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Preface | |
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Acknowledgments | |
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Political Economy and Mass Culture Theory | |
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Editors' Introduction | |
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The Culture Industry: Enlightenment as Mass Deception | |
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A Theory of Mass Culture | |
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Concepts of Culture: Public Policy and the Cultural Industries | |
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"Holy Commodity Fetish, Batman!": The Political Economy of a Commercial Intertext | |
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Hooray for Hollywood: Moving into the Twenty-First Century | |
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Film and Authorship | |
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Editors' Introduction | |
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The Filmwright and the Audience | |
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A Playwright Looks at the "Filmwright" | |
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A Certain Tendency of the French Cinema | |
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Films, Directors and Critics | |
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Notes on the Auteur Theory in 1962 | |
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The Auteur Theory | |
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Hawks de-Wollenized | |
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Genre Criticism | |
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Editors' Introduction | |
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Authorship and Genre: Notes on the Western | |
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Critical Method ... Genre | |
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Extract from Genre | |
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The Woman's Film | |
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American Film Noir: The History of an Idea | |
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Star Studies | |
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Editors' Introduction | |
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Stars as Images | |
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Stars and "Character" | |
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Living Stars | |
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Stars and the Star System: The Case of Bete Davis | |
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Cary Grant in the Fifties: Indiscretions of the Bachelor's Masquerade | |
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Feminine Fascinations: Forms of Identification in Star-Audience Relations | |
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The Historical Poetics of Cinema | |
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Editors' Introduction | |
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The Cinema of Attractions: Early Film, Its Spectator and the Avant-Garde | |
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The Classical Hollywood Cinema | |
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Post-Classical Hollywood | |
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Taboos and Totems: Cultural Meanings of The Silence of the Lambs | |
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Screen Theory I: From Marxism to psychoanalysis | |
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Editors' Introduction | |
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Cinema/Ideology/Criticism | |
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Realism and the Cinema: Notes on Some Brechtian Theses | |
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Narrative and Realism | |
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The Imaginary Signifier | |
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The Tutor-Code of Classical Cinema | |
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Screen Theory II: Psychoanalysis, Feminism and Film | |
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Editors' Introduction | |
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The Place of Woman in the Cinema of Raoul Walsh | |
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Visual Pleasure and Narrative Cinema | |
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Film and the Masquerade: Theorizing the Female Spectator | |
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Her Body, Himself | |
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Cultural Studies | |
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Editors' Introduction | |
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Gramsci Goes to Hollywood | |
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Texts, Readers, Subjects | |
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Technology and Tradition: Audio-Visual Culture among South Asian Families in West London | |
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Post-Feminism and Shopping Films | |
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Film History Terminable and Interminable: Recovering the Past in Reception Studies | |
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Theorizing Differences | |
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Editors' Introduction | |
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Colonialism, Racism and Representation : An Introduction | |
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White Privilege and Looking Relations: Race and Gender in Feminist Film Theory | |
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Feminism, "The Boyz" and Other Matters Regarding the Male | |
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There s Something Queer Here | |
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On Not Being Lady Macbeth: Some (Troubled) Thoughts on Lesbian Spectatorship | |
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Index | |