European scene | |
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(Soviet) Russia: the OBERIU | |
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(Cold-War) Poland and Czechoslovakia | |
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Special authors | |
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Daniil Kharms as minimalist-absurdist | |
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A Kharms sketch | |
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The Kharmsian canon | |
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A poetics of extremism | |
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Logic of the black miniature | |
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Pursuing the red-haired man | |
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Kharmsian others? | |
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Franz Kafka: otherness in the labyrinth of absurdity | |
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Kafka and the other(s) | |
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Kafka in the other(s) | |
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Falling and cawing in the labyrinth | |
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Samuel Beckett's vessels, voices and shades of the absurd | |
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In the wake of Kafka? | |
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The prose | |
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The drama | |
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Further shades of the absurd | |
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Flann O'Brien and the purloined absurd | |
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The hydra-headed man | |
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At Swim-Two-Birds: juvenile scrivenry as metafictional absurd? | |
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The Third Policeman: questions, mysteries, answers | |
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In conclusion | |
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Beyond the absurd? | |
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The prosaic absurd | |
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Beyond the 'Theatre of the Absurd'? | |
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Popular culture | |
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That miscellaneous and ubiquitous absurd | |
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Conclusion | |
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Bibliography | |
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Index | |