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| Preface | |
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| Acknowledgments | |
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| CD Track List | |
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| Introduction | |
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| Ethnic Identity and Music in Mexico | |
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| Music, Migration, and Diaspora in Mexico | |
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| Media and Music in Mexico | |
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| The Transnational Resurgence of Son Jarocho | |
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| The Mexican Son Complex | |
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| Style and Practice in Son Jarocho | |
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| Son Jarocho in Veracruz: A History of Migration and Transculturation | |
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| The Rise of Son Jarocho as a Mexican National Icon | |
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| The Transnational Resurgence of Son Jarocho | |
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| Bolero: Cosmopolitanism and the Mexican Romantic Song until the 1960s | |
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| The Basic Stylistic Features of a Transnational Genre | |
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| The Bolero in Mexico: The Trova Yucateca Tradition | |
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| Mexico City and the Production and Popularization of the Mexican Bolero: 1930s-1950s | |
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| Trios and Bolero Ranchero: The 1950s and 1960s | |
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| Balada: Cosmopolitanism and the Mexican Romantic Song in the 1970s | |
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| Shifting Taste: From Bolero to Balada in 1960s and 1970s Mexico | |
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| Televisa and the Balada for the Middle Classes | |
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| Balada Grupera and Working-Class Sentimentality | |
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| Masculine, Feminine, and Queer Sensibilities in the Balada | |
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| Norte�a Music and Its History of Hybridization | |
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| The Myth of Onda Grupera | |
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| Accordion Music from the Mexican Northeast to the World | |
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| The Corrido in Norte�a Music | |
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| The Performance of a Norte�a Identity | |
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| Banda Music: From Village Brass Music to Narcocorridos | |
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| The Banda Craze | |
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| A History of Banda Music | |
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| Banda after NAFTA. The Transnational Re-imagination of Banda Music | |
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| Narcocorrido: A Genre Common to the Norte�a and Banda Traditions | |
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| Rock and Canto Nuevo: Alternative Musics in Mexico | |
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| Before the Av�ndaro Festival: The Arrival of Rock 'n' Roll in Mexico | |
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| From Nueva Conci�n to Canto Nuevo | |
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| Rock in the 1980s: From Rock Rupestre to Rock en tu Idioma | |
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| Glossary | |
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| References | |
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| Index | |