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The Classical Era | |
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Georg Matthias Monn (1717-1750): Symphony in B Major, first movement (ca. 1740) | |
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Domenico Scarlatti (1685-1757): Sonata in D Major, K. 492 (ca. 1750?) | |
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Johann Stamitz (1717-1757): Symphony in D Major, Op. 3, No. 2, first movement (ca. 1752-1755) | |
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Johann Christian Bach (1735-1782): Sonata in D Major, Op. 5, No. 2, first movement (1766) | |
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Carl Philipp Emanuel Bach (1714-1788): Fantasia in C minor, Wq. 63/6) (1753) | |
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Joseph Haydn (1732-1809): Piano Sonata in C minor, Hob. XVI:20, first movement (1771) | |
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Haydn: String Quartet in C Major, Op. 33, No. 3 (1781) | |
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Haydn:Symphony No. 103 in E<flat-sign>Major, first movement (1795) | |
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Wolfgang Amadeus Mozart (1756-1791): Piano Concerto in D Major, K. 107, No. 1, first movement (1772) | |
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Mozart : Piano Concerto in D minor, K. 466 first movement (1785) | |
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Giovanni Battista Pergolesi (1710-1736): La serva padrona, "Lo conosco a quegl' occhietti" (1733) | |
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Christoph Willibald Gluck (1714-1787): Alceste, Act II, Scene 3 (excerpt) (1767; revised 1776) | |
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Mozart:Don Giovanni, K. 527, Act I, Scenes 1-4 (1787) | |
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Mozart:Requiem, K. 626, Introit and Kyrie (1791) | |
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Johann Friedrich Reichardt (1752-1814): Italien ("Kennst du das Land")(1795-1796) | |
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William Billings(1746-1800): Africa(1770, 1778) | |
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The 19Th Century 115 | |
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Ludwig van Beethoven (1770-1827): Symphony No. 3 in E<flat-sign> Major ("Eroica"), Op. 55 (1803) | |
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First Movement | |
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Second Movement (Marcia funebre) | |
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Hector Berlioz (1803-1869): Symphonie fantastique, fifth movement (finale: "Dream of a Witches' Sabbath") (1830) | |
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Felix Mendelssohn (1809-1847): Overture to A Midsummer Night's Dream (1826) | |
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Beethoven: Piano Concerto No. 4 in G Major, Op. 58, second movement (1806) | |
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Beethoven: Piano Sonata in C Major, Op. 53 ("Waldstein"), first movement (1804) | |
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Beethoven: String Quartet in B<flat-sign> Major, Op. 130 (excerpts) (1826) | |
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Franz Schubert(1797-1828): Three Lieder | |
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Erlknig, D. 328 (1815) | |
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Prometheus, D. 674 (1819) | |
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Wanderers Nachtlied, D. 768 (1824) | |
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Three Settings of Goethe's Kennst du das Land | |
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Schubert: Kennst du das Land (Mignons Gesang), D. 321 (1815) | |
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Robert Schumann (1810-1856): Kennst du das Land (Mignon) (1849) | |
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Hugo Wolf (1860-1903): Mignon (1888) | |
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Stephen Foster(1826-1864): Beautiful Dreamer (1862) | |
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Modeste Mussorgsky (1839-1881): V chetyrjokh stenakh ("In Four Walls"), from the song cycle Bez solnca ("Sunless") (1874) | |
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Fanny Mendelssohn Hensel (1805-1847): Trio in D minor, op. 11: third movement (Lied) | |
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Frdric Chopin (1810-1849): Mazurka in A minor, Op. 17, No. 4 (1833) | |
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Chopin: Preludes, Op. 28, Nos. 1-4 (1839) | |
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Chopin:Ballade No. 1 in G minor, Op. 23 (1835) | |
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Franz Liszt (1811-1886): Galop de bal (ca. 1840) | |
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Robert Schumann:Carnaval, Op. 9 (excerpts) (1835) | |
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Liszt: Nuages gris (1881) | |
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Niccol Paganini (1782-1840): Caprices, Op. 1, No. 24, in A minor (ca. 1810) | |
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Liszt:Etudes d'excution transcendante, No. 1 in C Major (1838; revised 1851) | |
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Louis Moreau Gottschalk(1829-1869): Union(1862) | |
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Gioacchino Rossini (1792-1868): Il Barbiere di Siviglia (1816) | |
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Act I, Scene 2, cavatina (Figaro):"Largo al factotum" | |
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Act I, Scene 5, cavatina (Rosina):"Una voce poco fa" | |
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Giuseppe Verdi (1813-1901): Rigoletto (1851) | |
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Act I (excerpts) | |
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Act III, Scene 3 (Quartetto: "Un d, se ben rammentomi") | |
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Richard Wagner (1813-1883): Tristan und Isolde (1859) | |
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Prelude | |
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Act II: end of Scene 1 and beginning of Scene 2 | |
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William S. Gilbert (1836-1911)and Arthur Sullivan (1842-1900): The Pirates of Penzance, Act I (excerpt) (1879) | |
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Clara Wieck Schumann (1819-1896): Vorwrts! (1848) | |
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Anton Bruckner (1824-1896): Virga Jesse floruit (1885) | |
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Johann Strauss, Jr. (1825-1899): An der schnen blauen Donau, Op. 314 (1867) | |
