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| Moscow, 1927 | |
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| Dream Kitsch | |
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| The Political Groupings of Russian Writers | |
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| On the Present Situation of Russian Film | |
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| Reply to Oscar A. H. Schmitz | |
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| Introductory Remarks on a Series for L'Humanite | |
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| Moscow | |
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| Review of Gladkov's Cement | |
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| Journalism | |
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| Gottfried Keller | |
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| Diary of My Journey to the Loire | |
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| Review of Soupault's Le coeur d'or | |
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| The Idea of a Mystery | |
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| Review of Hessel's Heimliches Berlin | |
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| A State Monopoly on Pornography | |
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| Image Imperatives, 1928 | |
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| Curriculum Vitae (III) | |
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| Andre Gide and Germany | |
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| Main Features of My Second Impression of Hashish | |
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| Conversation with Andre Gide | |
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| Old Toys | |
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| Hugo von Hofmannsthal's Der Turm | |
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| Moonlit Nights on the Rue La Boetie | |
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| Karl Kraus Reads Offenbach | |
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| The Cultural History of Toys | |
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| Toys and Play | |
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| Everything Is Thought | |
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| Books by the Mentally Ill | |
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| Review of the Mendelssohns' Der Mensch in der Handschrift | |
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| Food Fair | |
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| Paris as Goddess | |
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| The Path to Success, in Thirteen Theses | |
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| Weimar | |
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| The Fireside Saga | |
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| News about Flowers | |
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| Review of Green's Adrienne Mesurat | |
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| Goethe | |
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| Karl Kraus (Fragment) | |
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| The Return of the Flaneur, 1929 | |
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| Chaplin | |
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| Program for a Proletarian Children's Theater | |
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| Surrealism | |
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| Chaplin in Retrospect | |
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| Chambermaids' Romances of the Past Century | |
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| Marseilles | |
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| On the Image of Proust | |
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| The Great Art of Making Things Seem Closer Together | |
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| Milieu Theoreticians | |
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| Children's Literature | |
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| Robert Walser | |
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| The Return of the Flaneur | |
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| Short Shadows (I) | |
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| A Communist Pedagogy | |
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| Notes on a Conversation with Bela Balasz | |
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| Some Remarks on Folk Art | |
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| Tip for Patrons | |
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| Crisis and Critique, 1930 | |
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| Notes (II) | |
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| Notes (III) | |
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| Program for Literary Criticism | |
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| Notes on a Theory of Gambling | |
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| The Crisis of the Novel | |
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| An Outsider Makes His Mark | |
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| Theories of German Fascism | |
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| Demonic Berlin | |
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| Hashish, Beginning of March 1930 | |
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| Julien Green | |
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| Paris Diary | |
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| Review of Kracauer's Die Angestellten | |
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| Food | |
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| Bert Brecht | |
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| The First Form of Criticism That Refuses to Judge | |
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| From the Brecht Commentary | |
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| Against a Masterpiece | |
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| Myslovice-Braunschweig-Marseilles | |
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| A Critique of the Publishing Industry | |
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| Graphology Old and New | |
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| Characterization of the New Generation | |
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| The Need to Take the Mediating Character of Bourgeois Writing Seriously | |
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| False Criticism | |
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| Antitheses | |
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| A Note on the Texts | |
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| Chronology, 1927-1934 | |
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| Index | |