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| Acknowledgements | |
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| Introduction: Feminism/Art/Theory: Towards a (Political) Historiography | |
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| Using the Book: A Note for Teachers | |
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| Gender in/of Culture:.Introduction.Essential Reading | |
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| Valerie Solanas, from Scum Manifesto | |
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| Shulamith Firestone, '(Male) Culture' from The Dialectic of Sex: The Case for Feminist Revolution | |
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| Sherry Ortner, 'Is Female to Male as Nature is to Culture?', Feminist Studies | |
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| Carolee Schneemann, 'From Tape no. 2 "Kitch's Last Meal", (Super 8 Film: 1973 74 75-)' (Text Used for 'Interior Scroll' 1975; 1977) Reproduced in More Than Meat Joy: Performance Works and Selected Writings | |
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| Faith Wilding, 'Waiting' from Through The Flower by Judy Chicago | |
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| Monique Wittig, from: 'The Straight Mind', Feminist Issues | |
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| Isabelle Bernier, from 'In the Shadow of Contemporary Art' in Feministe Toi Meme, Feministe Quande Meme Ed. by Nicole Jolicoeur and Isabelle Bernier (Trans. by S. D. Hassan) | |
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| Luce Irigaray, from: 'Writing as a Woman': Luce Irigaray Interviewed by Alice Jardine and Anne Menke in Je Tu Nous: Towards a Culture of Difference (Trans. by A Martin) | |
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| Andrea Blum, et al (Eds.) 'Art' in WAC Stats: The Facts About Women | |
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| Activism and Institutions:.Introduction.Essential Reading.Challenging Patriarchal Structures | |
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| Women's Ad Hoc Committee/Women Artists in Revolution/WSABAL, 'To the viewing public for the 1970 Whitney Annual exhibition' | |
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| Adrian Piper, 'The Triple Negation of Colored Women Artists' in Next Generation: Southern Black Aesthetic ed. by Devinis Szakacs' Vicki Kopf | |
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| Val Walsh, 'Art Conferences: Passification or Politics?', And | |
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| Jody Berland, 'Bodies of Theory Bodies of Pain: Some Silences,' Harbour.Building Feminist Structures | |
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| Betsy Damon, Untitled Statement in Shrine for Everywomen, Artist's Book | |
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| W.E.B. (West-East Bag), 'Consciousness-Raising Rules', W.E.B.: West-East Coast Bag | |
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| Women's Workshop, 'A Brief History of the Women's Workshop of the Artist's Union 1972-1973' | |
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| Heresies Collective, from: 'Minutes: Heresies Collective', Oct 7 th | |
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| Terry Wolverton, 'Lesbian Art Project', Heresies | |
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| Martha Rosler, 'Well, is the Personal Political?', Statement for the Conference Questions on Women's Art, ICA London, 15-16 November 1980 | |
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| Anne Marsh, 'A Theoretical and Political Context' in Difference: A Radical Approach to Women and Art.Activism in Practice, Practice of Activism | |
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| Leslie Labowitz-Starus and Suzanne Lacy, 'In Mourning And In Rage...', Frontiers: A Journal of Women | |
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| Mierle Laderman Ukeles, 'Touch Sanitation', in Issue ed. by Lucy Lippard | |
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| Lucy Lippard, 'Hot Potatoes: Art and Politics in 1980' Block | |
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| Marina Warner, from: 'The Front Page (London)' in Monuments and Maidens: The Allegory of the Female Form | |
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| La Centrale, Montreal, 'Silence as a Vigil' Parallelogramme.Education | |
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| Miriam Schapiro, from: 'The Education of Women as Artists: Project Womanhouse', Art Journal | |
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| Paula Harper, from: 'The First Feminist Art Program: A View from the 1980s', Signs | |
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| Griselda Pollock, from: 'Art Artschool Culture: Individualism after the Death of the Author', Block | |
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| Moira Roth, 'Teaching Modern Art History from a Feminist Perspective: Challenging Conventions My Own and Others', Women's Studies Quarterly, Special Issue: Teaching About Women and the Visual Arts.Censorship | |
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| Aviva Rahmani, 'A Conversation on Censorship With Carolee Schneemann', M/E/A/N/I/N/G | |
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| Sarah Milroy 'The Flesh Dress: A Defence', Canadian Art | |
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| Anna Douglas, 'Where Do we Draw the Line? An Investigation into the Censorship of Art' in: New Femin | |