| |
| |
| Preface to the Third Edition | |
| |
| |
| |
| Themes And Streams Of American Popular Music | |
| |
| |
| |
| Listening | |
| |
| |
| |
| Music and Identity | |
| |
| |
| |
| Music and Technology | |
| |
| |
| |
| The Music Business | |
| |
| |
| |
| Centers and Peripheries | |
| |
| |
| Streams of Tradition: The Sources of Popular Music | |
| |
| |
| The European American Stream | |
| |
| |
| The African American Stream | |
| |
| |
| The Latin American Stream | |
| |
| |
| |
| ""After The Ball"": Popular Music Of The Nineteenth And Early Twentieth Centuries | |
| |
| |
| The Minstrel Show | |
| |
| |
| Dance Music and Brass Bands | |
| |
| |
| The Birth of Tin Pan Alley | |
| |
| |
| The Ragtime Craze, 1896-1918 | |
| |
| |
| The Rise of the Phonograph | |
| |
| |
| |
| ""Catching As The Small-Pox"": Social Dance And Jazz, 1917-1935 | |
| |
| |
| Technology and the Music Business | |
| |
| |
| ""Freak Dances"": Turkey Trot and Tango | |
| |
| |
| James Reese Europe and the Castles | |
| |
| |
| The Jazz Craze | |
| |
| |
| Jazz Becomes Popular Music: The Original Dixieland Jazz Band | |
| |
| |
| Dance Music in the ""Jazz Age"" | |
| |
| |
| ""The King of Jazz"" | |
| |
| |
| |
| ""I Got Rhythm"": The Golden Age Of Tin Pan Alley Song | |
| |
| |
| Tin Pan Alley Song Form | |
| |
| |
| What Were Tin Pan Alley Songs About? | |
| |
| |
| What Makes a Song a ""Standard""? | |
| |
| |
| |
| ""St. Louis Blues"": Race Records And Hillbilly Music | |
| |
| |
| Race Records | |
| |
| |
| Classic Blues | |
| |
| |
| The Country Blues | |
| |
| |
| Charley Patton and ""Tom Rushen Blues"" (1929) | |
| |
| |
| Blind Lemon Jefferson: The First Country Blues Star | |
| |
| |
| Robert Johnson: Standing at the Crossroad | |
| |
| |
| Early Country Music: Hillbilly Records | |
| |
| |
| Pioneers of Country Music: The Carter Family and Jimmie Rodgers | |
| |
| |
| Popular Music and the Great Depression | |
| |
| |
| |
| ""In The Mood"": The Swing Era, 1935-1945 | |
| |
| |
| Swing Music and American Culture | |
| |
| |
| Benny Goodman: The King of Swing | |
| |
| |
| Big Band Blues: Basie, Ellington, and Miller | |
| |
| |
| Country Music in the Swing Era: Roy Acuff, Singing Cowboys, and Western Swing | |
| |
| |
| Latin Music in the Swing Era | |
| |
| |
| |
| ""Choo Choo Ch'boogie"": The Postwar Era, 1946-1954 | |
| |
| |
| Popular Music and Technology in the Postwar Era | |
| |
| |
| Rise of the Big Singers | |
| |
| |
| Urban Folk Music: The Weavers | |
| |
| |
| The Mambo Craze (1949-1955) | |
| |
| |
| Southern Music in the Postwar Era | |
| |
| |
| Rhythm & Blues | |
| |
| |
| Women in R&B: Ruth Brown and Big Mama Thornton | |
| |
| |
| Country and Western Music | |
| |
| |
| Hank Williams | |
| |
| |
| |
| ""Rock Around The Clock"": Rock 'n' Roll, 1954-1959 | |
| |
| |
| Cover Versions and Early Rock 'n' Roll | |
| |
| |
| The Rock 'n' Roll Business | |
| |
| |
| Early Rock 'n' Roll Stars on the R&B Side | |
| |
| |
| Early Rock 'n' Roll Stars on the Country Side | |
| |
| |
| Wild, Wild Young Women: The Lady Vanishes | |
| |
| |
| Songwriters and Producers of Early Rock 'n' Roll | |
| |
| |
| |
| ""Good Vibrations"": American Pop And The British Invasion, 1960S | |
| |
| |
| The Early 1960s: Dance Music and ""Teenage Symphonies"" | |
| |
| |
| Berry Gordy and Motown | |
| |
| |
| Brian Wilson and the Beach Boys | |
| |
| |
| The Beatles, the British Invasion, and the American Response | |
| |
| |
| The Latin Stream in 1960s Pop | |
| |
| |
| |
| ""Papa's Got A Brand New Bag"": Country, Soul, Urban Folk, And The Rise Of Rock, 1960s | |
| |
| |
| Patsy Cline and the Nashville Sound | |
| |
| |
| Ray Charles and Soul Music | |
| |
| |
| James Brown and Aretha Franklin | |
| |
| |
| Urban Folk Music in the 1960s: Bob Dylan | |
| |
| |
| The Counterculture and Psychedelic Rock | |
| |
| |
| Sgt. Pepper's Lonely Hearts Club Band | |
| |
| |
| San Francisco Rock: Jefferson Airplane, Janis Joplin, and the Grateful Dead | |
| |
| |
| Guitar Heroes: Hendrix and Clapton | |
| |
| |
| |
| The 1970S: Rock Music, Disco, And The Popular Mainstream | |
| |
| |
| Country Music and the Pop Mainstream | |
| |
| |
| A 1970s Jukebox: Some Characteristic Sounds of the Decade | |
| |
| |
| Rock Comes of Age | |
| |
| |
| ""Night Fever"": The Rise of Disco | |
| |
| |
| |
| Outsiders' Music: Progressive Country, Reggae, Punk, Funk, And Rap, 1970S | |
| |
| |
| The Outlaws: Progressive Country Music | |
| |
| |
| ""I Shot the Sheriff"": The Rise of Reggae | |
| |
| |
| The Rise of Salsa Music | |
| |
| |
| ""Psycho Killer"": 1970s Punk and New Wave | |
| |
| |
| ""Tear the Roof off the Sucker"": Funk Music | |
| |
| |
| ""Rapper's Delight"": The Origins of Hip-Hop | |
| |
| |
| |
| The 1980S: Digital Technology, Mtv, And The Popular Mainstream | |
| |
| |
| Digital Technology and Popular Music | |
| |
| |
| A 1980s CD Changer | |
| |
| |
| A Tale of Three Albums | |
| |
| |
| ""Baby I'm A Star"": Prince, Madonna, and the Production of Celebrity | |
| |
| |
| |
| ""Smells Like Teen Spirit"": Hip-Hop, ""Alternative"" Music, And The Entertainment Business | |
| |
| |
| Hip-Hop Breaks Out (1980s-1990s) | |
| |
| |
| Techno: Dance Music in the Digital Age | |
| |
| |
| Alternate Currents | |
| |
| |
| Women's Voices: Alternative Folk, Hip-Hop, and Country | |
| |
| |
| Globalization and the Rise of World Music | |
| |
| |
| |
| Conclusion | |
| |
| |
| Music and Identity | |
| |
| |
| Technology and the Music Business | |
| |
| |
| Centers and Peripheries | |
| |
| |
| Appendix: Illustrations of Key Music Terms | |
| |
| |
| Glossary | |
| |
| |
| Bibliography | |
| |
| |
| Timeline | |
| |
| |
| Credits | |
| |
| |
| Index | |
| |
| |
| CD Track List | |