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| Abbreviations | |
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| The Origins of Christian Worship; Liturgy and Chant | |
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| The evidence of the early Christian sources | |
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| The Jewish roots of Christian worship | |
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| The early forms of Christian chant | |
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| Liturgy and chant after the Edict of Milan | |
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| Hymnody | |
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| Christian Chant at Byzantium and in the Western Churches | |
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| Greco-Byzantine chant | |
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| Old Roman (paleo-Roman) chant | |
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| Ambrosian (Milanese) chant | |
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| The ancient chant of Aquileia and Benevento | |
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| Ancient Hispanic (Mozarabic) and Gallican chant | |
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| Gregorian Chant | |
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| Gregory the Great | |
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| The liturgy of the Western churches in the Carolingian period: Franco-Roman chant | |
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| From oral tradition to neumatic notation | |
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| Notation: problems of derivation and regional variation | |
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| Neumes and their classification | |
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| Neumes and words | |
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| Neumes and Gregorian time | |
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| Neumes and Gregorian rhythm | |
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| Modal theory and structure | |
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| Classical forms of the Gregorian repertory | |
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| Decline and revival | |
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| Liturgico-Musical Innovations of the Ninth and Tenth Centuries and Their Development; Secular Monody in Latin | |
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| Sequences | |
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| Tropes | |
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| Metrical and dramatic offices | |
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| Liturgical drama | |
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| Non-liturgical Latin monody | |
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| Monody in Vernacular Languages; Instruments; the Ars Musica | |
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| Troubadour and trouvere lyric | |
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| Monody in the German-speaking countries, the Iberian peninsula and England | |
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| Italian poetry: laude | |
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| Musical instruments | |
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| The ars musica in the Middle Ages | |
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| Readings | |
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| The jubilus in St Augustine | |
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| From the De institutione musica of Severinus Boethius | |
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| From the Institutiones of Cassiodorus | |
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| From the Etymologiae of Isidore of Seville | |
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| From the Epistola de ignoto cantu of Guido d'Arezzo | |
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| An example of dramatised liturgy | |
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| Evidence for musical customs in Italy | |
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| From the Ars musica of Gill da Zamora | |
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| Glossary | |
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| Notes | |
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| Bibliography | |
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| Index | |