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| Mrs. Baez Serves Coffee on the Third Floor | |
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| Cordillera | |
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| Tato Hates the New York Yankees | |
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| Heart of Hunger | |
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| Jim's Blind Blues | |
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| Power | |
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| Trumpets from the Islands of Their Eviction | |
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| Toque de queda: Curfew in Lawrence | |
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| Tiburon | |
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| El senor esta muerto | |
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| From an Island You Cannot Name | |
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| Mariano Explains Yanqui Colonialism to Judge Collings | |
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| Again the Mercenaries: Atlantic Coast of Nicaragua, 4th of July 1982 | |
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| La tormenta | |
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| The Right Hand of a Mexican Farmworker in Somerset County, Maryland | |
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| Leo Blue's and the Tiger Rose | |
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| Watch Me Swing | |
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| The Moon Shatters on Alabama Avenue | |
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| La tumba de Buenaventura Roig | |
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| Rebellion is the Circle of a Lover's Hands (Pellin and Nina) | |
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| The Savior is Abducted in Puerto Rico | |
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| Colibri | |
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| Bully | |
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| The New Bathroom Policy at English High School | |
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| Portrait of a Real Hijo de Puta | |
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| Cheo Saw an Angel on Division Street | |
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| Latin Night at the Pawnshop | |
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| Two Mexicanos Lynched in Santa Cruz, California, May 3, 1877 | |
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| Revolutionary Spanish Lesson | |
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| The Intelligence of Scavengers | |
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| After the Flood in Chinandega | |
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| The Saint Vincent de Paul Food Pantry Stomp | |
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| Federico's Ghost | |
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| The Florida Citrus Growers Association Responds to a Proposed Law Requiring Handwashing Facilities in the Fields | |
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| Jorge the Church Janitor Finally Quits | |
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| The Hidalgo's Hat and a Hawk's Bell of Gold | |
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| The Lover of a Subversive is Also a Subversive | |
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| Coca-Cola and Coco Frio | |
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| Who Burns for the Perfection of Paper | |
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| City of Coughing and Dead Radiators | |
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| Courthouse Graffiti for Two Voices | |
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| Mi Vida: Wings of Fright | |
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| The Broken Window of Rosa Ramos | |
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| The Legal Aid Lawyer Has an Epiphany | |
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| DSS Dream | |
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| White Birch | |
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| The Other Alamo | |
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| The Skull Beneath the Skin of the Mango | |
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| When Songs Become Water | |
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| Imagine the Angels of Bread | |
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| The Owl and the Lightning | |
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| Cada puerco tiene su sabado | |
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| The Pinata Painted with a Face Like Mine | |
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| Rednecks | |
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| Do Not Put Dead Monkeys in the Freezer | |
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| The Bouncer's Confession | |
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| Soliloquy at Gunpoint | |
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| My Cockroach Lover | |
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| The Meaning of the Shovel | |
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| Thieves of Light | |
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| Offerings to an Ulcerated God | |
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| My Native Costume | |
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| Her Toolbox | |
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| When the Leather is a Whip | |
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| Because Clemente Means Merciful | |
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| The Prisoners of Saint Lawrence | |
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| All the People Who are Now Red Trees | |
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| Sleeping on the Bus | |
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| The Fugitive Poets of Fenway Park | |
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| Hands Without Irons Become Dragonflies | |
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| My Name is Espada | |
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| The Shiny Aluminum of God | |
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| My Father as a Guitar | |
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| For the Jim Crow Mexican Restaurant in Cambridge, Massachusetts, Where My Cousin Esteban was Forbidden to Wait Tables Because He Wears Dreadlocks | |
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| Pegao | |
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| A Mayan Astronomer in Hell's Kitchen | |
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| The Community College Revises its Curriculum in Response to Changing Demographics | |
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| The Death of Carmen Miranda | |
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| Genuflection in Right Field | |
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| Prisoner AM-8335 and His Library of Lions | |
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| Companero Poet and the Surveillance of Sheep | |
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| I Apologize for Giving You Poison Ivy by Smacking You in the Eye with the Crayfish at the End of My Fishing Line | |
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| Thanksgiving | |
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| The River Will Not Testify | |
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| En la calle San Sebastian | |
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| Now the Dead Will Dance the Mambo | |
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| Contemplation | |
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| Offering of Stones | |
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| Sheep Haiku | |
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| Circle Your Name | |
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| Searching for La Revolucion in the Streets of Tijuana | |
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| Sing Zapatista | |
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| Ezequiel | |
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| Parole Hearing | |
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| How I Became the Rare Iguana Delicatissima of the Caribbean | |
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| The Monsters at the Edge of the World | |
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| Inheritance of Waterfalls and Sharks | |
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| The Poet in the Box | |
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| The Matchbook-Poet and his Scintilla of Fire | |
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| Ghazal for Open Hands | |
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| Alabanza: In Praise of Local 100 | |
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| Glossary | |
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| Biographical Note | |
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| Index | |