| |
| |
Introduction | |
| |
| |
"Song of the Son": The Emergence and Passing of Jean Toomer | |
| |
| |
| |
Jean Toomer's Racial Self-Identification: A Note on the Supporting Materials | |
| |
| |
*Draft Registration, June 5, 1917 | |
| |
| |
*1930 Census | |
| |
| |
*Detail of 1930 Census | |
| |
| |
*1931 Marriage Certificate | |
| |
| |
*Draft Registration, April 24, 1942 | |
| |
| |
The Text of Cane | |
| |
| |
Foreword to the 1923 Edition of Cane | |
| |
| |
| |
Map of Sparta, Georgia | |
| |
| |
Backgrounds and Sources | |
| |
| |
Background Texts | |
| |
| |
The Cane Years | |
| |
| |
| |
* Why I Entered the Gurdjieff Work | |
| |
| |
Correspondence | |
| |
| |
To Alain Locke, November 11, 1919 | |
| |
| |
To Georgia Douglas Johnson, December 1919 | |
| |
| |
To Georgia Douglas Johnson, January 7, 1920 | |
| |
| |
To Georgia Douglas Johnson, February 20, 1920 | |
| |
| |
To Alain Locke, December 24, 1920 | |
| |
| |
To Alain Locke, January 26, 1921 | |
| |
| |
To Alain Locke, November 8, 1921 | |
| |
| |
To Alain Locke, November 1921 | |
| |
| |
To Waldo Frank, March 24, 1922 | |
| |
| |
Waldo Frank to Jean Toomer, April 25, 1922 | |
| |
| |
To Waldo Frank, April 26, 1922 | |
| |
| |
To Waldo Frank, August 21, 1922 | |
| |
| |
To John McClure, July 22, 1922 | |
| |
| |
To Claude McKay, July 23, 1922 | |
| |
| |
To the Editors of The Liberator, August 19, 1922 | |
| |
| |
To Alain Locke, October 1, 1922 | |
| |
| |
To Gorham B. Munson, October 31, 1922 | |
| |
| |
To Sherwood Anderson, December 18, 1922 | |
| |
| |
To Sherwood Anderson, December 29, 1922 | |
| |
| |
To Waldo Frank, December 1922 | |
| |
| |
To Waldo Frank, December 12, 1922 | |
| |
| |
To Alain Locke, January 2, 1923 | |
| |
| |
To Waldo Frank, early January 1923 | |
| |
| |
To Waldo Frank, early to mid January 1923 | |
| |
| |
To Waldo Frank, early January 1923 | |
| |
| |
To Horace Liveright, January 11, 1923 | |
| |
| |
To Horace Liveright, February 27, 1923 | |
| |
| |
To Horace Liveright, March 9, 1923 | |
| |
| |
To Horace Liveright, September 5, 1923 | |
| |
| |
To Countee Cullen, October 1, 1923 | |
| |
| |
To Georgia O'Keeffe, January 13, 1924 | |
| |
| |
To James Weldon Johnson, July 11, 1930 | |
| |
| |
Criticism | |
| |
| |
Contemporary Reviews | |
| |
| |
A Review of Cane | |
| |
| |
| |
A Review of Cane | |
| |
| |
| |
The Younger Literary Movement | |
| |
| |
| |
The Significance of Jean Toomer | |
| |
| |
| |
Jean Toomer | |
| |
| |
| |
Critical Interpretations | |
| |
| |
Jean Toomer | |
| |
| |
| |
Gurdjieff in Harlem | |
| |
| |
| |
[Jean Toomer's Cane] | |
| |
| |
| |
The Failure of a Playwright | |
| |
| |
| |
Introduction to the 1969 Edition of Cane | |
| |
| |
| |
The Search for Black Redemption: Jean Toomer's Cane | |
| |
| |
| |
A Key to the Poems in Cane | |
| |
| |
| |
The Unity of Jean Toomer's Cane | |
| |
| |
| |
Jean Toomer and the South: Region and Race as Elements within a Literary Imagination | |
| |
| |
| |
The Divided Life of Jean Toomer | |
| |
| |
| |
Looking Behind Cane | |
| |
| |
| |
Textuality and Vision in Jean Toomer's Cane | |
| |
| |
| |
Blues Ballad: Jean Toomer's "Karintha" | |
| |
| |
| |
Jean Toomer and the "New Negroes" of Washington | |
| |
| |
| |
Jean Toomer's Washington and the Politics of Class: From "Blue Veins" to Seventh-street Rebels | |
| |
| |
| |
"Dorris Dances . . . John Dreams": Free Indirect Discourse and Female Subjectivity in Cane | |
| |
| |
| |
Jean Toomer's Cane: Modernism and Race in Interwar America | |
| |
| |
| |
Jean Toomer and the Avant-Garde | |
| |
| |
| |
Jean Toomer's Cane: "Mixed-Blood" Impossibilities | |
| |
| |
| |
Jean Toomer's Cane and the Erotics of Mourning | |
| |
| |
| |
Jean Toomer, the Artist-An Unfulfilled American Life: An Afterword | |
| |
| |
| |
A Chronology | |
| |
| |
| |
Selected Bibliography | |