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| Preface to the Second Edition | |
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| Introduction to the First Edition | |
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| Performance Analysis | |
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| Semiotics and Its Heritage | |
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| The Phenomenological Attitude | |
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| Alceste in Hollywood: A Semiotic Reading of The Misanthrope | |
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| Every Transaction Conjures a New Boundary | |
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| Postcolonial Studies | |
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| Performing History's Unsettlement | |
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| What Is to Be Remembered?: Tourism to Ghana's Slave Castle-Dungeons | |
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| For Whom Is the King a King? Issues of Intercultural Production, Perception, and Reception in a Kathakali King Lear | |
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| Critical Race Theory | |
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| Black/face Publics: The Social Bodies of Fraternidad | |
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| Virtual Chinatown and New Racial Formation: Performance of Cantonese Opera in the Bay Area | |
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| Reality | |
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| Theater History and Historiography | |
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| Theater Events and Their Political Contexts: A Problem in the Writing of Theater History | |
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| Representing History: Performing the Columbian Exposition | |
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| Kinesthetic Empathies and the Politics of Compassion | |
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| After Marx | |
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| Shadows of Brecht | |
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| Historicizing the Relations of Theatrical Production | |
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| Brecht and the Contradictory Actor | |
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| Gender and Sexualities | |
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| Mrs. Siddons Looks Back in Anger: Feminist Historiography for Eighteenth-Century British Theater | |
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| Practicing Cultural Disruptions: Gay and Lesbian Representation and Sexuality | |
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| Fe/male Impersonation: The Discourse of Camp | |
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| Not-About-AIDS | |
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| Psychoanalysis | |
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| The Violence of "We": Politicizing Identification | |
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| Staging Sexual Injury: How I Learned to Drive | |
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| Immobile Legs, Stalled Words: Psychoanalysis and Moving Deaths | |
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| Performance Studies | |
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| Invasions Friendly and Unfriendly: The Dramaturgy of Direct Theater | |
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| Performance Theory, Hmong Shamans, and Cultural Politics | |
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| Animal Rites: Performing beyond the Human | |
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| Mediatized Cultures | |
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| Live from Cyberspace, or, I, Was Sitting at My Computer This Guy Appeared He Thought I Was a Bot | |
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| Virtually Yours: Presence, Liveness, Lessness | |
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| Dracula's Daughters: In-Corporating Avatars in Cyberspace | |
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| Contributors | |
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| Index | |