Hollywood Musicals, the Film Reader
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Description: The articles in this collection examine the musical in relation to its generic form and conventions, the relationship between narrative and spectacle, gender and feminist analysis and the representation of race and ethnicity.
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All the information you need in one place! Each Study Brief is a summary of one specific subject; facts, figures, and explanations to help you learn faster.
List price: $47.95
Copyright year: 2001
Publication date: 12/29/2001
Size: 6.00" wide x 9.00" long x 0.50" tall
|Introduction: Musicals of the Studio Era|
|Richard Dyer, Entertainment and Utopia|
|Jane Feuer, The Self-reflective Musical and the Myth of Entertainment|
|Rick Altman, The American Film Musical as Dual-Focus Narrative|
|Martin Rubin, Busby Berkeley and the Backstage Musical|
|Patricia Mellencamp, Sexual Economics: Gold Diggers of 1933|
|Lucie Arbuthnot and Gail Seneca, Pre-text and Text in Gentlemen Prefer Blondes|
|Steven Cohan, "Feminizing" the Song-and-Dance Man: Fred Astaire and the Spectacle of Masculinity in the Hollywood Musical|
|Richard Dyer, Judy Garland and Camp|
|Matthew Tinkcom, "Working Like a Homosexual": Camp Visual Codes and the Labor of Gay Subjects in the MGM Freed Unit|
|Pamela Robertson, Feminist Camp in Gold Diggers of 1933|
|Shari Roberts, "The Lady in the Tutti-Frutti Hat": Carmen Miranda, A Spectacle of Ethnicity|
|Carol J. Clover, Dancin' in the Rain|
|Michael Rogin, New Deal Blackface|
|Linda Mizejewski, Beautiful White Bodies|