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| Introduction: Music Studies and the Idea of Culture | |
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| When? Musical Histories | |
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| Music and Biocultural Evolution | |
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| Music and Culture: Historiographies of Disjuncture, Ethnographies of Displacement | |
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| Historical Musicology: Is It Still Possible? | |
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| Social History and Music History | |
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| Musicology, Anthropology, History | |
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| Where? Locations of Music | |
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| Textual Analysis or Thick Description? | |
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| Comparing Music, Comparing Musicology | |
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| The Destiny of Diaspora in Ethnomusicology | |
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| Globalization and the Politics of World Music | |
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| Contesting Difference: A Critique of Africanist Ethnomusicology | |
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| What a Difference a Name Makes: Two Instances of African-American Popular Music | |
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| Music, Space, and Place: The Geography of Music | |
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| Music and Everyday Life | |
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| How? Processes, Practices, and Institutions of Music | |
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| Music, Culture, and Creativity | |
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| Musical Autonomy Revisited | |
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| Music as Performance | |
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| The Cultural Study of Musical Instruments | |
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| Music Education, Cultural Capital, and Social Group Identity | |
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| Music Technology, or Technologies of Music? | |
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| Music and Material Culture | |
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| Whose? Social Forces and Musical Belongings | |
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| Music and Social Categories | |
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| Music and Mediation: Toward a New Sociology of Music | |
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| Music and the Social | |
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| Locating the People: Music and the Popular | |
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| Music and the Market: The Economics of Music in the Modern World | |
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| Music, Sound, and Religion | |
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| Music, Race, and the Fields of Public Culture | |
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| Music, Gender, and Sexuality | |
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| Who? Musical subjectivities | |
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| What's Going On: Music, Psychology, and Ecological Theory | |
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| Musical Materials, Perception, and Listening | |
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| Music, Experience, and the Anthropology of Emotion | |
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| Towards a Political Aesthetics of Music | |
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| Music and the Subject: Three Takes | |
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| Of Mice and Dogs: Music, Gender, and Sexuality at the Long Fin de Si�cle | |
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| Subjectivity Unbound: Music, Language, Culture | |
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