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Prologue: The Iliad's Two Wars | |
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The Proem | |
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When Achilles Disappears: A Reading of Book 2 | |
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The Death of Lykaon | |
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Introduction: Characterization and Distribution | |
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Character-Space: Between Person and Form | |
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Characterization and the Antinomies of Theory | |
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"They Too Should Have a Case" | |
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Two Kinds of Minorness | |
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Function and Alienation: The Labor Theory of Character | |
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Realism, Democracy, and Inequality | |
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Austen, Dickens, Balzac: Character-Space in the Nineteenth-Century Novel | |
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The Minor Character: Between Story and Discourse | |
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Narrative Asymmetry in Pride and Prejudice | |
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Minor Characters in a Narrative Structure | |
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The Double Meaning of Character | |
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The One vs. the Many | |
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Asymmetry: From Discourse to Story | |
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Characterizing Minorness 1: Compression | |
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The Space of the Protagonist 1: Elizabeth's Consciousness | |
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Characterizing Minorness 2: Externality | |
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Helpers: Charlotte Lucas and the Actantial Theory | |
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The Space of the Protagonist 2: Elizabeth's Self-Consciousness | |
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Wickham: "How He Lived I Know Not" | |
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Minor Minor Characters: Representing Multiplicity | |
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Making More of Minor Characters | |
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Distorted Characters and the Weak Protagonist | |
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Between Jingle and Joe: Asymmetry and Misalignment in The Pickwick Papers | |
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Seeing into Sight: Mr. Elton and Uriah Heep | |
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Partial Visibility and Incomplete Vision: The Appearance of Minor Characters | |
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Repetition and Eccentricity: Minor Characters and the Division of Labor | |
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"Monotonous Emphasis": Minorness and Three Kinds of Repetition | |
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Partings Welded Together: The Character-System in Great Expectations | |
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Between Two Roaring Worlds: Exteriority and Characterization | |
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The Structure of Childhood Experience | |
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Interpreting the Character-System: Signification, Position, Structure | |
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Metaphor, Metonymy, and Characterization | |
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Getting to London | |
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Three Narrative Workers and the Dispersion of Labor in Great Expectations | |
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Wemmick as Helper (the Functional Minor Character) | |
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Magwitch's Return (the Marginal Minor Character) | |
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Orlick and Social Multiplicity (the Fragmented Minor Character) | |
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The Double: A Narrative Condition? | |
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A qui la place?: Characterization and Competition in Le Pegrave;re Goriot and La Comeacute;die humaine | |
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Typification and Multiplicity | |
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The Problem: Who Is the Hero? | |
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Character, Type, Crowd | |
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Balzac's Double Vision | |
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The Character-System in Le Pegrave;re Goriot | |
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La belle loi de soi pour soi | |
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Goriot: The Interior as Exterior | |
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Rastignac: The Exterior as Interior | |
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Between the Exterior and the Interior | |
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Interiority and Centrality in Le Pegrave;re Goriot and King Lear | |
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The Shrapnel of Le Pegrave;re Goriot | |
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Recurring Characters, Le Pegrave;re Goriot, and the Origins of La Comeacute;die humaine | |
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The Social Representation of Death: Le Pegrave;re Goriot and Le Cousin Pons | |
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Cogs in the Machine: Les Poiret between Le Pegrave;re Goriot and Les Employeeacute;s | |
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Competition and Character in Les Employeeacute;s | |
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Afterword: Sophocles's Oedipus Rex and the Prehistory of the Protagonist | |
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Notes | |
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Works Cited | |
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Acknowledgments | |
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Index | |