| |
| |
Preface for Instructors | |
| |
| |
| |
Making Arguments | |
| |
| |
| |
What Is Literature: What Is Argument? | |
| |
| |
How Have People Defined Literature? | |
| |
| |
Why Read Literature? | |
| |
| |
What is Argument? | |
| |
| |
Summing Up | |
| |
| |
| |
Developing Arguments about Literature | |
| |
| |
Responding to Four Poems about Work | |
| |
| |
The Chimney Sweeper | |
| |
| |
| |
Hard Work | |
| |
| |
| |
What I Wouldn't Do | |
| |
| |
| |
Shoplifters | |
| |
| |
| |
The Elements of Argument | |
| |
| |
Issues | |
| |
| |
Claims | |
| |
| |
Persuasion | |
| |
| |
Audience | |
| |
| |
Evidence | |
| |
| |
Warrants | |
| |
| |
Literature as Argument | |
| |
| |
When I Consider How My Light Is Spent | |
| |
| |
| |
Investigating Topics of Literary Criticism | |
| |
| |
Night Waitress | |
| |
| |
| |
Summing Up | |
| |
| |
| |
Writing an Argument | |
| |
| |
The Solitary Reaper | |
| |
| |
| |
Exploring | |
| |
| |
Planning | |
| |
| |
Composing | |
| |
| |
Title | |
| |
| |
Style | |
| |
| |
Introduction | |
| |
| |
Development | |
| |
| |
Emphasis | |
| |
| |
Conclusion | |
| |
| |
Further Suggestions for Developing an Argument about a Work of Literature | |
| |
| |
Sample Student Paper: First Draft | |
| |
| |
The Passage of Time in "The Solitary Reaper" | |
| |
| |
| |
Revising | |
| |
| |
Recognizing and Avoiding Fallacies | |
| |
| |
Logic | |
| |
| |
Organization | |
| |
| |
Clarity | |
| |
| |
Emphasis | |
| |
| |
Style | |
| |
| |
Grammar | |
| |
| |
Physical Appearance | |
| |
| |
Sample Student Paper: Revised Draft | |
| |
| |
The Passage of Time in "The Solitary Reaper" | |
| |
| |
| |
Writing a Comparative Paper | |
| |
| |
Four Secretaries | |
| |
| |
| |
Sample Comparative Paper | |
| |
| |
When Singing Is Not Singing | |
| |
| |
| |
Summing Up | |
| |
| |
| |
Making Arguments about Stories | |
| |
| |
A Visit of Charity | |
| |
| |
| |
The Use of Force | |
| |
| |
| |
The Gift of Sweat | |
| |
| |
| |
Students' Personal Responses to the Stories | |
| |
| |
The Elements of Short Fiction | |
| |
| |
Plot and Structure | |
| |
| |
Point of View | |
| |
| |
Characters | |
| |
| |
Setting | |
| |
| |
Imagery | |
| |
| |
Language | |
| |
| |
Theme | |
| |
| |
Sample Student Paper: Final Draft | |
| |
| |
Forms of Blindness in "The Use of Force" | |
| |
| |
| |
Summing Up | |
| |
| |
| |
Making Arguments about Poems | |
| |
| |
In Creve Couer, Missouri | |
| |
| |
| |
We Did Not Fear the Father | |
| |
| |
| |
What Work Is | |
| |
| |
| |
The Mill | |
| |
| |
| |
Blackberries | |
| |
| |
| |
Singapore | |
| |
| |
| |
A Student's Personal Responses to the Poems | |
| |
| |
Sample Student Paper: First Draft | |
| |
| |
Boundaries in Robinson, Komunyakaa, and Oliver | |
| |
| |
| |
The Elements of Poetry | |
| |
| |
Speaker and Tone | |
| |
| |
Diction and Syntax | |
| |
| |
Figures of Speech | |
| |
| |
Sound | |
| |
| |
Rhythm and Meter | |
| |
| |
Theme | |
| |
| |
Revised Student Draft | |
| |
| |
Negotiating Boundaries | |
| |
| |
| |
Summing Up | |
| |
| |
| |
Making Arguments about Plays | |
| |
| |
The Stronger | |
| |
| |
| |
Trifles | |
| |
| |
| |
A Student's Personal Response to the Plays | |
| |
| |
The Elements of Drama | |
| |
| |
Plot and Structure | |
| |
| |
Characters | |
| |
| |
Stage Directions and Setting | |
| |
| |
Imagery | |
| |
| |
Language | |
| |
| |
Theme | |
| |
| |
Writing | |
| |
| |
Sample Student Paper | |
| |
| |
"Which Is the Stronger Actress in Strindberg's Play?" | |
| |
| |
| |
Summing Up | |
| |
| |
| |
Making Arguments about Essays | |
| |
| |
Many Rivers to Cross | |
| |
| |
| |
In Search of Our Mother's Gardens | |
| |
| |
| |
A Student's Personal Response | |
| |
| |
The Elements of Essays | |
| |
| |
Voice | |
| |
| |
Style | |
| |
| |
Structure | |
| |
| |
Ideas | |
| |
| |
Sample Student Paper | |
| |
| |
Resisting Women's Roles | |
| |
| |
| |
Summing Up | |
| |
| |
| |
Writing a Research Paper | |
| |
| |
Identifying an Issue and a Tentative Claim | |
| |
| |
Finding and Using Secondary Sources | |
| |
| |
Finding Sources in the Library | |
| |
| |
Evaluating Sources | |
| |
| |
Finding Sources with a Computer | |
| |
| |
Taking Notes: Summarizing, Paraphrasing, Quoting, and Avoiding Plagiarism | |
| |
| |
Writing the Paper: Integrating Sources | |
| |
| |
Documenting Sources: MLA Format | |
| |
| |
MLA In-Text Citation | |
| |
| |
MLA Works Cited | |
| |
| |
Books | |
| |
| |
Short Works from Collections and Anthologies | |
| |
| |
Works in Periodicals | |
| |
| |
CD-ROMs | |
| |
| |
The Internet | |
| |
| |
Personal Communication | |
| |
| |
Multiple Works by the Same Author | |
| |
| |
Sample Student Research Paper | |
| |
| |
Racial Disharmony and "D�”¿½sir�”¿½e's Baby" | |
| |
| |
| |
Mending Wall | |