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| Acknowledgments | |
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| Introduction | |
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| Football: Shooting on the Field | |
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| What Makes a Football Photo Great? | |
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| Eye Contact | |
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| Sense of Depth | |
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| Peak Action | |
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| Last Thoughts on What Makes a Great Football Photo | |
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| My Gear and Settings | |
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| Cameras and Lenses | |
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| Everything Else | |
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| Focusing for Sports | |
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| Shutter Speed, Aperture, and ISO Settings | |
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| My Pregame Checklist | |
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| Neither Rain Nor Snow: The Elements of Shooting in the Elements | |
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| Shooting in the Rain | |
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| Shooting in Snow and Cold Weather | |
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| Football: Xs and Os | |
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| Approaching the Game | |
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| Pinpoint the Story | |
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| Focus on a Particular Player or Coach | |
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| Capture the Action Off the Field, Too | |
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| Sideline Rant: The Pitfalls of Shooting from the Sidelines | |
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| Xs and Os: Tips for Shooting Positions | |
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| Shooting Position Playbook | |
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| Quarterback | |
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| Running Back | |
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| Receivers and Defensive Backs | |
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| Offensive Line | |
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| Defensive Linemen and Linebackers | |
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| Kickers | |
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| The Flow of the Game: When a Score Really Matters | |
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| Play by Play: The Anatomy of Shooting a Football Game | |
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| Football: Light, Lenses, and the Lowdown | |
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| A Trick of the Light: Finding the Magic | |
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| Nighttime High School Football Tricks | |
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| The Camera-around-the-neck Technique | |
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| Getting Down: The Low-angle Shot | |
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| Football: Shooting for Sports Illustrated | |
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| Sports Illustrated Goes Digital | |
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| Why We Shoot RAW at SI. | |
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| Covering the Super Bowl (and Other Big Games) for SI | |
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| Shooting with the SI Flex System | |
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| A Tale of Two Covers | |
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| Thinking Cover All the Way: The Oregon/Auburn 2010 BCS Championship Game | |
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| Not Thinking Cover at All: Tim Tebow in the 2011 Bears/Broncos Game | |
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| The Olympics: Faster, Higher, Stronger | |
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| Beijing, China, August 8, 2008 | |
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| The Olympics: Faster, Higher, Stronger, Better Jube! (Jubilation, That Is) | |
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| Olympic Gear Notes | |
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| In My Bag and Over My Shoulder | |
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| Remote Cameras | |
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| My Nine Olympic Games | |
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| Los Angeles, 1984 | |
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| Seoul, 1988 | |
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| Barcelona, 1992 | |
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| Atlanta, 1996 | |
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| Sydney, 2000 | |
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| Salt Lake City, 2002 | |
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| Athens, 2004 | |
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| Beijing, 2008 | |
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| London, 2012 | |
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| The Olympics Big Three: Swimming, Gymnastics, and Track and Field | |
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| Swimming | |
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| Lenses and Angles | |
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| The Strokes | |
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| A Last Note on Swimming-Identifying Swimmers | |
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| Gymnastics | |
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| Lenses and Angles | |
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| Shooting a Meet | |
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| The Apparatus | |
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| The Vault and Floor Exercise | |
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| The Still Rings, High Bar, Pommel Horse, and Parallel Bars | |
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| Uneven Bars and Balance Beam | |
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| Track and Field | |
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| Lenses and Angles | |
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| Remotes for Track | |
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| Shooting a Track Meet | |
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| The Events | |
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| Smaller Sports-Away from the Fray | |
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| Portraits: Beyond the Numbers | |
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| Working with Your Subject | |
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| Lighting | |
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| My Lighting Gear | |
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| The Last Word: Gabby Douglas, The Fierce Five, and the 2012 London Olympics | |
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| Index | |