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| Preface | |
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| Acknowledgments | |
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| Phonetic Equivalents | |
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| Map: Europe and Eastern America, Ca. 1866 | |
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| Revolution and Romanticism in Europe and America | |
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| Time Line | |
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| Confessions (French) | |
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| from Part I | |
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| Faust (German) | |
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| Prologue in Heaven | |
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| The First Part of the Tragedy | |
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| From Songs of Innocence (English) | |
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| Introduction | |
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| The Lamb | |
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| The Little Black Boy | |
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| Holy Thursday | |
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| The Chimney Sweeper | |
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| From Songs of Experience (English) | |
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| Introduction | |
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| Earth's Answer | |
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| The Tyger | |
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| The Sick Rose | |
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| London | |
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| The Chimney Sweeper | |
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| Mock On, Mock On, Voltaire, Rousseau | |
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| And Did Those Feet | |
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| [Poems] (English) | |
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| Lines Composed a Few Miles Above Tintern Abbey | |
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| Ode on Intimations of Immortality | |
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| Composed upon Westminster Bridge, September 3, 1802 | |
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| The World Is Too Much with Us | |
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| From The Grasmere Journals (English) | |
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| [Poems] (English) | |
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| Kubla Khan | |
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| Dejection: An Ode | |
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| [Poems] (English) | |
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| Stanzas Written in Dejection--December 1818, Near Naples | |
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| England in 1819 | |
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| Ode to the West Wind | |
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| A Defence of Poetry | |
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| [Conclusion] | |
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| [Poems] (English) | |
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| On First Looking into Chapman's Homer | |
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| Bright Star | |
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| La Belle Dame sans Merci | |
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| Ode on a Grecian Urn | |
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| Ode to a Nightingale | |
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| Ode on Melancholy | |
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| To Autumn | |
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| Continental Romantic Lyrics: a Selection | |
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| The Half of Life (German) | |
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| Hyperion's Song of Fate (German) | |
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| Brevity (German) | |
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| To the Fates (German) | |
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| Yearning for Death (German) | |
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| From the Seashore (Russian) | |
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| The Lake (French) | |
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| [A pine is standing lonely] (German) | |
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| [A young man loves a maiden] (German) | |
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| [Ah, death is like the long cool night] (German) | |
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| The Silesian Weavers (German) | |
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| The Infinite (Italian) | |
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| To Himself (Italian) | |
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| To Sylvia (Italian) | |
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| The Village Saturday (Italian) | |
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| Et nox facta est (French) | |
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| [I know a strange, gigantic hymn] (Spanish) | |
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| [Nameless spirit] (Spanish) | |
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| [As I composed this little book] (Spanish) | |
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| [Mild was the air] (Spanish) | |
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| [A glowworm scatters flashes through the moss] (Spanish) | |
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| [The feet of Spring are on the stair] (Spanish) | |
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| [Candescent lies the air] (Spanish) | |
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| [The ailing woman felt her forces ebb] (Spanish) | |
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| The Queen of Spades (Russian) | |
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| [Poems] (English) | |
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| Ulysses | |
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| Tithonus | |
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| From In Memoriam A. H. H. | |
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| [Poems] (English) | |
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| My Last Duchess | |
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| The Bishop Orders His Tomb at Saint Praxed's Church | |
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| "Childe Roland to the Dark Tower Came" | |
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| Narrative of the Life of Frederick Douglass, An American Slave (English) | |
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| [Poems] (English) | |
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| From Song of Myself | |
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| Out of the Cradle Endlessly Rocking | |
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| Billy Budd, Sailor (English) | |
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| [Poems] (English) | |
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| 216 [Safe in their Alabaster Chambers--] | |
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| 258 [There's a certain Slant of light] | |
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| 303 [The Soul selects her own Society--] | |
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| 328 [A Bird came down the Walk--] | |
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| 341 [After great pain, a formal feeling comes--] | |
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| 435 [Much Madness is divinest Sense--] | |
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| 449 [I died for Beauty--but was scarce] | |
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| 465 [I heard a Fly buzz--when I died--] | |
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| 519 ['Twas warm--at first--like Us--] | |
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| 585 [I like to see it lap the Miles--] | |
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| 632 [The Brain--is wider than the Sky--] | |
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| 657 [I dwell in Possibility--] | |
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| 712 [Because I could not stop for Death--] | |
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| 754 [My Life had stood--a Loaded Gun--] | |
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| 1084 [At Half past Three, a single Bird] | |
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| 1129 [Tell all the Truth but tell it slant--] | |
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| 1207 [He preached upon "Breadth" till it argued him narrow--] | |
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| 1564 [Pass to thy Rendezvous of Light] | |
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| 1593 [There came a Wind like a Bugle--] | |
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| Map: India, Ca. 1857 | |
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| Urdu Lyric Poetry in North India | |
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| Time Line | |
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| [Ghazals] (Urdu) | |
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| V [Waterbead ecstasy; dying in a stream] | |
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| VIII [Here in the splendid court the great verses flow] | |
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| X [Why didn't I shrink in the blaze of that face?] | |
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| XII [I'm neither the loosening of song nor the close-drawn tent of music] | |
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| XIII [No more those meetings, partings, tears!] | |
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| XIV [Wings are like dust, weightless; the wind may steal them] | |
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| XIX [With every step I took, my goal seemed farther away] | |
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| XXI [Dew on a flower--tears, or something] | |
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| Map: Europe, Ca. 1870 | |
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| Realism, Naturalism, and Symbolism in Europe | |
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| Time Line | |
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| Madame Bovary (French) | |
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| Notes from Underground (Russian) | |
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| From The Flowers of Evil (French) | |
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| To the Reader | |
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| Correspondences | |
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| Correspondances (original French) | |
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| Her Hair | |
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| A Carcass | |
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| Invitation to the Voyage | |
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| Song of Autumn I | |
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| Spleen LXXVIII | |
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| Spleen LXXIX | |
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| Spleen LXXXI | |
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| The Voyage | |
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| From Paris Spleen (French) | |
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| One o'Clock in the Morning | |
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| Crowds | |
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| Windows | |
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| Anywhere out of the World | |
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| [Poems] (French) | |
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| The Afternoon of a Faun | |
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| The Tomb of Edgar Poe | |
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| Saint | |
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| [The virginal, vibrant, and beautiful dawn] | |
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| [Poems] (French) | |
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| Autumn Song | |
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| Moonlight | |
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| [The white moonglow] | |
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| Wooden Horses | |
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| The Art of Poetry | |
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| [Poems] (French) | |
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| The Drunken Boat | |
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| From A Season in Hell | |
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| Night of Hell | |
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| From The Illuminations (French) | |
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| The Bridges | |
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| Barbarian | |
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| The Death of Ivan Ilyich (Russian) | |
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| Hedda Gabler (Norwegian) | |
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| The Lady with the Dog (Russian) | |
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| The Cherry Orchard (Russian) | |
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| A Note on Translation | |
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| Permissions Acknowledgments | |
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| Index | |