| |
| |
Preface | |
| |
| |
| |
An Overview of Rhetoric | |
| |
| |
Rhetoric and Persuasion | |
| |
| |
Defining Rhetoric | |
| |
| |
Rhetorical Discourse | |
| |
| |
Social Functions of the Art of Rhetoric | |
| |
| |
Conclusion | |
| |
| |
Questions for Review | |
| |
| |
Questions for Discussion | |
| |
| |
Terms | |
| |
| |
| |
the Origins and Early History of Rhetoric | |
| |
| |
The Rise of Rhetoric in Ancient Greece | |
| |
| |
The Sophists | |
| |
| |
Two Influential Sophists | |
| |
| |
Gorgias | |
| |
| |
Protagoras | |
| |
| |
Isocrates: a Master of Rhetoric | |
| |
| |
Aspasia's and Athenian Rhetoric | |
| |
| |
Conclusion | |
| |
| |
Questions for Review | |
| |
| |
Questions for Discussion | |
| |
| |
Terms | |
| |
| |
| |
Plato versus the Sophists: Rhetoric on Trial | |
| |
| |
Plato's Gorgias: Rhetoric on Trial | |
| |
| |
Rhetoric in Plato's Phaedrus: a True Art? | |
| |
| |
Conclusion | |
| |
| |
Questions for Review | |
| |
| |
Questions for Discussion | |
| |
| |
Terms | |
| |
| |
| |
Aristotle on Rhetoric | |
| |
| |
Aristotle's Definitions of Rhetoric | |
| |
| |
Three Rhetorical Settings | |
| |
| |
The Artistic Proofs | |
| |
| |
The Topoi: Lines of Argument | |
| |
| |
Aristotle on Style | |
| |
| |
Conclusion | |
| |
| |
Questions for Review | |
| |
| |
Questions for Discussion | |
| |
| |
Terms | |
| |
| |
| |
Rhetoric at Rome | |
| |
| |
Roman Society and the Place of Rhetoric | |
| |
| |
The Rhetorical Theory of Cicero | |
| |
| |
Quintilian | |
| |
| |
Rhetoric and the Good Citizen | |
| |
| |
Longinus: on the Sublime | |
| |
| |
Rhetoric in the Later Roman Empire | |
| |
| |
Conclusion | |
| |
| |
Questions for Review | |
| |
| |
Questions for Discussion | |
| |
| |
Terms | |
| |
| |
| |
Rhetoric in Christian Europe | |
| |
| |
Rhetoric in the Early Middle Ages | |
| |
| |
The Art of Poetry | |
| |
| |
Conclusion | |
| |
| |
Questions for Review | |
| |
| |
Questions for Discussion | |
| |
| |
Terms | |
| |
| |
| |
Rhetoric in the Renaissance | |
| |
| |
Features of Renaissance Rhetoric | |
| |
| |
Women and Renaissance Rhetoric | |
| |
| |
Italian Humanism | |
| |
| |
Rhetoric and Renaissance Art | |
| |
| |
The Turn Toward Dialectic: Rhetoric and its Critics | |
| |
| |
Renaissance Rhetoric in Britain | |
| |
| |
Conclusion | |
| |
| |
Questions for Review | |
| |
| |
Questions for Discussion | |
| |
| |
Terms | |
| |
| |
| |
Enlightenment Rhetorics | |
| |
| |
Margaret Cavendish | |
| |
| |
Vico and the Rhetoric and Human Thought | |
| |
| |
British Rhetorics in the Eighteenth Century | |
| |
| |
Richard Whately's Classical Rhetoric | |
| |
| |
Conclusion | |
| |
| |
Questions for Review | |
| |
| |
Questions for Discussion | |
| |
| |
Terms | |
| |
| |
| |
Contemporary Rhetoric I: Arguments, Audiences, and Advocacy | |
| |
| |
Argumentation and Rational Discourse | |
| |
| |
Perelman and Olbrechts-Tyteca: a New Rhetoric | |
| |
| |
Jurgen Habermas on a Rational Society | |
| |
| |
The Rhetoric of Science | |
| |
| |
Critical Response | |
| |
| |
Conclusion | |
| |
| |
Questions for Review | |
| |
| |
Questions for Discussion | |
| |
| |
Terms | |
| |
| |
| |
Contemporary Rhetoric II: Context, Story, Display | |
| |
| |
Rhetoric in its Social Context | |
| |
| |
Kenneth Burke and Rhetoric as Symbolic Action | |
| |
| |
Lloyd Bitzer and Rhetoric as Situational | |
| |
| |
Rhetoric and Narration | |
| |
| |
Mikhail Bakhtin | |
| |
| |
Wayne Booth and the Rhetoric of Fiction | |
| |
| |
The Rhetoric of Display | |
| |
| |
Conclusion | |
| |
| |
Questions for Review | |
| |
| |
Questions for Discussion | |
| |
| |
Terms | |
| |
| |
| |
Contemporary Rhetoric III: Texts, Power, and Alternatives | |
| |
| |
Postmodern Criticism | |
| |
| |
Feminism and Rhetoric: Critique and Reform | |
| |
| |
Comparative Rhetoric | |
| |
| |
Conclusion | |
| |
| |
Questions for Review | |
| |
| |
Questions for Discussion | |
| |
| |
Terms | |
| |
| |
Glossary | |
| |
| |
Bibliography | |
| |
| |
Index | |