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| Writings on Music | |
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| Author's Preface | |
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| Editor's Preface | |
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| Introduction | |
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| Early Works (1965-68) | |
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| Excerpts from an Interview in Art Forum | |
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| Music as a Gradual Process (1968) | |
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| Wavelength by Michael Snow (1968) | |
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| The Phase Shifting Pulse Gate-four Organs-phase Patterns-an End to Electronics (1968-70) | |
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| Some Optimistic Predictions (1970) About the Future of Music | |
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| First Interview with Michael Nyman (1970) | |
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| Gahu-a Dance of the Ewe Tribe in Ghana (1971) | |
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| Drumming (1971) | |
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| Clapping Music (1972) | |
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| Postscript to a Brief Study of Balinese and African Music (1973) | |
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| Notes on Music and Dance (1973) | |
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| Six Pianos (1973) | |
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| Music for Mallet Instruments, Voices, and Organ (1973) | |
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| Steve Reich and Musicans (1973) | |
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| Music and Performance (1969-74; 1993) | |
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| Videotape and a Composer (1968) | |
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| Dachau, 1974 by Beryl Korot | |
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| Music for 18 Musicians (1976) | |
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| Second Interview with Michael Nyman (1976) | |
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| Music for a Large Ensemble (1978) | |
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| Octet (1979) | |
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| Variations for Winds, Strings, and Keyboards (1979) | |
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| Tehillim (1981) | |
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| Hebrew Cantillation as an Influence on Composition (1982) | |
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| Vermont Counterpoint (1982) | |
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| Eight Lines (1983) | |
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| The Desert Music (1984) | |
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| The Desert Music-steve Reich in Conversation with Jonathan Cott (1984) | |
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| Sextet (1985) | |
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| New York Counterpoint (1985) | |
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| Three Movements (1986) | |
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| Tenney (1986) | |
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| Texture-space-survival (1987) | |
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| The Four Sections (1987) | |
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| Electric Counterpoint (1987) | |
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| Non-Western Music and the Western Composer (1988) | |
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| Different Trains (1988) | |
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| Chamber Music-an Expanded View (1989) | |
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| Questionnaire (1989) | |
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| On the Size and Seating of an Orchestra (1990) | |
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| Aaron Copland (1990) | |
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| John Cage (1992) | |
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| Kurt Weill, the Orchestra, and Vocal Style-an Interview with K. Robert Schwarz (1992) | |
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| The Cave | |
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| Jonathan Cott Interviews Beryl Korot and Steve Reich on the Cave (1993) | |
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| Thoughts About the Madness in Abraham's Cave (1994) Steve Reich and Beryl Korot | |
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| Answers to Questions About Different Trains (1994) | |
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| Duet (1994) | |
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| Nagoya Marimbas (1994) | |
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| The Future of Music for the Next 150 Years (1994) | |
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| Beautiful /ugly (1994) | |
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| Sch�nberg (1995) | |
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| City Life (1995) | |
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| Proverb (1995) | |
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| Music and Language (1996) | |
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| Feldman (1997) | |
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| Berio (1997) | |
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| Three Tales (1998-2002) Steve Reich and Beryl Korot | |
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| Triple Quartet (1999) | |
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| Know What is Above You (1999) | |
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| Two Questions About Opera (1999) | |
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| Ligeti (2000) | |
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| De Keersmaeker, Kylian, and European Dance (2000) | |
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| Steve Reich in Conversation with Paul Hillier (2000) | |
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| Text Credits | |
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| Bibliography | |
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| Index | |