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| In this Section: | |
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| Getting Started | |
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| Camera | |
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| Lens | |
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| Exposure, Sensors and Film | |
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| Color | |
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| Setting up a Digital Darkroom | |
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| Image Editing | |
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| Digital Printing | |
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| Organizing and Storing Your Work | |
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| Print Finishing and Display | |
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| Lighting | |
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| Extending the Image | |
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| Seeing Photographs | |
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| History of Photography | |
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| Getting Started | |
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| Introducing the Camera | |
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| Getting Your Camera Ready | |
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| Focusing and Setting the Exposure | |
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| Taking Your Picture | |
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| What Will You Photograph? | |
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| Camera | |
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| Basic Camera Controls | |
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| The Shutter | |
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| The Aperture | |
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| Using Shutter and Aperture Together | |
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| Choosing a Camera | |
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| Keeping the Camera Steady | |
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| Lens | |
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| From Pinhole to Lens | |
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| Lens Focal Length | |
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| Special-Purpose Lenses | |
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| Focusing your Lenses | |
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| Focus and Depth of Field | |
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| Perspective | |
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| Guidelines for Buying a Lens | |
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| Getting the Most from your Camera and Lens | |
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| Exposure, Sensors and Film | |
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| Exposure Basics | |
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| How to Meter | |
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| Responding to Light | |
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| Selecting and Using Film | |
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| Exposure Latitude and Dynamic Range | |
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| Film and Sensor Speed | |
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| Using Filters | |
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| Extending Beyond Visible Light | |
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| Using Exposure | |
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| Color | |
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| Color: Additive or Subtractive | |
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| Color Photographs: Three Image Layers | |
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| Color Characteristics | |
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| Color Balance | |
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| Making a Color Print from a Negative | |
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| Setting up a Digital Darkroom | |
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| Hardware and Software | |
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| Photographs Are Files | |
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| Color Management | |
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| Channels | |
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| Histograms | |
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| Importing Your Images | |
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| Setting Up a Workflow | |
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| Workflow Applications | |
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| Image Editing | |
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| Digital Post-Processing: Getting Started | |
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| An Image-Editing Workflow | |
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| Adjusting Color and Value | |
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| Adjusting All or Part of an Image | |
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| Other Editing Commands | |
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| Compositing | |
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| Digital Printing | |
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| Printers and Printing | |
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| Printing Options | |
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| Display your Work | |
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| Ethics: How Far Can You Go? | |
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| Organizing and Storing Your Work | |
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| Image Storage | |
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| Metadata: Data About Your Files | |
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| Software to Keep You Organized | |
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| Archiving Digital Images | |
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| Archiving Film and Prints | |
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| Print Finishing and Display | |
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| Spotting to Remove Minor Flows | |
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| Mounting a Print | |
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| Lighting | |
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| Direction of Light | |
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| Degree of Diffusion: From Hart to Soft Light | |
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| Available Light - Outdoors | |
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| Available Lights - Indoors | |
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| Artificial Light | |
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| The Main Light: The Dominant Source | |
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| The Fill Light: To Lighten Shadows | |
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| Lighting with Flash | |
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| Simple Portrait Lighting | |
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| Multiple-Light Portrait Setups | |
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| Lighting Textured Objects | |
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| Lighting Reflective Objects | |
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| Lighting Translucent Objects | |
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| Using Lighting | |
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| Extending the Image | |
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| Using Scale | |
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| Multiple Images | |
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| Fabricated to be Photographed | |
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| The Photograph as Object | |
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| Using Projections | |
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| Making a Book | |
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| Alternative Processes | |
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| Pinhole Photography | |
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| How to Make a Close-Up Photograph | |
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| Seeing Photographs | |
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| Basic Choices | |
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| Basic Design | |
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| More Choices | |
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| Looking at - and Talking About - Photographs | |
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| Showing Your Work to Editors and Others | |
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| History of Photography | |
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| The Invention of Photography | |
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| Daguerreotype: "Designs on Silver Bright" | |
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| Calotype: Pictures on Paper | |
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| Collodion Wet-Plate: Sharp and Reproducible | |
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| Gelatin/Emulsion/Roll-Film Basse: Photography for Everyone | |
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| Color Photography | |
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| Early Portraits | |
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| Early Travel Photography | |
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| Early Images of War | |
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| Time and Motion in Early Photography | |
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| The Photograph as a Document | |
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| Photography and Social Change | |
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| Photojournalism | |
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| Photography as Art in the 19<Sup>th</Sup> Century | |
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| Pictorial Photography and the Photo-Secession | |
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| The Direct Image in Art | |
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| The Quest for a New Vision | |
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| Photography as Art in the 1950s and 1960s | |
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| Photography as Art in the 1970s and 1980s | |
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| Digital Photography Becomes Mainstream | |
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| A Gallery of Contemporary Photography | |