Skip to content

Collected Works of W. B. Yeats Autobiographies

ISBN-10: 0684853388

ISBN-13: 9780684853383

Edition: 1999

Authors: W. B. Yeats, William H. O'Donnell, Douglas N. Archibald, William Butler Yeats, Douglas Archibald

List price: $32.99
Blue ribbon 30 day, 100% satisfaction guarantee!
what's this?
Rush Rewards U
Members Receive:
Carrot Coin icon
XP icon
You have reached 400 XP and carrot coins. That is the daily max!

Description:

Autobiographiesconsists of six autobiographical works that William Butler Yeats published together in the mid-1930s to form a single, extraordinary memoir of the first fifty-eight years of his life, from his earliest memories of childhood to winning the Nobel Prize for Literature. This volume provides a vivid series of personal accounts of a wide range of figures, and it describes Yeats's work as poet and playwright, as a founder of Dublin's famed Abbey Theatre, his involvement with Irish nationalism, and his fascination with occultism and visions. This book is most compelling as Yeats's own account of the growth of his poetic imagination. Yeats thought that a poet leads a life of allegory, and that his works are comments upon it.Autobiographiesenacts his ruling belief in the connections and coherence between the life that he led and the works that he wrote. It is a vision of personal history as art, and so it is the one truly essential companion to his poems and plays. Edited by William H. O'Donnell and Douglas N. Archibald, this volume is available for the first time with invaluable explanatory notes and includes previously unpublished passages from candidly explicit first drafts.
Customers also bought

Book details

List price: $32.99
Copyright year: 1999
Publisher: Touchstone
Publication date: 3/1/1999
Binding: Paperback
Pages: 560
Size: 5.75" wide x 8.75" long x 1.25" tall
Weight: 1.298
Language: English

In his 1940 memorial lecture in Dublin, T. S. Eliot pronounced Yeats "one of those few whose history is the history of their own time, who are a part of the consciousness of an age which cannot be understood without them." Modern readers have increasingly agreed, and some now view Yeats even more than Eliot as the greatest modern poet in our language. Son of the painter John Butler Yeats, the poet divided his early years among Dublin, London, and the port of Sligo in western Ireland. Sligo furnished many of the familiar places in his poetry, among them the mountain Ben Bulben and the lake isle of Innisfree. Important influences on his early adulthood included his father, the writer and artist William Morris, the nationalist leader John O'Leary, and the occultist Madame Blavatsky. In 1889 he met the beautiful actress and Irish nationalist Maud Gonne; his long and frustrated love for her (she refused to marry him) would inspire some of his best work. Often and mistakenly viewed as merely a dreamy Celtic twilight, Yeats's work in the 1890s involved a complex attempt to unite his poetic, nationalist, and occult interests in line with his desire to "hammer [his] thoughts into unity." By the turn of the century, Yeats was immersed in the work with the Irish dramatic movement that would culminate in the founding of the Abbey Theatre in 1904 as a national theater for Ireland. Partly as a result of his theatrical experience, his poetry after 1900 began a complex "movement downwards upon life" fully evident in the Responsibilities volume of 1914. After that he published the extraordinary series of great volumes, all written after age 50, that continued until the end of his career. Widely read in various literary and philosophic traditions, Yeats owed his greatest debt to romantic poetry and once described himself, along with his coworkers John Synge and Lady Isabella Augusta Gregory, as a "last romantic." Yet he remained resolutely Irish as well and presented in his verse a persona bearing a subtle, idealized relationship to his everyday self. Political events such as the Easter Rising and the Irish civil war found their way into his poetry, as did personal ones such as marriage to the Englishwoman Georgiana "Georgie" Hyde-Lees in 1917, the birth of his children, and his sometime home in the Norman tower at Ballylee. So, too, did his increasing status as a public man, which included both the Nobel Prize in 1923 and a term as senator of the Irish Free State (1922--28). Yeats's disparate activities led to a lifelong quest for what he called "unity of being," which he pursued by "antinomies," or opposites. These included action and contemplation, life and art, fair and foul, and other famous pairs from his poetry. The most original poet of his age, he was also in ways the most traditional, and certainly the most substantial. His varied literary output included not only poems and plays but an array of prose forms such as essays, philosophy, fiction, reviews, speeches, and editions of folk and literary material. He also frequently revised his own poems, which exist in various published texts helpfully charted in the Variorum edition (1957).

