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| Jose Marti: An Introduction | |
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| Chronology | |
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| Suggestions for Further Reading | |
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| Earliest Writings | |
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| Abdala | |
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| Letter to His Mother from Prison | |
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| Political Prison in Cuba | |
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| 1871-1881 | |
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| Notebooks 1-3 | |
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| Early Journalism | |
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| The Poor Neighborhoods of Mexico City | |
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| Sarah Bernhardt | |
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| Impressions of America (by a very fresh Spaniard) | |
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| 1882-1890 | |
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| Poetry | |
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| Prologue to Juan Antonio Perez Bonalde's Poem of Niagara | |
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| Ismaelillo | |
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| Waking Dream/Sueno despierto | |
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| Fragrant Arms/Brazos fragantes | |
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| My Kinglet/Mi reyecillo | |
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| Son of My Soul/Hijo del alma | |
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| Free Verses/Versos libres | |
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| My Verses | |
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| The Swiss Father/El padre suizo | |
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| Famous Island/Isla famosa | |
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| Love in the City/Amor de ciudad grande | |
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| I Hate the Sea/Odio el mar | |
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| Winged Cup/Copa con alas | |
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| Notebooks 4-15 | |
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| Undated Fragment | |
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| A Passion | |
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| from The Golden Age | |
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| Pin the Tail on the Donkey: A New Game and Some Old Ones | |
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| Letters from New York | |
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| Coney Island | |
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| The Trial of Guiteau | |
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| Prizefight | |
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| Emerson | |
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| Tributes to Karl Marx, Who Has Died | |
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| from La America | |
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| The Brooklyn Bridge | |
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| The Glossograph | |
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| Indigenous Art | |
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| Mexico, the United States, and Protectionism | |
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| Graduation Day | |
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| The Indians in the United States | |
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| The World's Biggest Explosion | |
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| Impressionist Painters | |
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| A Great Confederate Celebration | |
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| The Cutting Case | |
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| The Poet Walt Whitman | |
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| Class War in Chicago: A Terrible Drama | |
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| A Walking Marathon | |
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| New York Under Snow | |
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| Blaine's Night | |
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| A Chinese Funeral | |
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| Inauguration Day | |
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| Political Correspondence | |
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| Letter to Emilio Nunez | |
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| Letter to General Maximo Gomez | |
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| A Vindication of Cuba | |
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| 1891-1894 | |
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| Poetry | |
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| Simple Verses/Versos sencillos | |
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| Prologue | |
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| I (I am an honest man/Yo soy un hombre sincero) | |
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| III (I hate the masks and vices/Odio la mascara y vicio) | |
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| XXVIII (Past the manor with the tomb/Por la tumba del cortijo) | |
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| XXX (Blood-hued lightning cleaves/El rayo surca, sangriento) | |
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| XXXVI (Yes, I know: flesh/Ya se: de carne se puede) | |
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| XLV (I dream of marble cloisters/Sueno con claustros de marmol) | |
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| Notebooks 18-20 | |
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| Letters from New York | |
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| Our America | |
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| The Lynching of the Italians | |
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| The Monetary Conference of the American Republics | |
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| A Town Sets a Black Man on Fire | |
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| from Patria | |
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| The Abolition of Slavery in Puerto Rico | |
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| My Race | |
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| To Cuba! | |
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| The Truth About the United States | |
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| 1895 | |
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| Politics | |
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| The Montecristi Manifesto | |
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| Final Correspondence | |
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| Letter to His Mother | |
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| Letter to Manuel Mercado | |
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| War Diaries | |
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| From Montecristi to Cap-Haitien | |
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| From Cap-Haitien to Dos Rios | |
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| Afterword | |
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| Notes | |
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| Index | |