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| New to this edition | |
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| Preface to the Enhanced Sixth Edition: | |
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| Preface: | |
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| Keyboard Basics | |
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| Keyboard Posture | |
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| Finger Numbers | |
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| Basic Note Values | |
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| The Keyboard | |
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| The Major Five-Finger Pattern | |
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| Dynamics | |
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| Reading Notes | |
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| IntervalsKeeping Time | |
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| Slur and Phrase Markings | |
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| Key Signature | |
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| Transposition | |
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| Eighth Notes and Eighth Rests | |
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| Drone Bass | |
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| Repertoire | |
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| Improvisation | |
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| Harmonization | |
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| Sightreading Stud | |
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| Rhythmic Studies | |
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| Ensemble Pieces | |
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| Worksheet Review | |
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| Reading | |
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| A Jazz Waltz | |
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| Keveren | |
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| Beethoven, Shepherd''s Song ("Pastoral" from Symphony No. 6) | |
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| Classic Miniatures: Gurlitt, The Contest, Op. 136, No. 3; Beyer, Two Etudes | |
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| Repertoire | |
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| Bartok, Melody (No. 1 from First Term at the Piano) | |
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| Ensemble Pieces | |
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| Wohlfahrt, Waltz, Op. 87, No. 39 (from The Children''s Musical Friend) | |
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| Mach, Ancient Chinese Bells | |
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| The Five-Finger Pattern | |
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| Playing in Different Registers | |
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| Tempo Markings | |
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| More Dynamic Markings | |
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| Dotted Quarter Notes | |
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| AccidentalsSlurs | |
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| Parallel Motion6/8 Time | |
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| Identifying Flat Key Signatures | |
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| Change of Dynamics | |
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| Contrary Motion | |
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| Major Triads | |
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| Five-Finger Studies and Triads in Major | |
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| The Minor Five-Finger Pattern | |
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| Minor TriadsFive-Finger Studies and Triads in Major and Minor | |
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| More Tempo Markings | |
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| Pieces Using Major and Minor Triads | |
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| The Dominant Seventh Chord | |
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| Block-Chord Accompaniment with I and V6/5Music Chord Symbols | |
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| Five-Finger Melodies with Letter-Name Chord Symbols for I and V6/5 Chord | |
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| Accompaniments | |
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| The Subdominant Chord | |
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| Cadences | |
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| The Circle of Fifths and Major Key Signatures | |
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| Pieces with I-IV6/4-V6/5 Accompaniments | |
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| Five-Finger Melodies with Letter-Name Chord Symbols for I, IV6/4, and V6/5 Chord | |
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| Accompaniments | |
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| Changing Five-Finger Positions | |
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| Repertoire | |
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| Improvisation | |
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| Creative Music and Harmonization | |
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| Sightreading Studies | |
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| Rhythmic Studies | |
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| Technical Studies | |
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| Ensemble Pieces | |
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| Worksheet Review | |
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| Reading | |
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| Mach, Sahara | |
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| Mach, Shoestring Boogie | |
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| Classic Miniatures: Reinagle, Minuet; Beyer, Etude in A Minor, Op. 101, No. 60Repertoire | |
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| Beyer, Etude in DEnsemble Piece | |
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| Diabelli, Scherzo, Op. 149, No. 6 (from Melodious Pieces) | |
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| Pieces with Easy Accompaniments | |
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| Major Scales | |
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| Major Scales in Tetrachord Position | |
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| Major Scales with Fingerings for Both Hands Together | |
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| Scale Studies in Clusters | |
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| Triads on Major-Scale Degrees | |
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| Intervals of a Sixth, Seventh, and Eighth (Octave) | |
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| Extending the Five-Finger Position | |
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| Sixteenth Notes and Sixteenth Rests | |
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| The Dotted Eighth Note | |
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| Musical Forms: AB and ABA | |
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| Melodies with Letter-Name Chord Symbols for I, IV6/4, and V6/5 Chords | |
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| Broken-Chord Accompaniment Patterns | |
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| Waltz Pattern | |
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| Arpeggio Accompaniment Patterns | |
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| Syncopation | |
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| The Damper PedalOther Accompaniment Patterns | |
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| Secondary Chords | |
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| Intervals Within the Scale | |
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| Melodic Lines with Intervals | |
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| Chord Inversions | |
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| The Damper Pedal (Indirect Pedaling)Hymn Style | |
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| Augmented and Diminished Triads | |
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| Repertoire | |
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| Improvisation | |
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| Creative Music and Harmonization | |
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| Sightreading Studies | |
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| Rhythmic Studies | |
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| Technical Studies | |
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| Ensemble Pieces | |
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| Worksheet Review | |
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| Reading | |
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| Gurlitt, Moving Along | |
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| Mach, Apple Street Rag | |
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| Classic Miniatures: Kuhlau, Scotch Dance; Turk, TeasingRepertoire | |
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| Mach, Perpetual Motion | |
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| Oesten, Hunting HornsEnsemble Pieces | |
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| Au Clair de la Lune: | |
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| Howard, Hello, Ma'' Baby | |
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| Tonality and Atonality | |
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| Minor Scales | |
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| Minor Key Signatures | |
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| Natural Minor Scales in Tetrachord Positions | |
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| Harmonic Minor Scalesi-iv6/4-i-V6/5-i Chord Progression | |
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| Parallel Major and Minor Scales | |
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| Other Scale Forms (Modes) | |
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| The Chromatic ScaleJazz | |
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| Pandiatonicism | |
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| The Whole-Tone Scale | |
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| Bitonality | |
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| Atonality | |
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| Innovative Notations | |
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| Quartal Harmony | |
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| Repertoire | |
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| Bitonal Improvisation | |
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| Sightreading Studies | |
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| Ensemble Pieces | |
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| Worksheet Review | |
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| Reading | |
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| Dark Eyes | |
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| Classic Miniatures: Kohler, Etude, Op. 190, No. 31; Rousseau, The VillageProphetRepertoire | |
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| Salutrinskaya, Shepherd PipesEnsemble Pieces | |
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| Tchaikovsky, Sugar Plum Fairy Dance (from The Nutcracker Suite) | |
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| Wells, Gallop | |
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| Letter-Name Chord Symbols | |
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| Letter Names of I, IV, and V7 Chords | |
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| Melodies with Letter-Name Chord Symbols | |
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| Famous Themes | |
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| Strumming Accompaniments | |
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| Arpeggio Accompaniments | |
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| Major and Minor Seventh Chords | |
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| Letter-Name Chord Chart | |
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| Ensemble Pieces | |
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| Melodies to Harmonize | |
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| Dona Nobis Pacern | |
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| Hush Littl | |