Bodas de Sangre

ISBN-10: 0571190065

ISBN-13: 9780571190065

Edition: 1996

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Description:

Blood Wedding is based upon a newspaper fragment which told of a family vendetta and a bride who ran away with the son of the enemy family. Lorca uses the story to investigate subjects which fascinated him such as desire, repression and ritual.
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Book details

List price: $13.00
Copyright year: 1996
Publisher: Farrar, Straus & Giroux
Publication date: 2/6/1997
Binding: Paperback
Pages: 80
Size: 5.25" wide x 8.00" long x 0.25" tall
Weight: 0.198
Language: English

Garcia Lorca is perhaps the best known of modern Spanish writers, partly because of his brutal execution outside Granada by Franco's army at the beginning of the civil war, but primarily because of his genius for poetry and drama. In 1928 Lorca published Gypsy Ballads, which won him immediate success and is considered one of the most important volumes of poetry of the century. Attracted to the gypsies for their exotic folklore, sexual vitality, and their status as a group on the fringe of Spanish society, Lorca enlarged the gypsy people and their traditions to mythical proportions. Nature takes on human form while reality acquires a dreamlike quality in this powerful transformation of the world into a myth. The verse is colorful, rhythmic, dramatic, symbolic, and suggestive. Lorca visited New York in 1929, experiencing a deep despair about a mechanical and dehumanized society; he saw in blacks the only hope for revitalization of that world. The volume Poet in New York (1929) shows the influence of Negro spirituals and the poets Walt Whitman and T. S. Eliot. Although Garcia Lorca was interested in drama throughout his life, he did not produce much of significance until the 1930s. Most important is his trilogy of Spanish rural life, Blood Wedding (1933), Yerma (1934), and The House of Bernarda Alba (1936), all tragedies with women as protagonists. In each play, the fall of the heroine, and of those around her whom she pulls down, is caused by frustrations produced by society. Blood Wedding demonstrates the sterility of the traditional code of honor. Yerma reveals the emptiness of a traditional marriage in which the woman must bear her husband children to prove her fidelity, and The House of Bernarda Alba dramatizes the destructive nature of Bernarda's dictatorial rule over her house, a microcosm of Spain. The Butterfly's Evil Spell (1919) is Lorca's first play; The Shoemaker's Prodigious Wife (1931) and Don Perlimplin (1931) are farces; The Billy-Club Puppets (1931) is a puppet play.

Ted Hughes was born on August 17, 1930 in England and attended Cambridge University, where he became interested in anthropology and folklore. These interests would have a profound effect on his poetry. In 1956, Hughes married famed poet Sylvia Plath. He taught at the University of Massachusetts at Amherst from 1957 until 1959, and he stopped writing altogether for several years after Plath's suicide in 1963. Hughes's poetry is highly marked by harsh and savage language and depictions, emphasizing the animal quality of life. He soon developed a creature called Crow who appeared in several volumes of poetry including A Crow Hymn and Crow Wakes. A creature of mythic proportions, Crow symbolizes the victim, the outcast, and a witness to life and destruction. Hughes's other works also created controversy because of their style, manner, and matter, but he has won numerous honors, including the Somerset Maugham Award in 1960, and the Queen's Medal for Poetry in 1974. His greatest honor came in 1984, when he was named Poet Laureate of England. Ted Hughes died in 1998.

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