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| Acknowledgments | |
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| Introduction | |
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| Prologue: Advice to a Graduation | |
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| Music | |
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| William Byrd and Orlando Gibbons | |
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| Domenico Scarlatti | |
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| Art of the Fugue | |
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| The "Goldberg" Variations | |
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| Bodky on Bach | |
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| Of Mozart and Related Matters: Glenn Gould in Conversation with Bruno Monsaingeon | |
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| Glenn Gould Interviews Himself About Beethoven | |
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| Beethoven's Pathetique, "Moonlight," and "Appassionata" Sonatas | |
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| Beethoven's Last Three Piano Sonatas | |
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| Beethoven's Fifth Symphony on the Piano: Four Imaginary Reviews | |
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| Some Beethoven and Bach Concertos | |
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| N'aimez-Vous Pas Brahms? | |
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| Should We Dig Up the Rare Romantics? ... No, They're Only a Fad | |
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| Piano Music by Grieg and Bizet, with a Confidential Caution to Critics | |
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| Data Bank on the Upward-Scuttling Mahler | |
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| An Argument for Richard Strauss | |
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| Strauss and the Electronic Future | |
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| Richard Strauss's Enoch Arden | |
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| The Piano Music of Sibelius | |
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| Arnold Schoenberg--A Perspective | |
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| The Piano Music of Arnold Schoenberg | |
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| Piano Concertos by Mozart and Schoenberg | |
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| Arnold Schoenberg's Chamber Symphony No. 2 | |
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| A Hawk, a Dove, and a Rabbit Called Franz Josef | |
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| Hindemith: Will His Time Come? Again? | |
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| A Tale of Two Marienlebens | |
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| Piano Sonatas by Scriabin and Prokofiev | |
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| Music in the Soviet Union | |
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| The Ives Fourth | |
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| A Festschrift for "Ernst Who???" | |
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| Piano Music of Berg, Schoenberg, and Krenek | |
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| Korngold and the Crisis of the Piano Sonata | |
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| Canadian Piano Music in the Twentieth Century | |
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| The Dodecacophonist's Dilemma | |
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| Boulez | |
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| The Future and "Flat-Foot Floogie" | |
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| Terry Riley | |
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| Gould's String Quartet, Op. 1 | |
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| So You Want to Write a Fugue? | |
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| Performance | |
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| Let's Ban Applause! | |
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| We Who Are About to Be Disqualified Salute You! | |
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| The Psychology of Improvisation | |
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| Critics | |
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| Stokowski in Six Scenes | |
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| Rubinstein | |
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| Memories of Maude Harbour, or Variations on a Theme of Arthur Rubinstein | |
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| Yehudi Menuhin | |
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| The Search for Petula Clark | |
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| Streisand as Schwarzkopf | |
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| Interlude: Glenn Gould Interviews Glenn Gould About Glenn Gould | |
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| Media | |
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| The Prospects of Recording | |
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| Music and Technology | |
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| The Grass Is Always Greener in the Outtakes: An Experiment in Listening | |
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| "Oh, for heaven's sake, Cynthia, there must be something else on!" | |
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| Radio as Music: Glenn Gould in Conversation with John Jessop | |
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| Prologue from "The Idea of North" | |
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| "The Idea of North": An Introduction | |
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| "The Latecomers": An Introduction | |
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| Miscellany | |
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| Three Articles Published Under the Pseudonym Dr. Herbert von Hochmeister | |
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| Toronto | |
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| Conference at Port Chillkoot | |
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| Fact, Fancy, or Psychohistory: Notes from the P.D.Q. Underground | |
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| The Record of the Decade | |
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| Rosemary's Babies | |
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| A Desert Island Discography | |
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| The Film Slaughterhouse Five | |
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| A Biography of Glenn Gould | |
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| CODA: Glenn Gould in Conversation with Tim Page | |
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| Index | |