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Introduction | |
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The Evolution of Typography | |
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From the origins of writing to Gutenberg's invention of movable type | |
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Typography from Gutenberg to the nineteenth century | |
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The nineteenth century and the Industrial Revolution | |
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Typography in the twentieth century | |
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A new century and millennium begin | |
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The Anatomy of Typography | |
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Letterforms analyzed | |
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The typographic font | |
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Historical classification of typefaces | |
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Typographic measurement | |
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The type family | |
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Syntax and Communication | |
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Typographic syntax | |
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Typographic space | |
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Visual hierarchy | |
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ABA form | |
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Legibility | |
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Distinguishing characteristics of letters | |
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The nature of words | |
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Capital and lowercase letters | |
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Interletter and interword spacing | |
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Type size, line length, and interline spacing | |
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Weight | |
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Character width | |
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Italics | |
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Legibility and color | |
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Justified and unjustified typography | |
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Paragraphs and indentions | |
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Legibility and electronic page design | |
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Legibility and the Internet | |
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Typographic details | |
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The Typographic Grid | |
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Background | |
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Structure and space | |
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Proportion | |
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Single column grids | |
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Multi-column grids | |
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Modular grids | |
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Improvisational structures | |
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The Typographic Message | |
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A multidimensional language | |
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Verbal/visual equations | |
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Function and expression | |
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Typographic Technology | |
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Hand composition | |
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Linotype | |
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Monotype | |
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Ludlow | |
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Phototypesetting | |
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Digital typesetting | |
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Electronic page design | |
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Case Studies in Typographic Design | |
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Integrating type and image in poster design | |
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The U.S. National Park Service Unigrid System | |
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Design and typography for Interiors magazine | |
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Typographic film titles | |
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Hancock Park: interpretive exhibit for the La Brea Tar Pits | |
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CD-ROM design for Crank Call: a holiday typeface by MetaDesign | |
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Sonoma County Woodworkers Association Web site | |
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Book design for Listen Up: The Lives of Quincy Jones | |
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A typographic program for the 17th Street Farmers' Market | |
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Exhibition design for the for the Jewish Historical Museum Amsterdam, Netherlands | |
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Typographic Design Education | |
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Generation of a typographic sign from a gestural mark | |
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Letter/digit configurations | |
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Urban letterform studies | |
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Inventing sign systems | |
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Letterform analysis | |
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Flowering typography | |
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Sequential typographic forms in space | |
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Visual organization and grid structures | |
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Introduction to systems design | |
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Designing with a single letter | |
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Typography and image transformations | |
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Experimental compositions with found typography | |
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Syntactic explorations using onomatopoeic terms | |
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Type chronology booklet | |
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Expressive typography: form amplifies message | |
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Computer improvisation and manipulation | |
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Type as metaphor | |
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Interpretive typography: exploring legibility and impact | |
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Symphony poster series | |
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Information design: changing typographic parameters | |
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Typographic cubes | |
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Calendar typography | |
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Unity of form and communication | |
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Typeface history posters | |
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Performance typography | |
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Type in Motion | |
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Type and image in the third dimension | |
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Comparative relationships: type and image | |
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Directional poster: from your house to the university | |
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Graphic-design history posters and booklet | |
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Animated Web site flash pages | |
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Typezine: my favorite typeface | |
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Type history posters | |
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Typeface design: mind/machine | |
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Banknote design | |
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Typographic Design Process | |
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A traditional model | |
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Processing typographic form and ideas | |
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Exploring typographic permutations | |
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The Green project | |
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Type Specimens | |
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Old Style | |
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Adobe Garamond | |
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Adobe Minion Display Regular | |
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Additional Old Style fonts | |
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Sans serif | |
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Univers 55 | |
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Meta Normal | |
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Futura Regular | |
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Additional Sans Serif fonts | |
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Transitional | |
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Baskerville Regular | |
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Additional Transitional fonts | |
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Modern | |
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Bauer Bodoni Regular | |
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Additional Modern fonts | |
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Egyptian | |
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Serifa Roman | |
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Additional Egyptian fonts | |
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Selected Decorative fonts | |
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Glossary | |
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A chronology of typeface designs | |
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Bibliography | |
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Picture Credits | |
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Index | |