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| Basic Principles | |
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| A Beginning and an End Expect This! | |
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| Interpretation Requires | |
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| Communicating Interpretation Engages an Audience Interpretation | |
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| Involves a Literary Work in Its Intellectual and Emotional | |
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| Entirety Interpretation Celebrates a Literary Work in Its Aesthetic Entirety | |
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| Important Early Questions: Why Perform? | |
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| Is this Acting? | |
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| Sources of Material Intertextuality Choosing Your Selection | |
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| Three Touchstones Preliminary Analysis | |
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| Hoytrsquo;s Poem Preliminary Analysis | |
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| Dickinsonrsquo;s Poem Preliminary Analysis | |
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| Shermanrsquo;s Story Remember This! | |
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| Bibliography | |
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| Analyzing the Selection Expect This! | |
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| Preparing the First Performance Major Structural Components | |
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| Major Aesthetic Components Using the Tools | |
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| Synthesis Analyzing the Rehearsal and the Performance Remember | |
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| This! Selections for Analysis and Oral Interpretation | |
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| Bibliography | |
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| Voice Development for Oral Interpretation Expect | |
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| This! Relaxation Technique Breath Control Volume and Projection | |
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| Pitch and Quality Rate and Pause | |
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| Intelligibility of Speech Dialect Remember | |
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| This! Selections for Analysis and Oral Interpretation | |
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| Bibliography | |
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| Use of the Body in Oral Interpretation Expect This! | |
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| Technique Posture Kinesics Sense Imagery Empathy Using | |
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| Your Body in Rehearsal Eye Contact Analyzing the Rehearsal and the Performance Remember | |
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| This! Selections for Analysis and Oral Interpretation | |
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| Bibliography | |
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| Interpretation of Prose | |
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| Style and Types in Fiction and Nonfiction Expect | |
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| This! Style Types of Prose Remember | |
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| This! Selections for Analysis and Oral Interpretation | |
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| Bibliography | |
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| Narration Expect | |
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| This! Who Is Telling the Story? | |
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| Point of View What Is Going on Here? | |
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| Action and Plot What Sort of People Live in This Story? | |
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| Character What Are They Saying to Each Other? | |
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| Dialogue Creating Character Where Is All This Taking Place? Set | |