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Acknowledgments | |
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Introduction to the Second Edition: Contextualizing the Nueva coronica y buen gobierno | |
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Guaman Poma in the Documentary Record | |
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The Production and Facsimile Reproduction of the Autograph Manuscript | |
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Recent Advances in the Study of Guaman Poma's Visual and Verbal Art | |
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Guaman Poma in the 1590s | |
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The Expediente Prado Tello | |
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Guaman Poma in the Expediente Prado Tello | |
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Guaman Poma versus Don Domingo Jauli and the Chachapoyas | |
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The Conclusion of the Land-Title Litigation | |
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Guaman Poma in 1600: The Sentence of Exile from Huamanga | |
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Chupas and the Chachapoyas in the Nueva coronica y buen gobierno | |
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Mestizaje in the Nueva coronica y buen gobierno | |
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Guaman Poma's Biography Reconsidered | |
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Writing and Religion: The Visita Report | |
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An Anticipated Glimpse into the Artist's Studio | |
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Introduction | |
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History Writing and Polemic | |
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Challenging the Canon | |
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Contradicting the Chronicles of Conquest | |
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Guaman Poma's Exploitation of Written Histories | |
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Respect for History | |
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The Dominican Philosophy of Conquest | |
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The Dramatization of a Hypothesis | |
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The Present Overwhelms the Past | |
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Searching for a Heroic Conception | |
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Historical Truth and Moral Vision | |
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Biographies of Incas and Kings | |
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The Prologue Always Comes Last | |
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The Nueva Coronica as Epic Story | |
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From Story to Sermon | |
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Granadine Strategies | |
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On Moving the Reader's Affections | |
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The Literature of Conversion | |
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A Theory of Cross-Cultural Communication | |
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The Privileged Role of Invention | |
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The Simile of Lucifer | |
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The Voice and Character of the Preacher | |
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The Sermon Overtakes the Story | |
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Icons in Space: The Silent Orator | |
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Baroque Sensibilities | |
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Visual Representation and Suppression | |
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The Symbolic Values of Pictorial Space | |
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Lines of Authority and Hierarchy | |
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Disorder on the Horizontal Axis | |
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Paradigms Lost: The Reversed Diagonal and the Empty Center | |
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Mediating among Many Worlds | |
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Allegory, Satire, and the Sermon | |
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Of Caciques and Coyas | |
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Inside the Coya's Chamber | |
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The Present in the Past | |
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The Author as Hero | |
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Guaman Poma's Final Critique | |
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Notes | |
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Bibliography | |
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Index | |