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| List of figures | |
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| List of Color Plates | |
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| Introduction: Kymberly N. Pinder | |
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| Black Athenas, Semitic Devils and Black Magi: Reading Race from Antiquity to the Middle Ages | |
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| "Just Like Us": Cultural Constructions of Sexuality and Race in Roman Art | |
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| Imaging the Self: Identity and Gender in Representations in a Yiddish Books of Customs | |
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| A Sanctified Black: Maurice | |
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| Imag(in)ing Race in the Eighteenth and Nineteenth Centuries | |
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| The Imaginary Orient | |
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| "Only Women should go to Turkey": Henriette Brown and the Orientalist Female Gaze | |
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| The Hottentot and the Prostitute: Toward an Iconography of Female Sexuality | |
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| Going Native: Abigail | |
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| Racism, Nationalism, and Nostalgia | |
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| Blacks in Shark- Infested Waters | |
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| "Making a Man of Him": Masculinity and the Black Body in Mid-Nineteenth Century American Sculpture | |
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| Modernism and its "Primitive" Legacy | |
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| Histories of the Tribal and the Modern | |
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| The White Peril and L'Art n�gre : Picasso, Primitivism, and Anticolonialism | |
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| New Encounters with Les 'Desmoiselles d' Avignon: Gender, Race, and the Origins of Cubism | |
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| Wilfredo Lam: Painter of Negritude | |
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| Sargent Johnson: Afro-Californian Modernist | |
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| Horace Pippin's Challenge to Art Criticism | |
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| In Search of the "Inauthentic": Disturbing Signs in Contemporary Native American Art | |
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| Altars of Sacrifice: Re-membering Basquiat: bell hooks | |
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| Race-ing Us: White, Beige, Brown, and Black in the Twentieth Century | |
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| International Abstraction in a National Context: Abstract Paintings in Korea, 1910- 1965 | |
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| The Other Immigrant: The Experience and Achievements of Afro-Asian Artists | |
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| Reframing the Black Subject: Ideology and Fantasy in Contemporary South African Representation | |
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| Biraciality and Nationhood in Twentieth-Century American Art | |
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| List of Contributors Permissions | |