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John Philip Sousa (1854-1932): Washington Post ( ) | |
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Peter Ilyich Tchaikovsky (1840-1893): Swan Lake( ) ( ) | |
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Johannes Brahms (1833-1897): Symphony No. 4 in E minor,Op. 98, fourth movement (1885) | |
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Antonin Dvoraacute;k (1841-1904): Symphony No. 9 in E minor, Op. 95 ("From the New World"), second movement (1893) | |
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Gustav Mahler (1860-1911): Symphony No. 1 in D Major, third movement (1888) | |
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The 20Th Century 404 | |
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Claude Debussy (1862-1918): Prlude l'Aprs-midi d'un faune (1894) | |
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Debussy:Prludes, Book 1:"Voiles" (1910) | |
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Bla Bartk (1881-1945): Mikrokosmos, Book 4, No. 101: Diminished Fifth (between 1932 and 1939) | |
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Charles Ives (1874-1954): The Cage (1906) | |
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Ives:The Things Our Fathers Loved (1917) | |
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Igor Stravinsky (1882-1971): Le Sacre du printemps, excerpt (1913) | |
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Bartk:Mikrokosmos, Book 6, No. 148: Six Dances in Bulgarian Rhythm, No. 1 (between 1932 and 1939) | |
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Heitor Villa-Lobos (1887-1959): Bachianas Brasileiras No. 4, fourth movement: Miudinho ( ) | |
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Henry Cowell (1897-1965): The Banshee (1925) | |
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Arnold Schoenberg (1874-1951): Pierrot lunaire (1912) | |
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No. 7,"Der kranke Mond" ("The Sick Moon") | |
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No. 14,"Die Kreuze" ("The Crosses") | |
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No. 21,"O alter Duft" ("O redolence of Old") | |
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Anton Webern (1883-1945): Five Pieces for String Quartet, Op. 5, No. 4 (1908) | |
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Alban Berg (1885-1935): Wozzeck, Act I, Scene 1 (1925) | |
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Schoenberg:Piano Suite, Op. 25 (1923) | |
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Praeludium | |
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Menuett | |
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Berg:Lyric Suite, for String Quartet, third movement (1926) | |
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Germaine Tailleferre : Concertino for Harp and Orchestra, finale | |
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Kurt Weill (1900-1950): Aufstieg und Fall der Stadt Mahagonny, "Alabama Song" (1927) | |
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Bartk:Music for Strings, Percussion, and Celesta, third movement (1936) | |
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Sergei Prokofiev (1891-1953):Alexander Nevsky, Op. 78, No. 4:"Vstavaite, ludi russkie" ("Arise, People of Russia") (1938) | |
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William H. Stepp (1875-1947): Bonaparte's Retreat (traditional) (recorded 1937) | |
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Aaron Copland (1900-1990): Rodeo: Hoe-down (1942) | |
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Olivier Messiaen (1908-1992): Quatuor pour la fin du temps, first movement:"Liturgie de cristal" (1940) | |
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Dmitri Shostakovich (1906-1975): String Quartet No. 8, third movement (1960) | |
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Thomas Waller (1904-1943): Hot Chocolates:"Ain't Misbehavin'" (1929) | |
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Leonard Bernstein(1918-1990): West Side Story: Tonight "Quintet" (1957) | |
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Krzysztof Penderecki (b. 1933): Threnody for the Victims of Hiroshima (1960) | |
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Milton Babbitt (1916-2011): Three Compositions for Piano, No. 1 (1947) | |
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Hugh Le Caine (1914-1977): Dripsody (1955) | |
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Terry Riley (b. 1935): In C (1964) | |
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Steve Reich (b. 1936): Nagoya Marimbas ( ) | |
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Thea Musgrave (b.1928): Orfeo II (excerpt) (1976) | |
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Tania Len (b.1943): A la Par (1986), second movement ("Guaguanco") | |
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Arvo Prt (b. 1935): Seven Magnificat Antiphons (1988, 1991), No. 1 ("O Weisheit") | |
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Scott Joplin (1868-1917): Maple Leaf Rag (1899) | |
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Debussy: Children's Corner Suite, "Golliwog's Cakewalk" (1908) | |
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W. C. Handy (1873-1958): St. Louis Blues (1914) | |
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George Gershwin (1898-1937): Prelude #2 (1926) | |
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Cole Porter (1891-1964): Night and Day (1932) | |
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Duke Ellington (1899-1974): Sophisticated Lady (1933) | |
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Joe Oliver (1885-1938): Snake Rag (1923) | |
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Duke Ellington (1899-1974): It Don't Mean a Thing (If It Ain't Got that Swing) (1930) | |
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Miles Davis (1926-1991): Blue in Green (1959) | |
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Earl Scruggs (b. 1924): Foggy Mountain Breakdown (1949) | |
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Chuck Berry (b. 1926): Roll Over, Beethoven (1956) | |
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(Omitted) | |
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Epilogue: Since 2000 | |
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Corey Dargel (b. 1977) : "On This Date Every Year" from Every Day is the Same Day: A Song Cycle about Clinical Depression | |
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Gabriela Lena Frank (b. 1972): Leyendas: An Andean Walkabout, fourth movement ("Chasqui") | |
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Lisa Bielawa: Double Violin Concerto, second movement ("Song") | |