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| Introduction | |
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| Fundamentals of DSLR Filmaking | |
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| Features of DSLR Cameras | |
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| Features of SLR Lenses | |
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| How Sensor Size and Lenses Interact | |
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| Gear and Recommendations | |
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| What Camera Is Right for You? | |
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| Lenses and Accessories | |
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| Lights | |
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| Audio | |
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| Tripod and Dollies | |
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| Specialty Items and Miscellaneous | |
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| Planning Your Gear Package | |
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| Testing and Custom Settings | |
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| Camera-Specific Testing | |
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| Testing Equipment Interactions | |
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| Using In-camera Presets | |
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| Changing the Camera Presets for Image Control | |
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| Customizing Your Picture Style: Steps for Canon DSLR Cameras | |
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| Cameras and Lenses on Location | |
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| Using Cameras on Location | |
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| Using Lenses on Location | |
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| Camera Motion and Support | |
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| Camera Motion | |
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| Types of Camera Movement | |
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| Planning the Motion | |
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| Gear for Designing and Controlling Movement | |
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| Stabilizing Your Camera Motion | |
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| Motion, the Edit, and Cutting | |
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| Lighting on Location | |
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| Planning the Lights | |
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| Choosing Lights | |
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| Principles for Setting Lighting | |
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| Types of Lights by Position | |
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| Lighting for Special Situations | |
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| Managing Light | |
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| Light Quality | |
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| Picking Exposure | |
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| Sound on Location | |
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| The Role of Sound | |
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| Recording Sound with DSLR Cameras | |
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| Microphones and Key Accessories | |
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| Planning, Setting Up, and Recording a Shoot | |
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| Organizing and Storing Data in the Field | |
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| Setting Up a File System | |
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| Capture Formats | |
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| Backing Up Your Footage on Set | |
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| Organizing Data on Set | |
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| Troubleshooting | |
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| Avoiding Problems: What to Do, What to Take | |
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| Shooting Problems | |
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| Hardware Problems | |
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| Ways to Save the Shot | |
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| Converting and Editing Your Footage | |
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| Setting the Foundation for Post-Production Workflow | |
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| Choosing the Right Hard Drives | |
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| Backing Up Data | |
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| Choosing and Using an Editing Codec | |
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| Editing Your Footage | |
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| Audio Crash Course | |
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| Syncing Your Audio and Video | |
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| Troubleshooting Out-of-Sync Sound | |
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| Automated Dialogue Replacement (ADR) | |
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| Color Correction and Grading | |
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| Color Theory and the Eye | |
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| Color Correction on Set: Outside of the Camera | |
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| Color Correction on Set: Inside of the Camera | |
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| What Is This Camera Shooting Anyway and Why Do I Care? | |
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| Post-Production Color Correction and Grading | |
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| Compression | |
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| Understanding Compression | |
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| Outputting Your Video | |
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| One File Fits All | |
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| Fixing It in Post | |
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| Primary Color Correction | |
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| Micromanaging with Regional Color Corrections | |
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| Secondary Color Correction | |
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| Faux Lens Effects | |
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| Behind-the-Lens Fakery | |
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| Workshops | |
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| A Brief Guide to Underwater Cinematography | |
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| Rigging a Car | |
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| Achieving That Cinematic Look: Ramping and Changing Frames per Second | |
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| Index | |