| |
| |
Each chapter includes Study and Discussion Questions and References | |
| |
| |
Preface | |
| |
| |
| |
Choral Administration | |
| |
| |
| |
Becoming a Choral Music Director | |
| |
| |
The Professional Choral Music Educator | |
| |
| |
Qualifications for the Choral Conductor | |
| |
| |
Historical Perspectives | |
| |
| |
Future Directions | |
| |
| |
| |
Developing a Philosophy for the Music Program | |
| |
| |
The National Standards | |
| |
| |
Advocacy for Music in the Schools | |
| |
| |
Intrinsic versus Extrinsic Values | |
| |
| |
A Rationale for Music Education | |
| |
| |
| |
Promoting and Recruiting for Choral Success | |
| |
| |
Building a Public Relations Program | |
| |
| |
The Choir Newsletter | |
| |
| |
Recruiting Choristers | |
| |
| |
Using Standardized Tests | |
| |
| |
| |
Planning and Building the Choral Program | |
| |
| |
The Master Schedule | |
| |
| |
Designing the Choral Curriculum | |
| |
| |
Auditioning the Singers | |
| |
| |
Guidelines for Voice Classification | |
| |
| |
| |
Processing the Flow of Information | |
| |
| |
Written Communication | |
| |
| |
Evaluating and Reporting Achievement | |
| |
| |
Lesson Planning | |
| |
| |
Informing Others | |
| |
| |
| |
Managing the Choral Program | |
| |
| |
Budgetary Procedures | |
| |
| |
Music Supplies, Equipment, and Concert Attire | |
| |
| |
The Choral Music Library | |
| |
| |
Rewards to Stimulate Pride and Motivation | |
| |
| |
| |
Optional Projects | |
| |
| |
A Rationale for Teaching Music | |
| |
| |
Preparing Promotion Materials | |
| |
| |
Choral Auditioning | |
| |
| |
Lesson Planning | |
| |
| |
| |
Rehearsal And Performance Planning | |
| |
| |
| |
Working with Adolescent Singers | |
| |
| |
The Nature of Adolescents | |
| |
| |
The Female Voice Change | |
| |
| |
The Male Voice Change | |
| |
| |
Appropriate Part Voicings | |
| |
| |
| |
Planning for Discipline and Choir Conduct | |
| |
| |
Attributes of Good Teaching | |
| |
| |
Four Modes of Discipline | |
| |
| |
Basic Rules, Consequences, and Enlisting Help | |
| |
| |
Guidelines for Classroom Management | |
| |
| |
| |
Choosing the Music | |
| |
| |
Guidelines for Choosing Quality Choral Literature | |
| |
| |
Locating Quality Choral Literature | |
| |
| |
Programming Objectives | |
| |
| |
Programming Sacred Music in the Schools | |
| |
| |
| |
Preparing the Choral Rehearsal and Music | |
| |
| |
The Rehearsal Schedule | |
| |
| |
The Rehearsal Format | |
| |
| |
Preparing the Music | |
| |
| |
Placement of Singers | |
| |
| |
| |
Organizing Performances | |
| |
| |
Concert Preparation | |
| |
| |
Choir ToursChoral Festivals | |
| |
| |
Competitions | |
| |
| |
| |
Popular Music Presentations | |
| |
| |
Broadway Musical Productions | |
| |
| |
Swing Choirs | |
| |
| |
Show Choirs | |
| |
| |
Vocal Jazz Ensembles | |
| |
| |
Selected Bibliography for Broadway Musical Productions | |
| |
| |
| |
Optional Projects | |
| |
| |
Code of Conduct | |
| |
| |
Show Choir Choreography | |
| |
| |
Choral Rehearsal Observation | |
| |
| |
| |
Choral Techniques | |
| |
| |
| |
Vocal Development | |
| |
| |
| |
| |
| |
Posture Development | |
| |
| |
Breath Management: Breathing Motion | |
| |
| |
Breath Management: Control | |
| |
| |
Breath Management: Support | |
| |
| |
| |
Vocal Development | |
| |
| |
| |
| |
| |
Vocal Registers | |
| |
| |
Resonant Tone Production | |
| |
| |
Diction | |
| |
| |
Expression | |
| |
| |
| |
Energizing the Choral Warm-UpEnergize the Body | |
| |
| |
Energize the Breath | |
| |
| |
Energize the Ear | |
| |
| |
Energize the Voice | |
| |
| |
Summary | |
| |
| |
Vocal Skills Development Outline: Energizing the Warm-Up | |
| |
| |
| |
Teaching Sight-Singing Skills | |
| |
| |
Historical Overview | |
| |
| |
How to Teach Sight-Singing | |
| |
| |
Scheduling Time for Sight-Singing | |
| |
| |
Assessing Sight-Singing Skills | |
| |
| |
| |
Rehearsing the Choir | |
| |
| |
Introducing a New Choral Work | |
| |
| |
Whole-Part-Whole Strategy | |
| |
| |
Directing an Efficient Rehearsal | |
| |
| |
Common Ensemble Problems | |
| |
| |
| |
Understanding Styles and Performance Practices | |
| |
| |
Medieval Era (c. 500-1450) | |
| |
| |
Renaissance Era (c. 1450-1600) | |
| |
| |
Baroque Era (c. 1600-1750) | |
| |
| |
Classical Era (c. 1750-1825) | |
| |
| |
Romantic Era (c. 1825-1900) | |
| |
| |
Contemporary Era (c. 1900-Present) | |
| |
| |
| |
Presenting the Performance | |
| |
| |
The Concert Program | |
| |
| |
Technical Matters | |
| |
| |
Dress Rehearsal | |
| |
| |
Conducting the Concert | |
| |
| |
| |
Directing Other Choral Organizations | |
| |
| |
The Community or Civic Chorus | |
| |
| |
Church Choirs | |
| |
| |
Children's Choirs | |
| |
| |
Nontraditional Choirs | |
| |
| |
| |
Optional Projects | |
| |
| |
Planning and Leading a Warm-Up Routine | |
| |
| |
Planning and Leading a Sight-Singing Exercise | |
| |
| |
Rehearsing the Choir (Microteaching) | |
| |
| |
Developing a Concert Program | |
| |
| |
Epilogue: Moving Into The Workplace | |
| |
| |
| |
Planning for Success | |
| |
| |
| |
Creating a Successful Student Teaching Experience | |
| |
| |
The Job SearchProfessional Growth and Development | |
| |
| |
Dealing with Stress and Burnout | |
| |
| |
Appendixes | |
| |
| |
| |
Music Publishers and Distributors | |
| |
| |
| |
Manufacturers of Equipment, Supplies, and Attire | |
| |
| |
| |
Lists of Recommended Choral Repertory | |
| |
| |
| |
Voice Class Resources | |
| |
| |
| |
Sight-Singing Materials | |
| |
| |
Index | |