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Overview: The Big Picture | |
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Contents: What's Inside | |
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Preface: The Color management Conundrum | |
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Why Did We Do This? | |
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Understanding the Big Picture | |
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Sweating the Details | |
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Making It Flow | |
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Why Did We Think We Could Do This? | |
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How the Book Is Organized | |
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Thank You! | |
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Contacts and Resources | |
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Introduction to Color Management | |
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What Is Color? Reflections on Life | |
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Where Is Color? | |
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Light and the Color Event | |
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The Object and the Color Event | |
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The Color of White | |
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The Observer and the Color Event | |
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What's a Logarithm, and Why Should I Care? | |
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Measuring Color | |
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Where the Models Fail | |
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Lessons for Color Management | |
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Computers and Color: Color by the Numbers | |
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Color by the Numbers | |
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Why CMYK? | |
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Pixels, Dots, and Dithers | |
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How the Numbers Work | |
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Color Definitions and Colors | |
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Why the Numbers Vary | |
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Device-Specific Color Models | |
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Device-Independent Color Models | |
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LAB Limitations | |
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Alphabet Soup | |
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Mismatching-the Limits of the Possible | |
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Color is Complex | |
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Color Management: How It Works | |
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The Genesis of Color Management | |
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The WYSIWYG Myth | |
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The Components of Color Management | |
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The ICC-Some Historical Perspective | |
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What Does CMM Stand For? | |
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Why Do We Need CMMs At All? | |
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Color Management in Action | |
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Conversions and Data Loss | |
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Color Management Is Simple | |
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All About Profiles: Describing Devices | |
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What Are Device Profiles? | |
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Matrix-Based vs. Table-Based ICC Profiles | |
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Profile Limitations | |
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Using Profiles-Source and Destination | |
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Generic Profiles | |
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Color Space Profiles | |
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Good Profiles | |
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Building and Tuning Profiles | |
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Measurement, Calibration, and Process Control: "The Map Is Not the Territory" | |
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Keeping Track of Device Drift | |
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The Multiple Roles of Measurement | |
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Working Outside the System | |
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Building Display Profiles: Your Window to Color | |
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Display Calibration | |
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Calibration and Profiling Tools | |
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Muddying the Waters | |
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Choosing Calibration Settings | |
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Before Calibration | |
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Precalibration-Setting the Analog Controls | |
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Calibration and Profiling | |
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Saving the Monitor Profile | |
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Visual Calibration | |
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Piece of Cake | |
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Building Input Profiles: Starting Out Right | |
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Input Profile Basics | |
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Building Scanner Profiles | |
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Building Digital Camera Profiles | |
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Starting Out Right | |
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Building Output Profiles: Final Destinations | |
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Measuring Instruments | |
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Profiling Packages | |
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Profile Creation | |
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Getting Good Data | |
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Opening and Printing the Target | |
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Profiling RGB Inkjet Printers | |
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Comparing Colors | |
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Profiling True RGB Printers | |
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Profiling Three-Color Dye-Sub Printers | |
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Profiling Composite CMYK Printers | |
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Ink Limiting | |
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Black Generation | |
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Profiling Printing Presses | |
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Don't Profile the Press?! | |
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Profile the Press Once | |
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Optimized or Standardized Press Behavior | |
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Intentionally Non-Linear | |
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Profiling Multichannel Printers | |
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Checking the Map | |
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Evaluating and Editing Profiles: Color Orienteering | |
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Judging the Map | |
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Viewing Environment | |
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Counting Photons | |
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Evaluating Profiles | |
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Checking the Display | |
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Input Profiles | |
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Measurements to Pixels and Back | |
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Objective Objectives | |
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Output Profiles | |
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ColorThink Pro | |
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Edit, Reprofile, or Update? | |
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Where Do We Go from Here? | |
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Applications and Workflow | |
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Color Management Workflow: Where the Rubber Meets the Road | |
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What Is Color Management Workflow? | |
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When to Convert | |
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Conveying Color Meaning | |
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Premature Binding | |
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Terminology: Tagging, Assigning, Embedding, and Assuming | |
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Workflow Within a Program | |
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Soft-Proofing Basics | |
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Workflow Between Programs | |
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Workflow Into and Out of Color Management | |
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Fear of Embedding | |
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Understanding Workflow | |
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Color Management in the Operating System: Who Does What to Whom, When? | |
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ColorSync and ICM | |
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Mac OS 9 | |
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Mac OS X Panther (10.3.x) | |
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The Generics | |
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QuickDraw, GDI, and Quartz | |
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Windows | |
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Preview | |
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Color Management in Applications | |
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CUPS | |
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Color Management in Printer Drivers | |
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Color Management in Scanner Drivers | |
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East Is East, West Is West | |
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The Adobe Common Color Architecture: Color Management in Adobe Photoshop, InDesign, and Illustrator | |
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Color Settings-Command Central for Color | |
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Manual Assignments and Conversions | |
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Color Managing Imported Graphics | |
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Simulations and Soft-Proofing | |
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Printing | |
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Adobe Camera Raw | |
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The Same, But Different | |
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Color Management in Macromedia FreeHand 10 and 11: Capable But Quirky | |
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FreeHand's Color Preferences | |
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Manual Assignments | |
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Exporting | |
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Printing | |
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Be Careful | |
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Color Management in CoreIDRAW 10: It Manages Everything But Its Own Files | |
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Color Management Preferences | |
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Importing | |
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Manual Controls | |
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Exporting | |
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Printing | |
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Strengths and Weaknesses | |
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Color Management in QuarkXPress: Incremental Improvements | |
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Turning It Off | |
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Turn Off QuarkXPress 3 CMS (Mac OS Only) | |
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Built-in Color Management | |
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Color Management Preferences | |
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Manual Controls | |
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Printing | |
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Hard Proofing | |
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Compass Pro XT | |
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The 800-Pound Gorilla | |
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Color Management and PDF: The Wave of the Future | |
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The Flavors of PDF | |
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Distiller 5 | |
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Acrobat 5 | |
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Distiller 6 | |
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Acrobat 6 | |
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InDesign CS Export PDF | |
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Third-Party Stuff | |
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The Wave of the Future | |
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Automation and Scripting: The Smart Way To Be Lazy | |
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Why Automate? | |
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Color Servers | |
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DeviceLink Profiles | |
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Prepress Solutions | |
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In-RIP Color Management | |
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Scripting | |
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The Automation Trade-Off | |
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Building Color-Managed Workflows: Bringing It All Together | |
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The Four Stages of Color Management | |
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Determining Your Needs | |
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Workflow Tools | |
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LAB-The Great Normalizer | |
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Final Analysis | |
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One Pixel's Journey | |
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The Devil Is in the Details | |
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Appendices | |
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Profile Anatomy | |
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Workflow Templates | |
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Glossary | |
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Index | |