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| Foreword | |
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| He Compares All Things with His Lady, and Finds Them Wanting | |
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| A Rapture Concerning His Lady | |
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| Broken Thougths | |
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| May | |
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| June | |
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| Sonnet 88 Used as Troilus' Complaint | |
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| Love the Tyrant | |
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| A Night Piece | |
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| To Giovanni da Pistoja: On the Painting of the Sistine Chapel | |
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| To Vittoria Colonna: The Model and the Statue | |
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| The Impeachment of Night | |
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| Winged Thoughts | |
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| The Portrait of a Lady | |
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| Farewell to Love | |
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| Hands Off? | |
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| Spring, But | |
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| Under House Arrest in Windsor | |
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| Cassandra's Beauty | |
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| Life's Roses | |
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| Love's Wounding | |
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| Home | |
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| Ruined Rome | |
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| Closing Day | |
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| Her World | |
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| Her Jewels | |
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| Visions of the Absent | |
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| Cats | |
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| ... And More Cats | |
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| Paradoxes | |
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| Restoring Life | |
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| Loves of the Stars | |
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| Burning Together | |
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| Pride of the Fourth and Liquid Element | |
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| Dressing Cupid | |
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| Water Never the Same | |
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| Astrophel Would Write of Stella | |
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| Hit by Love | |
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| Poetry's Source | |
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| Yes, But | |
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| Asking the Moon About Love | |
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| This Nothing Seen | |
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| Benighted | |
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| A Hard Audience | |
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| Doing and Undoing | |
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| Her Portrait | |
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| Eternizing Her | |
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| Repaying a Debt | |
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| Care-charmer Sleep | |
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| He Can Write Only of Her | |
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| Timeliness | |
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| My Smithy | |
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| Love's Farewell | |
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| A Sonnet to the Noble Lady, the Lady Mary Wroth | |
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| The World | |
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| Rescuing Cupid | |
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| Thinking of Love | |
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| Sonnet No. 30 | |
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| Sonnet No. 53 | |
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| Sonnet No. 73 | |
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| Sonnet No. 94 | |
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| Sonnet No. 106 | |
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| Sonnet No. 107 | |
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| Sonnet No. 116 | |
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| Sonnet No. 121 | |
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| Sonnet No. 129 | |
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| Sonnet No. 138 | |
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| Sonnet No. 146 | |
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| Sonnet to Black It Self | |
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| Jubilate Deo | |
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| Alpha and Omega | |
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| Microcosm | |
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| Death Rebuked | |
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| The Soul to Her Rescuer | |
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| A Sonnet Sent Home from College | |
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| Prayer | |
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| Redemption | |
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| The Dream | |
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| Clocks of Wheels, of Sand and of Sun | |
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| On Reaching Age 23 | |
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| On His Blindness | |
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| On the Late Massacre in Piedmont | |
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| A Dream of a Dead Wife | |
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| To Mr. Henry Lawes, on His Airs | |
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| On Hope | |
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| To Her Self-Portrait | |
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| Sonnet on a Family Picture | |
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| Sonnet on the Death of Mr. Richard West | |
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| Written at Stonehenge | |
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| Sonnet to William Wilberforce, Esquire | |
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| Emblem, Alas! | |
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| To the Insect of the Gossamer | |
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| To the Evening Star | |
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| To the Sun-Dial | |
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| At Dover Cliffs, July 20, 1787 | |
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| Netley Abbey | |
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| To Oxford | |
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| Composed Upon the Beach near Calais, August, 1802 | |
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| Composed Upon Westminster Bridge, September, 3, 1802 | |
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| Mutability | |
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| The World is too Much with Us | |
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| Steamboats, Viaducts and Railways | |
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| The the River Duddon | |
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| To the River Otter | |
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| The Bosses of Rome | |
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| On the Group of the Three Angels Before the Tent of Abraham, by Raffaelle, in the Vatican | |
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| The the Mocking-Bird | |
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| The Nile | |
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| To the Grasshopper and the Cricket | |
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| On the Grasshopper and Cricket | |
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| The Human Seasons | |
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| What the Thrush Seemed to Say | |
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| On First Looking into Chapman's Homer | |
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| Bright Star | |
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| Fears That I May Cease to Be | |
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| Ozymandias | |
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| England in 1819 | |
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| Winter Walk | |
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| Gipsies | |
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| To A. W. von Schlegel | |
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| A Lock of Hair | |
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| To an American Painter Departing for Europe | |
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| Silence | |
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| To Tartar, a Terrier Beauty | |
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| By the Swanannoa | |
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| Hiram Powers' Greek Slave' | |
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| El Desdichado | |
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| To Science | |
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| Silence | |
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| Old Ruralities | |
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| Shadows Off the Coast | |
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| A Nasty Sonnet | |
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| The Later Rain | |
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| The Photograph | |
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| Mezzo Cammin | |
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| The Harvest Moon | |
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| The Cross of Snow | |
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| Night | |
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| Failure | |
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| Correspondences | |
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| The Owls | |
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| West London | |
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| A Forgery | |
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| In His Garden | |
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| The House Stands Vacant | |
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| A Match with the Moon | |
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| On the Road to Waterloo: 17 October | |
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| Barren Spring | |
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| Silent Noon | |
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| Body's Beauty | |
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| Remember | |
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| From Sunset to Star Rise | |
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| In an Artist's Studio | |
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| From Modern Love | |
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| Lucifer in Starlight | |
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| October | |
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| Crossed Threads | |
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| Hap | |
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| In the Cemetery | |
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| The Sea and the Skylark | |
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| The Windhover | |
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| No Worst | |
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| The Tomb of Poe | |
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| Lead | |
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| Night Scene | |
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| 1492 | |
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| The New Colossus | |
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| Long Island Sound | |
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| Vowels | |
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| Impressions de Voyage | |
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| April in Town | |
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| The Lights of London | |
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| On a Piece of Tapestry | |
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| Accident in Art | |
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| Leda and the Swan | |
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| The Trevi Foundatain, Rome | |
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| Sunium | |
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| Mount Lykaion | |
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| Near Helikon | |
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| The Pity of the Leaves | |
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| Reuben Bright | |
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| Verlaine | |
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| How Annandale Went Out | |
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| The Sheaves | |
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| White Cats | |
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| Never Again Would Birds' Song Be the Same | |
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| The Oven Bird | |
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| The Silken Tent | |
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| Putting in the Seed | |
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| Design | |
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| Archaic Torso of Apollo | |
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| Unicorn | |
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| February Afternoon | |
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| Autumn Refrain | |
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| Self-Portrait | |
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| Sonnet Reversed | |
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| The Soldier | |
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| Piazza Piece | |
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| Compass | |
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| The Lynching | |
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| Anthem for Doomed Youth | |
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| Bluebeard | |
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| The Poet Talks on the Phone with His Love | |
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| Apollo and Daphne | |
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| From the Dark Tower | |
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| The Novelist | |
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| Luther | |
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| Paradise Saved | |
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| Sonnet | |
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| Lie Still, Sleep Becalmed | |
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| Caring for Surfaces | |
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| O | |
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| To Failure | |
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| Naming the Animals | |
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| At Night | |
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| A Sonnet | |
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| From The Broken Home | |
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| High Fidelity | |
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| A Theory of Waves | |
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| Requiem for the Plantagenet Kings | |
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| From Kilim | |
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| Its Origin | |
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| Its Length | |
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| Its Enclosure | |
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| Its History | |
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| Its Constraints | |
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| Its Functions | |
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| Acknowledgments | |