In his 1940 memorial lecture in Dublin, T. S. Eliot pronounced Yeats "one of those few whose history is the history of their own time, who are a part of the consciousness of an age which cannot be understood without them." Modern readers have increasingly agreed, and some now view Yeats even more than Eliot as the greatest modern poet in our language. Son of the painter John Butler Yeats, the poet divided his early years among Dublin, London, and the port of Sligo in western Ireland. Sligo furnished many of the familiar places in his poetry, among them the mountain Ben Bulben and the lake isle of Innisfree. Important influences on his early adulthood included his father, the writer and artist William Morris, the nationalist leader John O'Leary, and the occultist Madame Blavatsky. In 1889 he met the beautiful actress and Irish nationalist Maud Gonne; his long and frustrated love for her (she refused to marry him) would inspire some of his best work. Often and mistakenly viewed as merely a dreamy Celtic twilight, Yeats's work in the 1890s involved a complex attempt to unite his poetic, nationalist, and occult interests in line with his desire to "hammer [his] thoughts into unity." By the turn of the century, Yeats was immersed in the work with the Irish dramatic movement that would culminate in the founding of the Abbey Theatre in 1904 as a national theater for Ireland. Partly as a result of his theatrical experience, his poetry after 1900 began a complex "movement downwards upon life" fully evident in the Responsibilities volume of 1914. After that he published the extraordinary series of great volumes, all written after age 50, that continued until the end of his career. Widely read in various literary and philosophic traditions, Yeats owed his greatest debt to romantic poetry and once described himself, along with his coworkers John Synge and Lady Isabella Augusta Gregory, as a "last romantic." Yet he remained resolutely Irish as well and presented in his verse a persona bearing a subtle, idealized relationship to his everyday self. Political events such as the Easter Rising and the Irish civil war found their way into his poetry, as did personal ones such as marriage to the Englishwoman Georgiana "Georgie" Hyde-Lees in 1917, the birth of his children, and his sometime home in the Norman tower at Ballylee. So, too, did his increasing status as a public man, which included both the Nobel Prize in 1923 and a term as senator of the Irish Free State (1922--28). Yeats's disparate activities led to a lifelong quest for what he called "unity of being," which he pursued by "antinomies," or opposites. These included action and contemplation, life and art, fair and foul, and other famous pairs from his poetry. The most original poet of his age, he was also in ways the most traditional, and certainly the most substantial. His varied literary output included not only poems and plays but an array of prose forms such as essays, philosophy, fiction, reviews, speeches, and editions of folk and literary material. He also frequently revised his own poems, which exist in various published texts helpfully charted in the Variorum edition (1957).In his 1940 memorial lecture in Dublin, T. S. Eliot pronounced Yeats "one of those few whose history is the history of their own time, who are a part of the consciousness of an age which cannot be understood without them." Modern readers have increasingly agreed, and some now view Yeats even more than Eliot as the greatest modern poet in our language. Son of the painter John Butler Yeats, the poet divided his early years among Dublin, London, and the port of Sligo in western Ireland. Sligo furnished many of the familiar places in his poetry, among them the mountain Ben Bulben and the lake isle of Innisfree. Important influences on his early adulthood included his father, the writer and artist William Morris, the nationalist leader John O'Leary, and the occultist Madame Blavatsky. In 1889 he met the beautiful actress and Irish nationalist Maud Gonne; his long and frustrated love for her (she refused to marry him) would inspire some of his best work. Often and mistakenly viewed as merely a dreamy Celtic twilight, Yeats's work in the 1890s involved a complex attempt to unite his poetic, nationalist, and occult interests in line with his desire to "hammer [his] thoughts into unity." By the turn of the century, Yeats was immersed in the work with the Irish dramatic movement that would culminate in the founding of the Abbey Theatre in 1904 as a national theater for Ireland. Partly as a result of his theatrical experience, his poetry after 1900 began a complex "movement downwards upon life" fully evident in the Responsibilities volume of 1914. After that he published the extraordinary series of great volumes, all written after age 50, that continued until the end of his career. Widely read in various literary and philosophic traditions, Yeats owed his greatest debt to romantic poetry and once described himself, along with his coworkers John Synge and Lady Isabella Augusta Gregory, as a "last romantic." Yet he remained resolutely Irish as well and presented in his verse a persona bearing a subtle, idealized relationship to his everyday self. Political events such as the Easter Rising and the Irish civil war found their way into his poetry, as did personal ones such as marriage to the Englishwoman Georgiana "Georgie" Hyde-Lees in 1917, the birth of his children, and his sometime home in the Norman tower at Ballylee. So, too, did his increasing status as a public man, which included both the Nobel Prize in 1923 and a term as senator of the Irish Free State (1922--28). Yeats's disparate activities led to a lifelong quest for what he called "unity of being," which he pursued by "antinomies," or opposites. These included action and contemplation, life and art, fair and foul, and other famous pairs from his poetry. The most original poet of his age, he was also in ways the most traditional, and certainly the most substantial. His varied literary output included not only poems and plays but an array of prose forms such as essays, philosophy, fiction, reviews, speeches, and editions of folk and literary material. He also frequently revised his own poems, which exist in various published texts helpfully charted in the Variorum edition (1957).

Editors'
Preface
Textual
Introduction
Acknowledgments
List of Abbreviations
Autobiographies
Reveries over Childhood and Youth(w. 1914, publ. 1916)
The Trembling of the Veil.Book I. Four Years: 1887-1891 (w. 1920-21, publ. 1921)
The Trembling of the Veil.Book II. Ireland after Parnell (w. 1920-22, publ. 1922)
The Trembling of the Veil.Book III. Hodos Chameliontos (w. 1920-22, publ. 1922)
The Trembling of the Veil.Book IV. The Tragic Generation (w. 1920-22, publ. 1922)
The Trembling of the Veil.Book V. The Stirring of the Bones (w. 1920-22, publ. 1922)
Dramatis Personae: 1896-1902(w. 1934, publ. 1935)
Estrangement: Extracts From A Diary Kept In 1909(w. 1909, publ. 1926)
The Death of Synge(w. 1909, 1911, 1914, publ. 1928)
The Bounty of Sweden(w. 1923-24, publ. 1924)
The Irish Dramatic Movement: A Lecture delivered to the Royal Academy of Sweden (w. 1923, publ. 1924)
Notes
Emendations to the Copy-TextEnd-of-Line
Word-Division in the Copy-Text
Background
Notes on Writers
Index