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European Music Before 1945 | |
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From "Sketch of a New Esthetic of Music" | |
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From "Monsieur Croche the Dilettante Hater" | |
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Three Brief Epigrams | |
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From "Notes Without Music" | |
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Man and Music | |
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From "Dialogues and A Dairy" | |
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Why is Schoenberg's Music so Hard to Understand? | |
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The Influence of Peasant Music on Modern Music | |
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From "A Composer's World" | |
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From "Autobiography, Articles, Reminiscences" | |
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Music and the Times | |
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From "The Making of Music" | |
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On Winning the First Aspen Award | |
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Experimental Music and American Developments | |
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Postface to 114 Songs | |
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From "New Musical Resources" | |
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The Creative Mind and the Interpretive Mind | |
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Folksong - American Big Business | |
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On Waiting for a Libretto | |
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From "The State of Music" | |
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The Musical Impulse | |
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The Liberation of Sound | |
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Experiments in Notation | |
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Space as an Essential Aspect of Musical Composition | |
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Who Cares If You Listen? | |
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Some Random Remarks about Electronic Music | |
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Shop Talk by an American Composer | |
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Thinking Twice | |
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Towards a Re-merger in Music | |
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Grand and Not So Grand | |
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The Changing Composer - Performer Relationship: A Monologue and a Dialogue | |
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Interview with Roger Reynolds | |
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Composers, Performance and Publications Music, Electronic and Performed | |
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An Interview with Robert Ashley, August 1964 | |
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An Interview with Barney Childs, 1962 | |
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Postmodernism and Recent Concerns | |
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Five Revolutions Since 1950 | |
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"Dreaming on Things to Come ..." | |
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An Interview with Joseph Hausler, 1968/69 | |
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On the Third String Quartet | |
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Third Stream | |
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Third Stream Revisited | |
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Some Sound Observations | |
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Music as a Gradual Process | |
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An Interview with Elliott Schwartz, 1996 | |
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Maximum Clarity | |
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On Criticism | |
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An Interview with Dorothea Redepenning, 1992 | |
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"I Am Sitting in a Room" (1969) | |
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An Interview with Graham Lock, 1988 | |
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Composing a Viable (if Transitory) Self: Brian Ferneyhough in Conversation with James Boros | |
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from "Something About the Music" | |
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