Skip to content

Drums of Autumn

Best in textbook rentals since 2012!

ISBN-10: 0385335989

ISBN-13: 9780385335980

Edition: 1997

Authors: Diana Gabaldon

List price: $18.00
Blue ribbon 30 day, 100% satisfaction guarantee!
what's this?
Rush Rewards U
Members Receive:
Carrot Coin icon
XP icon
You have reached 400 XP and carrot coins. That is the daily max!

Description:

In this breathtaking novel — rich in history and adventure — New York Times bestselling author Diana Gabaldon continues the story of Claire Randall and Jamie Fraser that began with the now-classic novel Outlander and continued in Dragonfly in Amber and Voyager. Once again spanning continents and centuries, Diana Gabaldon has created a work of sheer passion and brilliance.... It began at an ancient Scottish stone circle. There, a doorway, open to a select few, leads into the past — or the grave. Dr. Claire Randall survived the extraordinary passage, not once but twice. Her first trip swept her into the arms of Jamie Fraser, an eighteenth-century Scot whose love for her became a legend — a…    
Customers also bought

Book details

List price: $18.00
Copyright year: 1997
Publisher: Random House Publishing Group
Publication date: 8/7/2001
Binding: Paperback
Pages: 928
Size: 6.12" wide x 9.20" long x 1.53" tall
Weight: 1.892
Language: English

Diana Gabaldon was born in Flagstaff, Arizona on January 11, 1952 . She has a Ph.D. in Quantitative Behavioral Ecology, a M.S. in Marine Biology, and a B.S. in Zoology. She has worked as a university professor and has written freelance for various magazines and companies such as Walt Disney. She writes the New York Times bestselling Outlander series. In 2014 her title, Written in My Own Heart's Blood, made The New York Times Best Seller List.

The second portrait hung on the landing of the stairs, looking thoroughly out of place. From below Brianna could see the ornate gilded frame, its heavy carving quite at odds with the solid, battered comfort of the house's other furnishings. It reminded her of pictures in museums; this homely setting seemed incongruous.
As she followed Jenny onto the landing the glare of light from the window disappeared, leaving the painting's surface flat and clear before her.
She gasped, and felt the hair rise on her forearms, under the linen of her shirt.
"It's remarkable, aye?" Jenny looked from the painting to Brianna and back again, her own features marked with something between pride and awe.
"Remarkable!" Brianna agreed, swallowing.
"Ye see why we kent ye at once," her aunt went on, laying a loving hand against the carved frame.
"Yes. Yes, I can see that."
"It will be my mother, aye? Your grandmother, Ellen MacKenzie."
"Yes," Brianna said. "I know." Dust motes stirred up by their footsteps whirled lazily through the afternoon light from the window. Brianna felt rather as though she was whirling with them, no longer anchored to reality.
Two hundred years from now, she had - I will ? she thought wildly - stood in front of this portrait in the National Portrait Gallery, furiously denying the truth that it showed.
Ellen MacKenzie looked out at her now as she had then; long-necked and regal, slanted eyes showing a humor that did not quite touch the tender mouth. It wasn't a mirror image, by any means; Ellen's forehead was high, narrower than Brianna's, and the chin was round, not pointed, her whole face somewhat softer and less bold in its features.
But the resemblance was there, and pronounced enough to be startling; the wide cheekbones and lush red hair were the same. And around her neck was the string of pearls, gold roundels bright in the soft spring sun.
"Who painted it?" Brianna said at last, though she didn't need to hear the answer. The tag by the painting in the museum had given the artist as "Unknown." But having seen the portrait of the two little boys below, Brianna knew, all right. This picture was less skilled, an earlier effort - but the same hand had painted that hair and skin.
"My mother herself," Jenny was saying, her voice filled with a wistful pride. "She'd a great hand for drawing and painting. I often wished I had the gift."
Brianna felt her fingers curl unconsciously, the illusion of the brush between them momentarily so vivid she could have sworn she felt smooth wood.
That's where, she thought, with a small shiver, and heard an almost audible click! of recognition as a tiny piece of her past dropped into place. That's where I got it.
Frank Randall had joked that he couldn't draw a straight line; Claire that she drew nothing else. But Brianna had the gift of line and curve, of light and shadow - and now she had the source of the gift, as well.
What else? she thought suddenly. What else did she have that had once belonged to the woman in the picture, to the boy with the stubborn tilt to his head?
"Ned Gowan brought me this from Leoch," Jenny said, touching the frame with a certain reverence. "He saved it, when the English battered down the castle, after the Rising." She smiled faintly. "He's a great one for family, Ned is. He's a Lowlander from Edinburgh, wi' no kin of his own, but he's taken the MacKenzies for his clan - even now the clan's no more."
"No more?" Brianna blurted. "They're all dead?" The horror in her voice made Jenny glance at her, surprised.
"Och, no. I didna mean that, lass. But Leoch's gone," she added, in a softer tone. "And the last chiefs with it - Colum and his brother Dougal... they died for the Stuarts."
She had known that, of course; Claire had told her. What was surprising was the sudden rush of an unexpected grief; regret for these strangers of her newfound blood. With an effort, she swallowed the thickening in her throat and turned to follow Jenny up the stairs.
"Was Leoch a great castle?" she asked. Her aunt paused, hand on the banister.
"I dinna ken," she said. Jenny glanced back at Ellen's picture, something like regret in her eyes.
"I never saw it - and now it's gone."