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Contemporary Composers on Contemporary Music

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ISBN-10: 0306808196

ISBN-13: 9780306808197

Edition: 2nd 1998

Authors: Elliott Schwartz, Barney Childs, Jim Fox

List price: $25.99
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Book details

List price: $25.99
Edition: 2nd
Copyright year: 1998
Publisher: Hachette Books
Publication date: 3/22/1998
Binding: Paperback
Pages: 510
Size: 6.02" wide x 8.90" long x 1.14" tall
Weight: 1.386
Language: English

European Music Before 1945
From "Sketch of a New Esthetic of Music"
From "Monsieur Croche the Dilettante Hater"
Three Brief Epigrams
From "Notes Without Music"
Man and Music
From "Dialogues and A Dairy"
Why is Schoenberg's Music so Hard to Understand?
The Influence of Peasant Music on Modern Music
From "A Composer's World"
From "Autobiography, Articles, Reminiscences"
Music and the Times
From "The Making of Music"
On Winning the First Aspen Award
Experimental Music and American Developments
Postface to 114 Songs
From "New Musical Resources"
The Creative Mind and the Interpretive Mind
Folksong - American Big Business
On Waiting for a Libretto
From "The State of Music"
The Musical Impulse
The Liberation of Sound
Experiments in Notation
Space as an Essential Aspect of Musical Composition
Who Cares If You Listen?
Some Random Remarks about Electronic Music
Shop Talk by an American Composer
Thinking Twice
Towards a Re-merger in Music
Grand and Not So Grand
The Changing Composer - Performer Relationship: A Monologue and a Dialogue
Interview with Roger Reynolds
Composers, Performance and Publications Music, Electronic and Performed
An Interview with Robert Ashley, August 1964
An Interview with Barney Childs, 1962
Postmodernism and Recent Concerns
Five Revolutions Since 1950
"Dreaming on Things to Come ..."
An Interview with Joseph Hausler, 1968/69
On the Third String Quartet
Third Stream
Third Stream Revisited
Some Sound Observations
Music as a Gradual Process
An Interview with Elliott Schwartz, 1996
Maximum Clarity
On Criticism
An Interview with Dorothea Redepenning, 1992
"I Am Sitting in a Room" (1969)
An Interview with Graham Lock, 1988
Composing a Viable (if Transitory) Self: Brian Ferneyhough in Conversation with James Boros
from "Something About the Music"