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List of Illustrations | |
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Acknowledgments | |
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Introduction | |
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Mexican Muralism: Beginnings, Development, Ideologies, and National Responses | |
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Muralism and the State in Post-Revolution Mexico, 1920-1970 | |
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Los Tres Grandes: Ideologies and Styles | |
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"All Mexico on a Wall": Diego Rivera's Murals at the Ministry of Public Education | |
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Siqueiros' Communist Proposition for Mexican Muralism: A Mural for the Mexican Electricians' Syndicate | |
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Jos� Clemente Orozco's Use of Architecture in the Dartmouth Mural | |
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Murales Estridentes: Tensions and Affinities between Estridentismo and Early Muralism | |
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Young Muralists at the Abelardo L. Rodr�guez Market | |
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Nietzsche contra Marx in Mexico: The Contempor�neos, Muralism, and Debates over "Revolutionary" Art in 1930s Mexico | |
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Muralism's Hemispheric Influences | |
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Siqueiros' Travels and "Alternative Muralisms" in Argentina and Cuba | |
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Social Realism and Constructivist Abstraction: The Limits of the Debate on Muralism in the R�o de la Plata Region (1930-1950) | |
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Mexican Muralism in the United States: Controversies, Paradoxes, and Publics | |
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Contemporary Responses to Muralism | |
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Murals and Marginality in Mexico City: The Case of Tepito Arte Ac� | |
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Radical Mestizaje in Chicano/a Murals | |
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An Unauthorized History of Post-Mexican School Muralism | |
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Chronology and Primary Texts | |
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Chronology | |
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Primary Texts | |
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Manifesto of the Syndicate of Technical Workers, Painters and Sculptors (Mexico City, 1923) | |
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Jos� Clemente Orozco, "New World, New Races and New Art" (New York, 1929) | |
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Diego Rivera, "The Revolutionary Spirit in Modern Art" (Baltimore, 1932) | |
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David Alfaro Siqueiros, "A Call to Argentine Artists" (Buenos Aires, 1933) | |
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David Alfaro Siqueiros, "Toward a Transformation of the Plastic Arts" (New York, 1934) | |
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Jos� Clemente Orozco, "Orozco 'Explains'" (New York, 1940) | |
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Bibliography | |
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Contributors | |
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Index | |