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Unmarked The Politics of Performance

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ISBN-10: 0415068223

ISBN-13: 9780415068222

Edition: 1993

Authors: Peggy Phelan

List price: $49.95
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As feminist film theory has made clear, representational visibility has psychic and political limitations. Simply being in the public eye does not guarantee access to power. Still, among the Left and within the field of cultural/performance studies, there is an almost ubiquitous assumption that visibility is a crucial aspect of progressive struggle. In Unmarked, Peggy Phelan looks at the relation between political and representational visibility within both the mainstream and the avant-garde. Phelan examines the limitations of visibility politics, suggesting that there may be political power inherent in disappearance from the visual field. Unmarked is a controversial study of the politics of performance, employing the emerging theories of psychoanalysis, feminism and cultural studies to examine an unusually broad conception of what Phelan considers performance; she cites examples from photography, film, theatre, anti-abortion demonstrations andperformance art in her arguments. A boldly speculative analysis of contemporary culture, Unmarked is of interest to performance theorists, cultural studies scholars, art critics and enthusiasts, intellectuals and activists.
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Book details

List price: $49.95
Copyright year: 1993
Publisher: Routledge
Publication date: 2/19/1993
Binding: Paperback
Pages: 220
Size: 6.50" wide x 9.25" long x 0.75" tall
Weight: 1.100
Language: English

Broken Symmetries: Memory, Sight, Love
Developing the Negative: Mapplethorpe, Schor, and Sherman
Spatial Envy: Yvonne Rainer's the Man Who Envied Women
The Golden Apple: Jennie Livingston's Paris is Burning
Theatre and Its Mother: Tom Stoppard's Hapgood
White Men and Pregnancy: Discovering the Body to Be Rescued
The Ontology of Performance: Representation Without Reproduction
Afterword: Notes on Hope-For My Students